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Inhaltsangabe: Using modes of analysis for post-tonal music and approaches devised specifically for the study of Ives as well, the author explains the origin, evolution, and culmination of Ives's systematic methods. He discusses important aspects of the composer's early training, the relation between Ives's experimental and his concert music, Ives's fugal and canonic techniques as the basis for his systematic music, his paradigms of procedure and transformation, and pitch relations in Ives's music, particularly the unfinished Universe Symphony. Lambert refutes the popular image of Ives as a highly eccentric composer haphazardly casting about for arbitrary regulated ways of generating musical material and instead portrays him as a keenly determined and resourceful artist who gradually discovered ever more powerful tools for creating remarkably original music.
Buchbeschreibung Yale University Press July 1997, 1997. Hardcover. Buchzustand: Used - Like New. Very nice clean, tight copy free of any marks. Like new. Buchnummer des Verkäufers 208448
Buchbeschreibung Yale University Press, 1997. Hardcover. Buchzustand: Used: Very Good. Buchnummer des Verkäufers SONG0300065221
Buchbeschreibung Buchzustand: Very Good. Book Condition: Very Good. Buchnummer des Verkäufers 97803000652203.0
Buchbeschreibung Yale University Press, 1997. Hardcover. Buchzustand: New. Buchnummer des Verkäufers DADAX0300065221
Buchbeschreibung Yale University Press, 1997. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers 0300065221