CHRISTOPHER KILLIP (32 Ergebnisse)

paperback. Zustand: New. Language: ENG.

Paperback. Zustand: Brand New. 125 pages. 6.00x5.25x0.25 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Christopher Quaile (illustrator). The dust jacket has a little wear, with a small tear on the back. The page edges are lightly foxed. 144 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size F: 9"-10" Tall (228-254mm).

hardback. Zustand: New. Language: ENG.

hardback. Zustand: New. Language: ENG.

hardback. Zustand: New. Language: ENG.

Hardcover. Zustand: Fine. First Edition. Hardback. Dust Jacket. 4to. pp 85. Original publisher's grey cloth, lettered black at the spine. Copiously illustrated in black and white throughout. ISBN: 3865213170 Fine in fine dust jacket.

Zustand: Wie neu. Steidl, Göttingen, 2006. First edition, first printing. Wonderful photobook by the maker of the legendary "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Cloth with jacket. 350 x 208 mm. 128 pages. With 50 tritone illustrations. With an essay by Clive Dilnot. Text: english. Condition: Book inside and outside new, mint, unread. Dustjacket with slightest trace of use with no tears or other defects. Overall near mint, like new condition! "I wanted to show the manufacturing process as clearly as I could and to do so in this factory meant it would have to be lit. Ironically, my stubborness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I knew in a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the operators had to take, the movement that the processes predetermined for them. I began again, rephotographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion techniques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theatre and I embraced the look of these new photographs with their relation to fashion, film noir, and even Soviet realism. For me this look seemed a more telling way to record and document this enforced ritual."***************Steidl, Göttingen, 2006. Erstausgabe. Originalausgabe. Wunderschönes Fotobuch vom Macher des legendären "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Hardcover mit Schutzumschlag. 350 x 208 mm. 128 Seiten. Mit 50 Fotos in schwarz-weiss. Mit einem Essay von Clive Dilno. Text: englisch. Zustand: Buch innen wie aussen neu, ungelesen, verlagsfrisch. Schutzumschlag mit nur leichtesten Gebrauchsspuren, aber ohne Mängel wie Risse. Insgesamt sehr guter, nahezu neuwertiger Zustand! "Ich wollte den Herstellungsprozess so genau wie möglich darstellen und in einer Fabrik bedeutet das, dass diese entsprechend beleuchtet sein müsste. Meine Starrsinn, der mich immer dazu veranlasst hat, künstliche Beleuchtung zu vermeiden, zahlte sich hier, ironischerweise, endlich aus. Ich verbrachte soviel Zeit in der Fabrik, dass ich die Abläufe, zumindest visuell, verinnerlichte: Der Rhythmus der Maschinen, die genauen Schritte, die deren Betreiber einhalten muss, zu denen sie von dem Prozess gezwungen wurden. Später fotografierte ich die Fabrik erneut, diesmal unterstützt durch künstliche Lichtquellen, manchmal drei oder vier ferngesteuerte Lampen zur gleichen Zeit. Das Licht, das zur Ausleuchtung des Hauptmotivs genutzt wurde, wurde oftmals von einem Freund an einem Stab weg von der Kamera gehalten, wie in den Modefotografien, die ich früher gemacht habe. Jetzt verstand ich, was ich tat. Auf eine gewisse Art hatte sich die Werkstatt in ein Theater verwandelt und ich nahm die Bilder dementsprechend auf, in der Tradition von Mode, Film Noir oder auch sowjetischem Realismus. Für mich funktioniert dieser "Look" perfekt als Dokumentation und Zeugnis dieser erzwungenen Rituale." (Chris Killip) Sprache: Englisch Gewicht in Gramm: 1600.

hardback. Zustand: New. Language: ENG.

