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Verlag: Fairleigh Dickinson University Press, 1983
ISBN 10: 0838630847ISBN 13: 9780838630846
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: Fairleigh Dickinson University Press, 1983
ISBN 10: 0838630847ISBN 13: 9780838630846
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: Wadsworth Publishing Company, 1987
ISBN 10: 0534082564ISBN 13: 9780534082567
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Buch
Mass Market Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.55.
Verlag: Fairleigh Dickinson University Press, 1989
ISBN 10: 0838633366ISBN 13: 9780838633366
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: The British Journal of Aesthetics, London, 1976
Anbieter: Cosmo Books, Shropshire., Vereinigtes Königreich
Erstausgabe
Disbound. Zustand: Very Good. First Edition. 7 pages. Note; this is an original article separated from the volume, not a reprint or copy. Size: Octavo (15.5 x 24.5 cms). Quantity Available: 1. Category: Journal of Aesthetics; Inventory No: 412243. Cosmo Books : 26 years selling on ABE; 26 years of taking care of customers on ABE; A seller you can rely on.
Verlag: Fairleigh Dickinson University Press, 1983
ISBN 10: 0838630847ISBN 13: 9780838630846
Anbieter: Michael Patrick McCarty, Bookseller, New Castle, CO, USA
Buch
Hard cover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. A few small words written in the margins of a couple of pages. This is not an x-library copy, as is more commonly offered. "In this contemporary approach to aesthetics, Marcia Eaton presents a theory that provides a method of dealing with skepticism regarding the possibility of distinguishing art from non-art.".