This copy shows very minor wear. Buchnummer des Verkäufers
Inhaltsangabe: "It is unspeakable, godless, hopeless. I am no longer an artist interested and curious. I am a messenger who will bring back word from the men who are fighting to those who want the war to go on forever. Feeble, inarticulate, will be my message, but it will have a bitter truth." - Paul Nash, 1918, at Passchendaele. The trauma of the First World War had an immensely powerful effect on the painters, sculptors, and printmakers who participated in it. They produced an extraordinary range of striking images that conveyed the immediacy and horror of their experiences and feelings. This arresting book is the first to bring together and examine the full international array of images spawned by the Great War. Richard Cork shows how avant-garde artists from Europe, Russia, and the United States challenged the recruiting posters and other propagandist views of the struggle by producing art that reflected the degradation of the trenches. The conflict was anticipated before hostilities began by the visionary and apocalyptic work of painters such as Meidner and Kandinsky. Chagall, Nevinson, Hartley, Beckmann, Kirchner, and other artists were quick to define war's essential tragedy with objective, expressionist, or allegorical art that alluded to their own wartime experiences. The harshest images of war were made in the latter stages or after the Armistice, when artists such as Dix had time to consider their participation in the war. Ironically, the post-war years also witnessed the redemptive work of Spencer and Brancusi, who after the Armistice produced monumental affirmations of brotherhood, fortitude, and love. This lavishly illustrated book will accompany a major exhibition of art from World War I, to be held at the Altes Museum in Berlin from June 4 to August 28 and at the Barbican Art Gallery in London from September 29 to December 11, 1994.
Titel: A Bitter Truth: Avant-Garde Art and the ...
Verlag: Yale University Press
Zustand: Very Good
Buchbeschreibung Yale University Press, 1994. Buchzustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Buchnummer des Verkäufers 4720895
Buchbeschreibung Yale University Press, New Haven, 1994. Hard Cover. Zustand des Schutzumschlags: Very Good. (Published in asscoiation with Barbican Art Gallery) Large quarto, illustrated endpapers, 336pp., profusely illustrated in mono. and colour. Minimal wear. A near-fine copy in like dustwrapper and removable clear protective wrap. Heavy: please ask for shipping rate if outside the U.K. Buchnummer des Verkäufers 41186
Buchbeschreibung yale, 1994. Hardcover. Buchzustand: Good. Zustand des Schutzumschlags: Good. First Edition. ~~Lightly used Withdrawn ex-library hardback, usual stamps to end-papers and label to base of DJ spine~~VG-/Good+ 1st edition very large, very heavy 1994 Yale hardback, unclipped DJ with many illustrations throughout, DJ in protective sleeve. Label attached to base of DJ spine, blank log-sheet to fly-leaf, stamps to edges of page block else VG. Sent Airmail at no extra cost; Worldwide Shipping IMMEDIATE 1ST CLASS/AIRMAIL DISPATCH Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; ISBN: 0300057040. ISBN/EAN: 9780300057041. Pictures of this item not already displayed here available upon request. Inventory No: 059155. Buchnummer des Verkäufers 059155
Buchbeschreibung Yale University Press. Buchzustand: Acceptable. Used - Acceptable. Sticker on cover. Heavy wear and tear. Ex-library with wear and barcode page may have been removed. Buchnummer des Verkäufers Z1-J-030-00695
Buchbeschreibung Yale University Press, New Haven, 1994. Grey hardback cloth cover. Buchzustand: VG : in very good condition. First Edition. 290mm x 250mm (11" x 10"). 336pp. Numerous b/w and colour illustrations. With dust jacket. Buchnummer des Verkäufers r8347a
Buchbeschreibung Buchzustand: Very Good. Book Condition: Very Good. Buchnummer des Verkäufers 97803000570413.0
Buchbeschreibung Yale University Press, 1994. Buchzustand: Used. This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Buchnummer des Verkäufers ABE_book_usedgood_0300057040
Buchbeschreibung Yale University., 1994. Buchzustand: Very Good. Hard Cover. Book- VG+. Dj- VG. 11.5x10. 336pp. Frontis, profuse colour & b/w plates, illus endpapers. The trauma of the First World War had an immensely powerful effect on the painters, sculptors, and printmakers who participated in it. They produced an extraordinary range of striking images that conveyed the immediacy and horror of their experiences and feelings. This arresting book brings together and examines the full international array of images spawned by the Great War. Buchnummer des Verkäufers 1616179
Buchbeschreibung Yale University Press: 1994 1st ed., 1994. First edition. Oversize. A fine hardcover book in a like dustjacket. Buchnummer des Verkäufers 106938
Buchbeschreibung Yale University Press 1994-07-27, 1994. Hardcover. Buchzustand: good. First. 0300057040. Buchnummer des Verkäufers 654952