Zustand: Wie neu. Steidl, Gottingen. 2015. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plasti foil. Hardback with dustjacket. 297 x 297 mm. 96 pages. Text in english. Perfect condition! Collector`s copy! "Thirty years after the publication of the Isle of Man book I was in the process of preparing for my retrospective exhibition at the Museum Folkwang in Germany and started to re-examine my Isle of Man negatives. I hadn`t had an occasion to think about this work since the first edition of the book was published. Going through these negatives again I found new images that I now liked, but at the time had overlooked or had not used for reasons that now mystify me. I ended up with 250 photographs that I now think of as my Isle of Man archive. This new version of Isle of Man draws from that archive. The photographs in this edition keep, more or less, to the same order as the original book but I have changed some of the images, added thirty others, and printed them all larger." (Chris Killip")***************Steidl, Göttingen. 2015. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch originalverpackt in der Plastikfolie des Verlags. Hardback (wie erschienen). 297 x 297 mm. 96 Seiten. Text in englisch. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Soft cover. Zustand: Near Fine. 1st ed. Large format. Unpaginated text front & rear with 69pp of photos in between. Photos of the island and some of its inhabitants. Preface by John Berger. Sl. spotting to the cover o/w a lovely copy of this much sought after book. 0 7287 0186 3,

Zustand: Wie neu. Steidl, Göttingen. 2020. First edition, first printing. Mint, new, unread; still originally shrink-wrapped in publisher`s plastic foil. Hardcover (as issued). 285 x 375 mm. 80 pages. 72 photos. Text in english. Perfect condition! Collector`s copy! "Late in 2016 Chris Killip`s son serendipitously discovered a box of contact sheets of the photos his father had made at The Station, an anarcho-punk music venue in Gateshead open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. The Station was not merely a music and rehearsal space, but a crucible for the self-expression of the sub-cultures and punk politics of the time. As Killip recollects: `When I first went to The Station in April 1985, I was amazed by the energy and feel of the place. It was totally different, run for and by the people who went there. Every Saturday that I could, I photographed there. Nobody ever asked me where I was from or even who I was. A 39-year-old with cropped white hair, always wearing a suit, with pockets stitched inside the jacket to hold my slides. With a 4 × 5 camera around my neck and a Norman flash and its battery around my waist, I must have looked like something out of a 1950s B movie. 1985 was just after the miners strike and there was a lot of youth unemployment. Most of the punks at The Station didn`t have a job, and this place, run as a very inclusive collective, was so important to them and their self-worth.`" (from the publisher)***************Steidl, Göttingen. 2020. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover (wie erschienen). 285 x 375 mm. 80 pages. 72 Fotos. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Wie neu. Errata Editions. 2014. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Hardcover with dustjacket (as issued). 185 x 250 mm. 108 pages. 65 Duotone and 4-color illustrations. Book design: Jeffrey Ladd. Editor: Ed Grazda. Series concept: Jeffrey Ladd. Essays by John Berger and Sylvia Grant, Gerry Badger, Jeffrey Ladd. Text in english. Perfect condition! Collector`s copy! "Chris Killip`s In Flagrante is often cited as the most important photobook to come from England in the 1980s. Published in 1988, In Flagrante describes the communities in Northern England that were devastated by the deindustrialisation common to policies carried out by Thatcher and her predecessors starting in the mid-1970s. Books on Books 4 presents Killip`s political yet lyric work and a new essay by Gerry Badger called Dispatches from a War Zone." (from the publisher)***************Errata Editions. 2014. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover mit Schutzumschlag. 185 x 250 mm. 108 Seiten. 65 Duotone und 4-Farb-Abbildungen. Essays von John Berger und Sylvia Grant, Gerry Badger, Jeffrey Ladd. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Soft cover. Zustand: Near Fine. 1st Edition. First edition, first printing. Condition: Near Fine. A book that shows wear to the edges of the cover and spine, including some discoloration and very minor creasing, but which is otherwise in great condition.

