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Buchbeschreibung: Gross-4to (435 x 330 mm) und Gross-Folio (695 x 520 mm). Mit gestochenem Frontispiz und 96 Kupfertafeln in den 9 Textbänden und im Grossfolio-Tafelband (A Collection of Prints from Pictures Painted for the Purpose of Illustrating the Dramatic Works of Shakespeare) je 2 Frontispize, 2 grosse Titelvignetten und zusammen 96 Kupfertafeln, nach Reynolds, Smirke, Northcote, Füssli, Hamilton, Kauffmann, Bunbury, Porter, Stothard, Opie, Westall u.a. radiert von W. Angus, William Blake, R. Earlom, J. Fittler, J. Hogg und T. Milton. Blaue Maroquinbände, mit reicher Deckel- und Rückenvergoldung des aus Westfalen stammenden Londonder Meisterbinders [Friedrich] L[eberecht] Staggemeier (1759-1827), Steh- und Innenkantenvergoldung, Goldschnitt. London, Printed by W. Bulmer and Co., Shakespeare Printing-Office, for John and Josiah Boydell, George and W. Nicol, from the types of W. Martin, [1791-] 1802-03 [-1805]. Monumentale Shakespeare-Ausgabe im luxuriösen Prachtexemplar aus der Bibliothek von Eugène de Beauharnais (1781-1824), Adoptivsohn Napoléon Bonapartes. Dreiunddreissig der renommiertesten Maler Englands, darunter Sir Joshua Reynolds, Robert Smirke, William Hamilton, Francis Wheatley und die beiden aus der Schweiz stammenden Johann Heinrich Füssli (Henry Fuseli) und Angelika Kauffmann, schufen für das grossartige Projekt seit 1786 insgesamt 167 Gemälde mit Szenendarstellungen zu Shakespeares Dramen. Die im Mai 1789 eröffnete Bildergalerie wurde schnell zu einem Publikumsagnet. Im Zentrum der Unternehmung des Londoner Kupferstechers und Verlegers John Boydell (1719-1804) stand aber die aufwändige und kostspielige Edition der nach den Oelgemälden radierten Kupfer, die die neunbändige, von George Steevens betreute Textausgabe im Quartformat illustrieren, und zusätzlich in grösseren Radierungen und ohne Text in zwei Grossfolio-Tafelbänden aufgelegt wurden. Die Hoffnung des Verlegers und seines Partners und Neffen Josiah Boydell (1752-1817), auf der Basis der unsterblichen Theaterstücke Shakespeares eine nationale englische Historienmalerei zu begründen und zu fördern sollte sich nicht erfüllen. Um die Eleganz von Druck und Ausstattung der auf grösstmöglicher Textgenauigkeit beruhenden Edition zu gewährleisten, wurde kein Aufwand gescheut. Gemäss dem 1786 aufgelegten Prospekt wurde eine eigene Druckerei geplant und neue Drucktypen und Druckerschwärze geschaffen. Die glanzvolle Ausgabe fand denn auch nicht nur in England viele Bewunderer, darunter auch Goethe, sie leistete zudem einen bedeutenden Beitrag zur Neuinterpretation der Dichtung Shakespeares zu Beginn des 19. Jahrhunderts und blieb "auch wirkunsgeschichtlich von grosser Bedeutung" (Hammerschmidt-Hummel). Die erste, für die kleinformatigeren Textbände bestimmte Lieferung von Kupfertafeln erschien 1791, die letzte im Dezember 1804. "Boydell would have two sets of engravings made: large ones to be gathered in an imperial folio album without text; small ones to be incorporated in George Steeven's edition of the text. To avoid duplication of the paintings in these two series, Boydell began in 1794 to commission separate designs for the small engravings. The promised edition of Shakespeare as well as separate volumes of prints appeared between 1791 and 1805" (Frederick Burwick). Einheitlich gebundene Exemplare aller elf (in zehn) Bände wie vorliegend sind von allergrösster Seltenheit, viele Bibliotheken besitzen entweder die Textbände oder nur die beiden Tafelbände allein. Unser Exemplar aus der Werkstatt des aus Westfalen stammenden Londoner Meisterbinders Friedrich Leberecht Staggemeier (17591827) wurde höchst wahrscheinlich für die begeisterten Bücher- und Bildersammler Eugène de Beauharnais und seine Gemahlin Auguste Amalie gebunden. Die in Süddeutschland gehütete Bibliothek Eugène de Beauharnais wurde 1935 in unserem Hause verauktioniert, als Nr. 290 auch dieses wunderbare Exemplar, das von dem Schweizer Papierfabrikanten Gustav Eisenmann-Riel (1887-1966) für dessen bibliophile Ehe. Buchnummer des Verkäufers B350434

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CORDELIA. An Original Watercolour. Illustrating William Shakespeare's: Rackham, Arthur; William

Rackham, Arthur; William Shakespeare

Verlag: Later published by J. M. Dent. (1909)

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Von: LUCIUS BOOKS (ABA, ILAB, PBFA) (York, Vereinigtes Königreich)

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Buchbeschreibung: Later published by J. M. Dent., 1909. Pen, Ink and Watercolour on Paper. 19.5cm x 12cm. Signed and dated within the image to the upper left corner. Mounted, framed and glazed. In fine condition. With the original 1909 Leicester Galleries exhibition labels to the backboard. The printed illustration appears opposite page 118 of the J. M. Dent published first edition of The Tales Of Shakespeare. A beautiful illustration of Cordelia, the honourable and beloved youngest daughter of King Lear. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Buchnummer des Verkäufers 11085

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Buchbeschreibung: Die schönste moderne Ausgabe von Shakespeares Komödie "The Tempest" mit 50 Orig.-Lithographien von Marc Chagall. Eines von 250 numerierten Exemplaren, im Druckvermerk von Chagall signiert. Tadellos in der Erhaltung. - Mourlot 846-895. Buchnummer des Verkäufers 11512AB

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GIELGUD, Sir John]. SHAKESPEARE.

