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Inhaltsangabe: The seminal theory developed here grew out of the collaboration of composer Fred Lerdahl and linguist Ray Jackendoff. The authors create a synthesis of the outlook and methodology of contemporary linguistics with the insights of recent music theory. Their book presents a generative grammar of music that relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. While this approach is inspired by Chomskian transformational grammar, its development is in purely musical terms rather than through literal analogies to linguistic structure. The book can be read from several perspectives. From the viewpoint of music theory as traditionally conceived, it offers many innovations, not only in notation but also in the substance of rhythmic and reductional theory. The theory is illustrated with numerous musical examples from the Western classical traditional of total music. However, there is also some discussion of other musical idioms and of the nature of musical universals, providing a rich variety of questions for historical and ethnomusicological research. Beyond purely musical issues, the book investigates a domain of human cognitive capacity and pursues a number of formal and substantive connections between music, language, and visual perception. From this point of view, the study of musical grammar can provide central evidence for a more unified theory of cognition. While the authors have published several joint articles on their work, this book is the first complete exposition of the theory. Fred Lerdahl is Associate Professor of Music at Columbia University and Ray Jackendoff is Professor Linguistics at Brandeis University. The book isthird in the series, Cognitive Theory and Mental Representation.
Über den Autor: Ray Jackendoff is Seth Merrin Professor of Philosophy and Codirector of the Center for Cognitive Studies at Tufts University. He is the author of many books, including Foundations of Language.
Buchbeschreibung Mit Pr, 1985. Paperback. Buchzustand: Acceptable. All text is legible, may contain markings, cover wear, loose/torn pages or staining and much writing. SKU:9780262620499-5-0-3. Buchnummer des Verkäufers 9780262620499-5-0-3
Buchbeschreibung MIT Press, Cambridge, MA, 1985. Paperback. Buchzustand: Very Good. Papeback, 8vo, 368pp with index. Music score samples throughout. Light uneven fading to wraps, light soiled spot on rear cover, light rubbing and wear at edges, else VG. Size: 8vo. Buchnummer des Verkäufers 95944
Buchbeschreibung MIT Press, U.S.A., 1985. Soft Cover. Buchzustand: Near Fine. Not Indicated. Buchnummer des Verkäufers 047663
Buchbeschreibung Mit Pr, Cambridge, Mass, 1985. Soft cover. Buchzustand: Good. 4to - over 9¾ - 12" tall. Cover worn, ink inscription on inside front cover. Buchnummer des Verkäufers c42551
Buchbeschreibung Buchzustand: Good. Book Condition: Good. Buchnummer des Verkäufers 97802626204994.0
Buchbeschreibung MIT, 1985. Soft cover. Buchzustand: Fine. 1st Edition. Slight wear with imprint of label back cover. Binding and content VG+. Buchnummer des Verkäufers A717
Buchbeschreibung MIT Press (1985), Cambridge [MA], 1985. orig. wrappers. 25x17cm, xiv,368 pp., PAPERBACK. Series: MIT Press Series on Cognitive Theory and Mental Representation. Rubbed. Corner bump. Some lightly pencilled marginal notes. VG. Buchnummer des Verkäufers 008352
Buchbeschreibung Mit Pr, 1985. Paperback. Buchzustand: New. Buchnummer des Verkäufers P110262620499
Buchbeschreibung Mit Pr, 1985. Paperback. Buchzustand: New. Buchnummer des Verkäufers DADAX0262620499
Buchbeschreibung Mit Pr, 1985. Paperback. Buchzustand: New. book. Buchnummer des Verkäufers 0262620499