Zustand: Sehr gut. Side Gallery. 1980. First edition, first printing. Signed by Killip! Signatures by this artist are very scarce! Mint, new, unread condition! Organized by the Side Gallery and toured by the Arts Council of Great Britain. Softcover as leporello (as issued). 90 x 110 mm (2 x 3 inch). Set of 6 black and white postcards, produced for the exhibition "About The Manx" at Side Gallery, Isle of Man 1980. With introduction by Nigel Kneale. Very rare like all Chris Killip items!***************Side Gallery. 1980. Britische Erstausgabe. Originalausgabe. Signiert von Chris Killip! Signaturen dieses Künstlers sind sehr selten! Neu, ungelesen, verlagsfrisch! Organisiert von der Side Gallery und dem Arts Council of Great Britain. Softcover als Leporello (nur so erschienen). 90 x 110 mm. Set von 6 schwarz-weiß Postkarten, produziert für die Ausstellung "About the Manx" in der Side Gallery. Mit einer Einführung von Nigel Keale. Selten, wie fast alle Chris Killip Publikationen! Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Good. Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good +. Christopher Killip (illustrator). First Edition. Dustwrapper, 4to, unpageinated. Sixty nine photographic studies by Christopher Killip of The Isle of Man, its people and their places. Preface by John Berger. Wrapper sl yellowed, has small worn splits at spine ends ( with slight losses ), a little creasing and very small splits to rear top edge. White cloth remains clean and bright. Neat handwritten inscription in Manx on front endpaper. Contents clean and tight. Overall VG Size: 4to - over 9¾" - 12" tall.

Zustand: Wie neu. Steidl, Göttingen, 2006. First edition, first printing. Signed by Chris Killip! Signatures by this artist are scarce! Mint, unread, new. Originally shrink-wrapped in publisher`s plastic foil; only opened once for signature! Wonderful photobook by the maker of the legendary "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Cloth with jacket. 350 x 208 mm. 128 pages. With 50 tritone illustrations. With an essay by Clive Dilnot. Text: english. Perfect condition! Signed by the artist! Collector`s copy! "I wanted to show the manufacturing process as clearly as I could and to do so in this factory meant it would have to be lit. Ironically, my stubborness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I knew in a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the operators had to take, the movement that the processes predetermined for them. I began again, rephotographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion techniques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theatre and I embraced the look of these new photographs with their relation to fashion, film noir, and even Soviet realism. For me this look seemed a more telling way to record and document this enforced ritual."***************Steidl, Göttingen, 2006. Erstausgabe. Originalausgabe. Signiert von Chris Killip! Signaturen dieses Künstlers sind sehr selten! Neu, ungelesen, verlagsfrisch. Noch original-verschweisst in der Plastikfolie des Verlages; nur einmal geöffnet für die Signatur. Wunderschönes Fotobuch vom Macher des legendären "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Mit einem Essay von Clive Dilnot. Hardcover mit Schutzumschlag. 350 x 208 mm. 128 Seiten. Mit 50 Fotos in schwarz-weis. Text: englisch. Perfekter Zustand! Signiert vom Künstler! Sammler-Exemplar! "Ich wollte den Herstellungsprozess so genau wie möglich darstellen und in einer Fabrik bedeutet das, dass diese entsprechend beleuchtet sein müsste. Meine Starrsinn, der mich immer dazu veranlasst hat, künstliche Beleuchtung zu vermeiden, zahlte sich hier, ironischerweise, endlich aus. Ich verbrachte soviel Zeit in der Fabrik, dass ich die Abläufe, zumindest visuell, verinnerlichte: Der Rhythmus der Maschinen, die genauen Schritte, die deren Betreiber einhalten muss, zu denen sie von dem Prozess gezwungen wurden. Später fotografierte ich die Fabrik erneut, diesmal unterstützt durch künstliche Lichtquellen, manchmal drei oder vier ferngesteuerte Lampen zur gleichen Zeit. Das Licht, das zur Ausleuchtung des Hauptmotivs genutzt wurde, wurde oftmals von einem Freund an einem Stab weg von der Kamera gehalten, wie in den Modefotografien, die ich früher gemacht habe. Jetzt verstand ich, was ich tat. Auf eine gewisse Art hatte sich die Werkstatt in ein Theater verwandelt und ich nahm die Bilder dementsprechend auf, in der Tradition von Mode, Film Noir oder auch sowjetischem Realismus. Für mich funktioniert dieser "Look" perfekt als Dokumentation und Zeugnis dieser erzwungenen Rituale." (Chris Killip) Sprache: Englisch Gewicht in Gramm: 1600.

