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In Pursuit of Universalism: Yorozu Tetsugoro and Japanese Modern Art (The Phillips Book Prize Series)

Volk, Alicia

Verlag: University of California Press, 2010
ISBN 10: 0520259521 / ISBN 13: 9780520259522
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Titel: In Pursuit of Universalism: Yorozu Tetsugoro...

Verlag: University of California Press

Erscheinungsdatum: 2010

Einband: Hardcover

Zustand: Used


This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: "Written beautifully and compellingly."-- Jrnl of Japanese Studies. Buchnummer des Verkäufers ABE_book_usedgood_0520259521

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Inhaltsangabe: In Pursuit of Universalism is the first comprehensive, English-language study of early twentieth-century Japanese modern art. In this groundbreaking work, which is also the inaugural recipient of the Phillips Book Prize (awarded by the Phillips Collection Center for the Study of Modern Art), Alicia Volk constructs a critical theory of artistic modernism in Japan between 1900 and 1930 by analyzing the work of Yorozu Tetsugor?, whose paintings she casts as a polemic response to Japan's late-nineteenth-century encounter with European art. Volk places Yorozu at the forefront of a movement that sought to define Japanese art's role in the world by interrogating and ultimately refusing the opposition between East and West. Instead, she vividly demonstrates how Yorozu reframed modern art's dualistic underpinnings and transposed them into an inclusive and synthetic relation between the local and the universal. By looking closely at questions of cultural exchange within modern art, In Pursuit of Universalism offers a new and vital account of both Japanese and Euroamerican modernism. Volk's pioneering study builds bridges between the fields of modern and Asian art and takes its place at the forefront of the emerging global history of modern art.

Copub: The Phillips Collection

Umschlagtext: “Volk's impressive study rethinks the East-West binary often reiterated in discussions of Japanese modernism by reinserting local aspects into the universalizing tendencies of modernism itself. The book makes an important contribution to the growing literature on modern Japanese art history by providing an alternative comparative framework for understanding the global development of modernism that decenters Euro-America. Rigorously historical in her critique, Volk destabilizes our understanding of the Japanese experience of modernity through the prism of Yorozu's singular vision of the self, leaving us questioning conventional wisdom and contented to wobble.?—Gennifer Weisenfeld, Duke University

“In Volk's affectingly stunning and deeply reflective study of the Japanese artist Yorozu Tetsugor?'s work between 1910-1930, we have a profoundly historical reminder of how modernism everywhere struggled to meet the demands of the new with the readymades of received artistic practices. In this study of Yorozu's utopian universalist project, Volk has imaginatively broadened our understanding of the modernist moment and perceptively captured its global program to unify art and life, contemporary culture and history.?—Harry Harootunian, author of Overcome by Modernity: History, Culture and Community in Interwar Japan

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