Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: This publication follows and studies the role that Christianity plays in modern poetic fiction, versus earlier poetic fiction. Buchnummer des Verkäufers
Inhaltsangabe: The first full-fledged application of the sacrificial model to fiction from the Middle Ages to the modern era. Cesareo Bandera contends that we badly misjudge our own historical situation if we believe that the sacred is something that can be left behind or ignored as utterly irrelevant. The Sacred Game argues that the sacred is all around us and its most characteristic manifestation is precisely the 'allergic' reaction and subsequent barrier it produces in our 'secular' sensitivity as soon as we come in contact with it. The Sacred Game examines the transition from the Middle Ages to the modern era from a Girardian perspective. It brings light to the weakening of the traditional association of literature with the sacred and its far-reaching consequences, and it studies the logic that governs the emergence of the most characteristic forms of modern fiction, the modern novel and the modern theater. Bandera emphasizes the unprecedented character of what happened to literary fiction during this transition. While the historical facts of the period are well known, Bandera presents them in a new light. The result is a new theory of literary fiction that challenges certain well-established approaches, in particular the nineteenth-century liberal romantic and Marxist approaches.
Über den Autor: Cesareo Bandera is University Distinguished Professor of Romance Languages at the University of North Carolina and author of Mimesis conflictiva: Ficcion literaria y violencia en Cervantes y Calderon (Gredos, 1975).
Buchbeschreibung Pennsylvania State Univ Pr (Txt), 1994. Buchzustand: Fair. N/A. Ships from Reno, NV. Former Library book. Shows definite wear, and perhaps considerable marking on inside. Buchnummer des Verkäufers GRP88581602
Buchbeschreibung Pennsylvania State University Press, 1994. Hardcover. Buchzustand: New. No Jacket. 1st Edition.. NEW/UNUSED/UNMARKED/UNREAD from the Publisher. No Dust Jackets Issued/Light Khaki Cloth Over Boards. Not a Remainder, Return, or Previously Owned. U.S. Domestic Tracking/Confirmation Included. Via USPS, Will Ship International, APO/FPO/DPO, PO Boxes, all US 50 States/Territories, Priority and please inquire for Express. All orders are packed carefully/securely, with packing materials to help with quality control, so you may receive your order as described or better, and shipped directly from our facility to provide fast/personal service. We do our best to ship before expected shipping date and provide honest descriptions. [Note: Residential/Office Deliveries- Please give details on your order how you would like your package left so we may help prevent loss. Once USPS confirms delivery, we are no longer responsible for the item.] Please contact us anytime for assistance. Thank you for your business! [Product Description: This work examines the transition in literature from the Middle Ages to the modern era, in particular the logic that governed the emergence of the novel and modern theatre, and the erosion of the traditional links between literature and the scared. ]. Buchnummer des Verkäufers ABE-147030264
Buchbeschreibung Pennsylvania State University Press, University Park, Pa, 1994. Hardcover. Buchzustand: Very Good. . . . . 8vo, hardcover. No dust jacket; tan cloth. Vg+ condition. Contents bright, crisp & clean, unread; exterior faintly smudged in a few spots from storage. ix, 318 p. Buchnummer des Verkäufers 1091020.32
Buchbeschreibung Pennsylvania State Univ Pr (Txt), 1994. Hardcover. Buchzustand: New. Buchnummer des Verkäufers DADAX027101301X
Buchbeschreibung Pennsylvania State Univ Pr (Txt), 1994. Buchzustand: very good. Gently used. Expect delivery in 2-3 weeks. Buchnummer des Verkäufers 9780271013015-3