Couverture souple. Zustand: Très bon. Edition originale. première et seule édition française parue l'année suivante de l'originale sous le titre "In Flagrant" en Grande-Bretagne. Broché, couverture photographique, 302 x 247mm. 96 pages, introduction de Chris Killip, texte de John Berger et Sylvia Grant et 48 photographies reproduites à pleine page et réalisées dans le nord-est de l'Angleterre entre 1975 et 1987. Réf: Parr & Badger, Le Livre de photographies: une histoire: Tome 2 page 299; M+M Auer, 802 Photo Books page 675; The Open Book, A History of the Photographic Book from 1878 to the Present page 340. Un pli de 8 mm en pied du premier plat.

Zustand: Sehr gut. Steidl, Göttingen. 2012. First edition, first printing. Signed by Chris Killip! Mint, unread, new. Originally shrink-wrapped in publisher`s plastic foil; onyl opened once for signature. Wonderful work overview by the maker of the legendary "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Cloth with jacket. 285 x 265 mm. 136 pages, 84 tritone plates. Perfect condition! Signed by the artist! Collector`s copy! "This book showcases Chris Killip`s photography from 1969 to 2005, and is a retrospective of a photographer who has influenced an entire generation of younger documentary photographers. Arbeit / Work presents several of Killip`s long- term projects, primarily in North England, which explore the working and living conditions of people through portraits as well as images of landscapes and architecture. This comprehensive publication, with an extended essay by David Campany, includes many previously unseen works." (from the publisher)***************Steidl, Göttingen, 2012. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch. Signiert von Chris Killip! Noch original-verschweißt in der Plastikfolie des Verlages; nur einmal geöffnet für die Signatur. Wunderschönes Fotobuch vom Macher des legendären "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Leinen mit Schutzumschlag. 285 x 265 mm. 136 Seiten. 84 Abbildungen in Tritone. Perfekter Zustand! Signiert vom Künstler! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Sehr gut. Nathan Image, 1989. First french edition, first printing. Published one year after and in a much more smaller run (of only 1000 copies) than the original english edition (Martin Secker and Warburg, London, 1988). Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675. 302 x 245 mm (11 3/4 x 9 3/4 in), 104 pages. Paperback. 50 black&white photographs. Introduction by Chris Killip, essay by John Berger and Sylvia Grant; edited by Mark Holborn; design by Peter Dyer. Condition: Inside fresh and flawless; clean with no marks and with no foxing. Outside with light trace of use, but with no remarkable flaws or defects. Overall very fine condition! "In Flagrante is a singularly original work of art, both passionate and partisan. this is not an objective report. killip tells his personal tale through these pictures, but he also allows his subjects` collective story a clear voice of its own." "In Flagrante is a dark, pessimistic journey, perhaps even a secret odyssey, where rigorous documentary is suffused with a contemplative inwardness, a rare quality in modern photography." (Gerry Bagder)***************Nathan Image, 1989. Französische Erstausgabe. Erschien ein Jahr nach und in einer sehr viel kleineren Auflage (von nur 1000 Exemplaren) als die englische Original-Ausgabe (Martin Secker und Warburg, London, 1988). Martin Parr, The Photobook vol 2, Seite 299. 802 photo books from the M. + M. Auer collection, Seite 675. 302 x 245 mm, 104 Seiten. Paperback. 50 schwarz-weiß Fotografien. Einführung durch Chris Killip, Essay von John Berger and Sylvia Grant; editiert von Mark Holborn; Design von Peter Dyer. Zustand: Innen sauber und frisch ohne Besitzvermerke und ohne Stockflecken. Aussen leicht gebrauchsspurig, aber ohne nennenswerte Mängel. Insgesamt sehr guter Zustand! Sprache: Französisch Gewicht in Gramm: 1600.

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Illustrated. Some very minor foxing to top edge; bookplate on front free endpaper. D/w very lightly rubbed at extremities, with a small repaired tear at front top edge and some very minor shelfwear. Additional postage might be required; please e-mail for quote. Size: 4to - over 9¾" - 12" tall.

