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Inhaltsangabe: A unique and illuminating overview of the traditions of Southern fiddling, covering the key performers and compositions that defined that genre during its golden age--from the 1920s to the 1950s--and that continue to influence popular music today.
It was called "the devil's box" because the instrument was thought to be sinful to play. Yet in spite of (or perhaps partially because of) that stigma, the fiddle has long been one of America's favorite instruments.
Easily portable, stylistically versatile, and possessing an enchanting timbre, it accompanied the European settlers across America. In the 1800s, the fiddle entertained on the battlefield and on the campaign trail. When country music made its first appearance on records in the 1920s, fiddlers called the tune. To this day, the fiddle remains a distinctive element of country music, and fiddlers like Alison Krauss and Mark O'Connor are among the music's biggest stars and most innovative artists.
The key players and favorite tunes in the commercial emergence of Southern fiddling in the first half of the twentieth century are the focus of this lucid and engaging study. Among the lively portraits that emerge in The Devil's Box are those of:
Eck Robertson, the audacious Texas fiddler who jump-started the country music recording industry in 1922 by showing up unannounced at the studios of Victor Records and demanding to be recorded;
Uncle Jimmy Thompson, the feisty, white-bearded, rural fiddler whose appearance on radio station WSM in Nashville inaugurated the Grand Ole Opry;
Clayton McMichen, the dazzlingly talented but disgruntled fiddler's fiddler who preferred jazz to country music and who could never live down his early years in country music's first supergroup, the Skillet Lickers; and
Bob Wills, who popularized western swing by combining fiddle music with the sounds of big band swing and who never abandoned the fiddle music of his youth, even after dance music became far more lucrative.
Elsewhere, Wolfe discusses the background of such famous fiddle tunes as "Black Mountain Rag" and "Over the Waves," tracing their meandering and curious paths to widespread popularity, and explains how Stephen Vincent Benet's 1925 classic poem "The Mountain Whippoorwill" was inspired by country fiddler Lowe Stokes winning an Atlanta fiddle contest in 1924.
Drawing on such seldom-tapped resources as small regional newspapers, personal correspondence, and rare interviews with the fiddlers themselves as well as their families, Wolfe conjures up vivid portraits of the individuals who fashioned this distinctly American music. Along the way, he places the fiddlers and their music in a rich historical context, illuminating the threads that connect country music to blues, jazz, folk, and classical music--and, indeed, to the history of America itself.
Co-published with the Country Music Foundation Press
Inhaltsangabe: Originally published in 1997, an overview of the traditions of Southern fiddling from its beginnings to the present day. As well as information on the musicians, it contains details of record companies, music festivals, radio shows and geographical variations.
Buchbeschreibung Vanderbilt Univ Pr, 1997. Buchzustand: Fair. 1st. N/A. Shows definite wear, and perhaps considerable marking on inside. Buchnummer des Verkäufers GRP74110875
Buchbeschreibung Vanderbilt Univ Pr, 1997. Buchzustand: Very Good. 1st. N/A. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP91580539
Buchbeschreibung Vanderbilt Univ Pr, 1997. Hardcover. Buchzustand: Used: Acceptable. Buchnummer des Verkäufers SONG0826512836
Buchbeschreibung Vanderbilt Univ Pr. Hardcover. Buchzustand: Fair. Ex-Library Book - will contain Library Markings. Buchnummer des Verkäufers G0826512836I5N10
Buchbeschreibung Buchzustand: Acceptable. Book Condition: Acceptable. Buchnummer des Verkäufers 97808265128335.0
Buchbeschreibung Buchzustand: Very Good. Book Condition: Very Good. Buchnummer des Verkäufers 97808265128333.0
Buchbeschreibung Nashville, TN and London: The Country Music Foundation Press and Vanderbilt University Press, 1997., 1997. First edition, first printing (per publisher's statement and number line upon copyright page). xxiv, 232 pages. Hardcover: H 23.5cm x L 15.75cm. Purple dust jacket rubbed, spine head bumped some surface scratching and slight discoloration near front panel center; dj now inserted within mylar protector. Muted red cloth with bright gilt stamping to spine. Interior pages are clean. Binding is firm. A near fine copy in a very good dust jacket. With Foreword by Mark O'Connor, Acknowledgements, section of b/w plates on four unpaged leaves, Discography, and Index. Features "Introduction: The Commercial Fiddling Tradition" and fifteen chapters divided among three sections all titled as follows: "Part I- The Pioneers;" "The Oldest Recorded Fiddling Styles;" "The Recordings of Eck Robertson;" "Across the Amerikee: The Story of Uncle Jimmy Thompson;" "Fiddlin' Powers and His Family;" "Mr. Grayson's Train;" "Doc Roberts: Behind the Masks;" "Part II-Masters of the Long Bow;" "Clayton McMichen: The Reluctant hillbilly;" "Kessinger;" "Fiddlers' Dream: The Legend of Arthur Smith;" "Bob Wills, Fiddler;" "Slim Miller of Renfro Valley;" "Part III: Staying the Course;" "The Mystery of 'The Black Mountain Rag;'" "'Over the Waves': Notes toward a History;" "Tommy Jackson: Portrait of a Nashville Session Fiddler;" and "Ernie Hodges: From Coal Creek to Bach." ISBN 0826512836. Buchnummer des Verkäufers NEW-7808
Buchbeschreibung Vanderbilt Univ Pr, 1997. Buchzustand: very good. Gently used. Expect delivery in 2-3 weeks. Buchnummer des Verkäufers 9780826512833-3
Buchbeschreibung Vanderbilt University Press, 1997. Hard Cover. Buchzustand: Fine. Zustand des Schutzumschlags: Fine. First Edition; First Printing. Tight, clean and crisp. No inscriptions. No remainder mark. Not price clipped. Not ex-library. An excellent copy of the First Printing of the First Edition protected in a new Mylar cover. As New. ; 9 X 6 X 1 inches; 232 pages. Buchnummer des Verkäufers 17319
Buchbeschreibung Vanderbilt Univ Pr, 1997. Hardcover. Buchzustand: New. 1st. Buchnummer des Verkäufers DADAX0826512836