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Inhaltsangabe: Photographs by W. Eugene Smith
Illustrated biography by Ben Maddow
Afterword by John G. Morris
Let Truth Be The Prejudice documents the life and work of W. Eugene Smith, a man whose work expanded the range and depth of photography, bringing new aesthetic and moral power to the photo essay. Smith was born in 1918 in Wichita, Kansas, and raised according to traditional American values, believing in the nobility of America and the injustice of war. He began taking pictures with his mother's camera while still a boy and continued this practice throughout his schooling. In 1937 his burning ambition took him to New York City, where his rise as a professional photographer was meteoric.
Before he was twenty-one, Smith had placed hundreds of photographs in the major picture magazines of the time. Dramatic composition, a hard-edged brilliance, and a mastery of lighting were evident even in this early work. But the moment of true ground-breaking would occur during World War II. It was when Smith went ashore with the Marines at Saipan, Guam, and Iwo Jima that his work and his sense of moral responsibility came together. He wrote: "Each time I pressed the shutter release it was a shouted condemnation hurled with the hope that they might echo through the minds of men in the future-- causing them caution and remembrance and realization." Breaking from the concerns of the mass media, his personal priorities were born. Smith's war photographs earned him repeated and justified comparisons to Mathew Brady. His coverage of American prisoner-of-war camps helped convince the Japanese that their fears were exaggerated, and stopped the suicide of thousands of terrified citizens upon the advance of American troops. This would not be the last time that Smith's work would change as well as document history.
After the war, Smith became a staff photographer at Life magazine, where he created many of his most famous photographs. The essays "Country Doctor" and "Nurse Midwife" influenced an entire generation. Smith moved from mine villages in Great Britain to Albert Schweitzer in French Equatorial Africa to a sweeping study of Spanish village life. At a meeting of the Ku Klux Klan he created haunting images of hatred, fear, and bigotry, which beautifully counterpoint the humanity of his great Life0 essays. Smith also showed his skill at portraiture, shooting many of the luminaries of the time.
His frustrations with commercial publishing finally led to a split with Life magazine in 1954, a true case of "artistic differences." He devoted his remaining twenty-four years to independent projects. It was a period of intense personal suffering and poverty. During these years he pushed one project, "Pittsburgh," virtually to the breaking point and along the way created photography's greatest urban landscape.
His last great essay, "Minamata," depicted both the human suffering caused by mercury poisoning in a Japanese industrial port, and helped put an end to that pollution. A severe beating by factory thugs aggravated his already failing health and on October 15, 1978, he died. Over the span of forty driven years, Smith dreamed on an epic scale and his accomplishments were heroic. He once wrote: "Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold."
Here is the definitive work on Smith's life and work, containing his major photo-essays, the portrait work, and spanning his brilliant career from his days aboard an aircraft carrier, through the breadth of Pittsburgh, to the human suffering explicit in his last great essay in Minamata. All these images have been painstakingly reproduced to insure the greatest quality in testament to Smith's genius.
Moral passion and photographic truth were inseparable to Gene Smith. He pursued both and the measure of his greatness is that he compromised neither. His achievements were realized at no small cost to himself and those around him. In the accompanying biography, "The Wounded Angel," author Ben Maddow takes the measure of the man and looks unflinchingly at the muses and demons that drove W. Eugene Smith to the fulfillment of his dream of greatness. Maddow's biography is the first published in-depth portrayal of Gene Smith's life. It is a dramatic saga made all the more vivid by Maddow's commitment to the facts and his subject.
Über den Autor:
Ben Maddow is a prize-winning poet and short-story writer, an essayist and critic of photography. During his career, he has been a film director and producer, painter and photocollagist, and the author of some twenty screenplays including the classic Asphalt Jungle (with John Huston) and Intruder in the Dust. He has written several novels as well as the award-winning biography Edward Weston, Fifty Years.
Buchbeschreibung Aperture. Paperback. Buchzustand: Good. Book shows a small amount of wear to cover and binding. Some pages show signs of use. Buchnummer des Verkäufers G0893812072I3N00
Buchbeschreibung Viking Penguin [distributor], 1985. Paperback. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG0893812072
Buchbeschreibung Viking Penguin [distributor], U.S.A., 1985. Soft cover. Buchzustand: Very Good. FOLIO. 240 PAGES, WITH MANY FULL PAGE ILLUSTRATIONS(EXTRA POSTAGE REQUIRED). Buchnummer des Verkäufers 030379
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Buchbeschreibung Aperture and the Philadelphia Museum of Art, 1985. Softcover exhibition catalog, 240 pages, very good condition, clean and crisp, no internal marks. Foreign shipping may be extra. Buchnummer des Verkäufers LeSmAp40
Buchbeschreibung PHILADELPHIA MUSEUM of ART; APERTURE,, * * * * *. Soft cover. Buchzustand: Fine. 1st Edition. B00K: Fine/, $61.03 0893812072 LET TRUTH BE the PREJUDICE: W. EUGENE SMITH, HIS LIFE and PHOTOGRAPHS * SMITH, W. Eugene; MADDOW, Ben; MORRIS, John G. PHILADELPHIA MUSEUM of ART; APERTURE, PHILADELPHIA / NY, No Certain Date Of Publication Probably, 1sT Edition Tall Wide S/C. Black Colored Spine, With Title In White And Red Letters, Soft Cover BooK: Fine/, Almost As New/, Slightest Shelf, Edge And Corner Wear. 240 Numbered Pages, Printed On Off White Paper, In As New/ Condition/, That Were Lightly Viewed, And Are Clean, And Tight To The Spine, Slight Shelf, Edge And Corner Wear. Removable Supplemental Price Sticker, Bottom Of Rear Cover. Acquired From The Estate Of Myer Lightman, Who Was Downsizing. Description Applies To This BooK, ONLY. This BooK Is Hard To Find, Will Be Packaged And Shipped Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. WORLD WIDE Shipping, AVAILABLE. Buchnummer des Verkäufers 010683
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Buchbeschreibung Aperture, New York, New York, U.S.A., 1985. Buchzustand: Very Good +. First Softcover Edition. First Softcover Edition. VG+. Softcover, glossy pictorial stiff wraps, 240 pp, 150 b&w illustrations, folio, slight edgewear and rubbing to covers, else a clean and crisp copy. Extra shipping may apply. Buchnummer des Verkäufers 107947
Buchbeschreibung Aperture, 1985. Paperback. Buchzustand: Very Good. Buchnummer des Verkäufers P020893812072
Buchbeschreibung Aperture, New York, New York, U.S.A., 1985. Soft Cover. Buchzustand: Fine. First Edition. Folio. 240 pages. Illustrated throughout. Afterword by John G. Morris. Published in conjunction with an exhibition at the Philadelphia Museum of Art, October, 1985 - January, 1986. Tight binding, clean pages. A very faint hint of shelf wear, otherwise Very Fine. No inscriptions. No remainder mark. Not Ex-library. Collectble. Buchnummer des Verkäufers 04856