Zustand: Wie neu. Steidl, Gottingen. 2016. First edition, first printing (there was a second printing same year). Signed by Chris Killip! New, mint, unread; only opened once for signature. Wonderful enlarged version of the famous photobook classic from 1988: Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675. Hardcover with dustjacket. 364 x 288 mm. 110 pages. Photographs in tritone printing. Text in English. Scarce first printing! Perfect condition! Signed by the artist! Collector`s copy! "The photographs that Chris Killip made in Northern England between 1973 and 1985 were first published by Secker & Warburg in the book In Flagrante in 1988. The new oversized Steidl edition is a radically updated presentation, showing a single image on the right side of each double-page spread. In Flagrante Two is strident in its belief in the primacy of the photograph, embracing ambiguities and contradictions in an unadorned narrative sequence devoid of text." (from the publisher)***************Steidl, Göttingen. 2016. Erstausgabe. Originalausgabe (es gab im selben Jahr noch einen zweiten Druck). Signiert von Chris Killip! Wunderschöne, erweiterte neu-gestaltete Auflage des legendären Fotobuch-Klassikers von 1988: Martin Parr, The Photobook vol 2, Seite 299. 802 photo books from the M. + M. Auer collection, Seite 675. Hardcover mit Schutzumschlag. 364 x 288 mm. 110 Seiten. Fotos in Tritone. Text in englisch. Seltene Erstausgabe! Perfekter Zustand! Signiert vom Künstler! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Couverture souple. Zustand: Très bon. Edition originale. première et seule édition française parue l'année suivante de l'originale sous le titre "In Flagrant" en Grande-Bretagne. Broché, couverture photographique, 302 x 247mm. 96 pages, introduction de Chris Killip, texte de John Berger et Sylvia Grant et 48 photographies reproduites à pleine page et réalisées dans le nord-est de l'Angleterre entre 1975 et 1987. Réf: Parr & Badger, Le Livre de photographies: une histoire: Tome 2 page 299; M+M Auer, 802 Photo Books page 675; The Open Book, A History of the Photographic Book from 1878 to the Present page 340. Rare exemplaire à l'état de neuf.

Hardcover. Zustand: Very Good. 1st Edition. Book is in very good condition. Some mild sun fading to the dust jacket. 96pp with b/w photographs.

Zustand: Wie neu. The Museum of Modern Art, New York. 1990. First edition, first printing. Signed by Martin Parr, Chris Killip and Graham Smith! Very important and early documention of british photography! Photographers are: Chris Killip, Graham Smith, John Davies, Martin Parr and Paul Graham. Concerning its importance the catalogue is comparable with other important publications like "New Topographics (1975) and "In Deutschland" (1979). Published on the occasion of the exhibition "British Photograpyh from the Thatcher Years" (February 14 - April 28, 1990), organized by Susan Kismaric, Curator Department of Photography. Paperback (as issued). 230 x 260 mm. 56 pages. 31 photos (6 photos each photographer plus 1 photo by Parr on the cover). Condition: Inside and outside excellent without marks or other flaws. The signatures by Parr, Killip and Graham make the scarce catalogue very special!***************The Museum of Modern Art, New York. 1990. Erstausgabe. Originalausgabe. Signiert von Martin Parr, Chris Killip and Graham Smith! Sehr wichtige und frühe Dokumentation britischer Fotografie! Fotografen sind: Chris Killip, Graham Smith, John Davies, Martin Parr und Paul Graham. Von der Wichtigkeit vergleichbar mit "New Topographics (1975) oder "In Deutschland" (1979). Erschien anläßlich der Ausstellung "British Photograpyh from the Thatcher Years" (14. February bis 28. April 1990), organisiert von Susan Kismaric. Paperback (nur so erschienen). 230 x 260 mm. 56 Seiten. 31 Fotos (6 Fotos von jedem Fotografen plus 1 Foto von Parr auf dem Cover). Zustand: Innen und außen excellent erhalten ohne nennenswerte Mängel. Die Original-Signaturen machen den ohnehin schon sehr seltenen Katalog zu einem einzigartigen Objekt! Sprache: Englisch Gewicht in Gramm: 1600.

