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Titel: Rembrandt's Women
Verlag: Scala Publishers
Zustand: very good
Gently used. Expect delivery in 20 days. Buchnummer des Verkäufers 9781903278185-3
Inhaltsangabe: Focusing on Rembrandt's portrayal of women, this work accompanies a major exhibition at the Scottish National Gallery, Edinburgh, and the Royal Academy of Arts, London. It examines the women in Rembrandt's life, as well as his unique approach to depicting the female form in paintings, drawings and prints. The book features 140 works drawn from the finest collections in the world - sketches of women employed in household chores, mothers with babies and toddlers, paintings of smiling servant girls and wizened old women, studies of the female nude, pictures of goddesses and historical heroines, and his little-known erotic prints. It traces how mother, wife, mistress, maid and models appear in compositions, and followed how, throughout his life, Rembrandt combined classical and northern traditions, the personal and universal, with an extraordinary breadth of vision in his depiction of womankind. The essays by major Rembrandt scholars discuss the painter's biography in relation to the portrayal of the women in his household; the social position of women in Rembrandt's time; the artistic context of Rembrandt's nudes; the identity of the women who modelled for artists in 17th-century Holland; the significance of costume and jewellery in Rembrandt's images; eroticism in Rembrandt's works; and responses to Rembrandt's portrayal of women of later artists through the 18th and 19th centuries up to Picasso.
Rezension: Rembrandt famously had three women in his life: Saskia, the burgomaster's daughter, who died at 30; Geertje Dircks, the housekeeper with whom he had a bitter quarrel; and Hendrickje Stoffels, the servant girl who bore him a child and loyally stood by him in bankruptcy. Part of the mystique of his art, fueled by its emotional depth, is that his female figures are portraits of members of his household. The truth of the matter is more cloudy, though, since no documented portraits of the two servants exist. But scholars are interested in many other aspects of Rembrandt's women, as this exceptional book explains in six lively essays and detailed discussions of 140 works. They range from major paintings ( Susanna and the Elders, Danae) to intimate etchings and drawings of women in domestic settings.
The essays explore a variety of issues, ranging from the 17th-century Dutch notion of female beauty (was flab more attractive then?) to the significance of handkerchiefs held by women in portraits of the era. A key theme in these pages is the way Rembrandt's transformation of traditional mythological and biblical scenes featuring nude women created a new level of erotic immediacy. Scholars have unearthed some interesting answers to questions like, What sort of woman in 17th-century Amsterdam would allow herself to be portrayed nude in a work of art?
Published to coincide with an exhibition of the same name organized by the National Gallery of Scotland--on view at the Royal Academy of Arts, London through December 16, 2001--Rembrandt's Women offers an abundance of color and black-and-white reproductions in an attractive format. The fresh and far-ranging approach to the artist's life and times make the book a must for every Rembrandt lover's bookshelf. --Cathy Curtis
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