Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "A vivid, heartfelt and personal meditation on the oldest taboo in jazz." - Mark Schone senior contributing writer, SPIN Magazine. Buchnummer des Verkäufers
Is jazz a universal idiom or is it an African-American art form? Although whites have been playing jazz almost since it first developed, the history of jazz has been forged by a series of African-American artists whose styles caught the interest of their musical generation?masters such as Louis Armstrong, Duke Ellington, John Coltrane, and Charlie Parker. Whether or not white musicians deserve their secondary status in jazz history, one thing is clear: developments in jazz have been a result of black people's search for a meaningful identity as Americans and members of the African diaspora. Blacks are not alone in being deeply affected by these shifts in African-American racial attitudes and cultural strategies. Historically in closer contact with blacks than nearly any other group of white Americans, white jazz musicians have also felt these shifts. More importantly, their careers and musical interests have been deeply affected by them. The author, an active participant in the jazz world as composer, performer, and author of several books on jazz and Latin music, hopes that this book will encourage jazz lovers to take a rhetoric-free look at the charged issue of race as has affected the world of jazz.
A work about the formulation of identity in the face of racial difference, the book considers topics such as the promotion of black Southern culture and inner-city styles like rhythm and blues and rap as a means of achieving black racial solidarity. It discusses the body of music fostered by an identification to Africa, the conversion of black jazz musicians to Islam and other Eastern religions, and the impact of a jazz community united by heroin use. White jazz musicians who identify with black culture in an unsettling form by speaking black dialect and calling themselves African-American is examined, as is the assimilation of jazz into the wider American culture.
An insider's look into the racial attitudes in the jazz community.
Buchbeschreibung Praeger, 1998. Buchzustand: Good. First Edition. N/A. Former Library book. Shows some signs of wear, and may have some markings on the inside. Buchnummer des Verkäufers GRP35506913
Buchbeschreibung Praeger, 1998. Buchzustand: Very Good. First Edition. N/A. Former Library book. Great condition for a used book! Minimal wear. Buchnummer des Verkäufers GRP34703593
Buchbeschreibung Praeger, 1998. Hardcover. Buchzustand: Used: Very Good. Buchnummer des Verkäufers SONG0275961982
Buchbeschreibung Praeger, Westport Cn., 1998. Hardcover. Buchzustand: Very Good. Zustand des Schutzumschlags: Near Fine. Excellent book and jacket. Buchnummer des Verkäufers 8276
Buchbeschreibung Buchzustand: Good. Book Condition: Good. Buchnummer des Verkäufers 97802759619854.0
Buchbeschreibung Buchzustand: Very Good. Book Condition: Very Good. Buchnummer des Verkäufers 97802759619853.0
Buchbeschreibung Praeger, Westport, CT, 1998. Cloth. Buchzustand: Near Fine. Zustand des Schutzumschlags: Near Fine Dust Jacket. 202 pp. Tightly bound. Corners not bumped. Text is free of markings. Size: 8vo - over 7¾" - 9¾" tall. Buchnummer des Verkäufers 061544
Buchbeschreibung Praeger, 1998. Hardcover. Buchzustand: Used: Very Good. Privately owned copy. Minor edge wear to dust jacket. Cover in great shape. Binding is secure. Clean pages free of writing, marks or tears. Buy with confidence! 100% satisfaction guaranteed. Buchnummer des Verkäufers 1407170002
Buchbeschreibung Buchzustand: Good. Jazz in Black and White: Race, Culture, and Identity in the Jazz Community. Buchnummer des Verkäufers Grb0970299
Buchbeschreibung Praeger. Hardcover. Buchzustand: New. 0275961982 Praeger hardcover with dust jacket, 1998, unused, No marks or 'shelf wear'.as New/as New.New mylar cover, bubble-wrapped and mailed in a Box with free delivery confirmation/tracking. Buchnummer des Verkäufers 55822G