Zustand: Sehr gut. Nathan Image, 1989. First french edition, first printing. Signed by Chris Killip! Signatures by this artist are very scarce! Published one year after and in a much more smaller run (of only 1000 copies) than the original english edition (Martin Secker and Warburg, London, 1988). Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675. 302 x 245 mm (11 3/4 x 9 3/4 in), 104 pages. Paperback. 50 black&white photographs. Introduction by Chris Killip, essay by John Berger and Sylvia Grant; edited by Mark Holborn; design by Peter Dyer. Condition: Very fine and and clean condition. No marks, no defects. Covers with minimalst trace of use. Overall very fine condition! Extremly hard-to-find book, especially in this condition! Signed by the artist! Collector`s copy! "In Flagrante is a singularly original work of art, both passionate and partisan. this is not an objective report. killip tells his personal tale through these pictures, but he also allows his subjects` collective story a clear voice of its own." "In Flagrante is a dark, pessimistic journey, perhaps even a secret odyssey, where rigorous documentary is suffused with a contemplative inwardness, a rare quality in modern photography." (Gerry Bagder)***************Nathan Image, 1989. Französische Erstausgabe. Signiert von Chris Killip! Signaturen dieses Künsterlers sind sehr selten! Erschien ein Jahr nach und in einer sehr viel kleineren Auflage (von nur 1000 Exemplaren) als die englische Original-Ausgabe (Martin Secker und Warburg, London, 1988). Martin Parr, The Photobook vol 2, Seite 299. 802 photo books from the M. + M. Auer collection, Seite 675. 302 x 245 mm, 104 Seiten. Paperback. 50 schwarz-weiß Fotografien. Einführung durch Chris Killip, Essay von John Berger and Sylvia Grant; editiert von Mark Holborn; Design von Peter Dyer. Zustand: Wunderbar erhalten. Cover minimal berieben und benutzt, innen wie neu. Keine Besitzvermerke. Insgesamt von ungewöhnlich frischer, sehr guter Erhaltung! Signiert vom Künstler! Sammler-Objekt! Sprache: Französisch Gewicht in Gramm: 1600.

Zustand: Wie neu. The Museum of Modern Art, New York. 1990. First edition, first printing. Unique copy! Signed by all five artists; Martin Parr, Chris Killip, John Davies, Paul Graham and Graham Smith! New, mint, unread; only opened once for the signatures. Very important and early documention of british photography! Concerning its importance the catalogue is comparable with other important publications like "New Topographics (1975) and "In Deutschland" (1979). Published on the occasion of the exhibition "British Photograpyh from the Thatcher Years" (February 14 - April 28, 1990), organized by Susan Kismaric, Curator Department of Photography. Paperback (as issued). 230 x 260 mm. 56 pages. 31 photos (6 photos each photographer plus 1 photo by Parr on the cover). The original signatures of Martin Parr, Chris Killip, John Davies, Paul Graham und Graham Smith and the fantastic condition make this copy so exclusiv! Signed by all artists!***************The Museum of Modern Art, New York. 1990. Erstausgabe. Originalausgabe. Einzigartiges Exemplar! Signiert von Martin Parr, Chris Killip, Paul Graham, John Davies und Graham Smith! Neu, ungelesen, verlagsfrisch; nur geöffnet für die Signaturen. Sehr wichtige und frühe Dokumentation britischer Fotografie! Von der Wichtigkeit vergleichbar mit "New Topographics (1975) oder "In Deutschland" (1979). Erschien anläßlich der Ausstellung "British Photograpyh from the Thatcher Years" (14. February bis 28. April 1990), organisiert von Susan Kismaric. Paperback (nur so erschienen). 230 x 260 mm. 56 Seiten. 31 Fotos (6 Fotos von jedem Fotografen plus 1 Foto von Parr auf dem Cover). Die Original-Signaturen und der nahezu perfekte Zustand machen diesen ohnehin schon sehr seltenen Katalog zu einem einzigartigen Sammler-Objekt! Signiert von allen Künstlern! Sprache: Englisch Gewicht in Gramm: 1600.