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Titel: Magnum Stories
Verlag: Phaidon Press
This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: 61 master classes on photography by key Magnum photographers. Buchnummer des Verkäufers ABE_book_usedgood_0714842451
Inhaltsangabe: Magnum Stories is a collection of the best photo stories produced by the photographers of Magnum. Through the work of key Magnum photographers - including Henri Cartier-Bresson, Robert Capa, Eugene Richards, Martin Parr, Inge Morath and Leonard Freed - this book covers a wide range of subjects, from the Vietnam War to student protests in Tiananmen Square, Fidel Castro overthrowing the Cuban dictator in 1959, Picasso, Malcolm X, the French theatre group Theatre du Soleil, the US invasion of Grenada in the early 1980s, the New York police, Apartheid and Buddhism. This momentous compilation combines war photography, documentary, photojournalism, social realism, portraits of people and places, fashion and news. 61 Magnum photographers are featured, each of whom is represented across eight pages by a fully illustrated photo story of their choice, and a text composed from the photographer's perspective and based directly on interviews. The texts are sophisticated and idiosyncratic - each with its own distinctive voice and style - yet accessible and engaging to read. They reveal strikingly diverse perceptions and approaches to the practice and philosophy of photography: What is the photo story? What does it mean? How did it come into being, and why? The questions raised are endless; each answer given is more arresting than the last. As well as featuring the work of individual photographers, this landmark book embodies a rigorous interrogation of the form of the photo story itself as the key vehicle for photography in the twentieth century. The in-depth introduction brings this essential form to life: from its earliest developments in the 1930s, through the 'death of photojournalism', to its multi-faceted and multiplying manifestations today. The sweeping scope of Magnum Stories explores, with passion and erudition, the various influences that have defined the photo story as its own genre, spanning key twentieth-century events and the life of photographic magazines such as Newsweek, Time and Paris Match. An unprecedented reflection of the course of the twentieth-century and the opening of the twenty-first - all through the lens of a camera on the go - this book is an intellectual, historical and aesthetic tour de force.
Rezension: Imagine having 61 widely published photographers from around the world candidly discuss their careers and beliefs while showing you key images from their portfolios. That is the engaging concept of Magnum Stories. From Iran-born Abbas (whose career began with a series about the Vietcong in the 1970s) to Patrick Zachmann (who has documented the lives of Malian immigrants in his native France), each photographer is given ample space to talk about his or her work. Editor Chris Boot accompanies the interviews with a brief explanation of the cultural or political background of each suite of images. The one thing the interviewees have in common is past or current membership in Magnum, a photographers' cooperative founded in 1947 by Robert Capa, Henri Cartier-Bresson and David Seymour as a means of breaking free from the editorial tyranny of Life and other photo-based magazines. Boot's introduction deftly summarizes Magnum's history and the practicalities of postwar photography. The presence of vintage "Magnum stories" by such photographers as Erich Hartmann ("Our Daily Bread") and W. Eugene Smith ("Country Doctor") adds a welcome historical dimension. While the founding generation were mostly photo-journalists who organized their images into visual "stories," today's members often pursue topics of personal interest with photographs that do not relate a straightforward narrative. These topics range from outlaw biker gangs in the U.S. (Dennis Stock) to the mountain peoples of Laos, Guatemala and Georgia (John Vink), from the tacky seaside resort of New Brighton in Liverpool, England (Martin Parr) to Siberian prison camps (Carl De Keyzer). With nearly 800 illustrations, this distinctive, square-format book offers a kaleidoscopic survey of the many faces of documentary photography. —-Cathy Curtis
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