Verlag: Im Inselverlag. MDCCCCXIII, Leipzig (1913)

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Von: TBCL The Book Collector's Library (Montreal, QC, Kanada)

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Buchbeschreibung: Im Inselverlag. MDCCCCXIII, Leipzig, 1913. 1st Edition. [GIELGUD, Sir John]. SHAKESPEARE. HAMLET. Prinz Von Daenmark. Mit 16 Lictdrucktafeln nach den Lithographieen von Eugene Delacroix. First Edition Thus. Large Folio [13 inches wide by 18 inches tall]. Limited edition of 100 numbered copies on Van Gelder paper, this being copy Number 41. Full morocco, the spine elaborately decorated in gilt, front panel titled in gilt, all edges gilt, marbled endpapers. A very nice example. Presentation copy from Elisabeth Bergner to Sir John Gielgud. A preliminary blank bears an inscription presenting the Book to Bergner in Berlin, 1927, underneath this is an inscription which simply reads: "To John / from Elisabeth / London, Christmas 1973". Elisabeth Bergner (1900, Vienna -1986, London). Famous early German stage actress & film star, made her stage debut in Zurich in 1919, appeared in Vienna, Munich, Berlin, & later on Broadway. Big break in 1924 with stage production of Shaw's Saint Joan. Bergner made several films from 1933 in England & France. Her film Catherine the Great [1934] was banned in Germany for featuring "émigré Jews." At the height of her career, she was called by Alexander Woolcott, "probably the ablest actress living today". Nominated for an Oscar in 1935 for her performance in ESCAPE ME NEVER. A British Citizen since 1938. Sir John Gielgud's copy - completely appropriate & intriguing as Gielgud's career was distinguished by his numerous performances as Hamlet. An important association copy, inscribed to Gielgud from a close friend & important actress. Signed. Buchnummer des Verkäufers 20776

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The Plays of William Shakespeare, in eight: Shakespeare, William (ed.

Shakespeare, William (ed. Samuel Johnson)

Verlag: Printed for J. and R. Tonson, C. Corbet, H. Woodfall, J. Rivington, R. Baldwin, L. Hawes, Clark and Collins, W. Johnston, T. Caslon, T. Lownds, and the Executors of B. Dodd, London (1765)

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Buchbeschreibung: Printed for J. and R. Tonson, C. Corbet, H. Woodfall, J. Rivington, R. Baldwin, L. Hawes, Clark and Collins, W. Johnston, T. Caslon, T. Lownds, and the Executors of B. Dodd, London, 1765. Buchzustand: Near fine. Format: Octavo (8 1/4" x 5 3/16", 215mm x 131mm).Vol. I: binder’s blank, portrait frontispiece, ?2, [A]-[D]8 [E]6(–[E]6), a-f8 g4, B8(±B5) C-U8 X8(±X4, X6) Y-Hh8 Ii4, binder’s blank [$4; –S3; +X6]. 335 leaves, pp. [78], i ii-ciii, blank, 1-3 4-488 [= clxxxii, 488]. Engraved portrait frontispiece of Shakespeare by G. Vertue (the "Chandos portrait"). (With the B5 cancel but without the O8 cancel as called for in Chapman & Hazen; this state matches the copy in Bodley.). Vol. II: binder’s blank, ?A1 B-Mm8 Nn8(–Nn8), binder’s blank [$4; –Q4; Bb2, Nn2 mis-placed above notes]. 280 leaves, pp. [2], 1-3 4-557, blank [= ii, 558]. Vol. III: binder’s blank, A2(±A1) B8 C8(±C5) D-Bb8 Cc8(±Cc2) Dd-Ii8 Kk4(±Kk4), binder’s blank [$4]. 254 leaves, pp. [4], 1-3 4-268 266 270-504 [= iv, 504]. Vol. IV: binder’s blank, A2(±A1) B-D8 F8(±F3) Z8 Aa8(±Aa7) Bb8(Bb2-3, ±Bb4, Bb5-7, Bb1, Bb8) Cc-Oo8 Pp8(±Pp1, –Pp8), binder’s blank [$4; +Aa7; –Ii4; T3 mis-placed above notes]. 297 leaves, pp. [4], 1-3 4-589, blank [= iv, 590]. Vol. V: binder’s blank, A2(±A1) B-Gg8 Hh8(±Hh8) Ii8(–Ii8), binder’s blank [$4; +Hh8]. 249 leaves, pp. [4], 1-3 4-493, blank [= iv, 494]. Vol. VI: binder’s blank, A2(–A1) B-Q8 R8(±R4) S8(±S1.8) T-Rr8 Ss2, binder’ blank [$4; +S8]. 315 leaves, pp. [2], 1-3 4-627, blank [= ii, 628]. Vol. VII: binder’s blank, A2(±A1) B-Mm8 Nn2, binder’s blank [$4]. 276 leaves, pp. [4], 1-3 4-547, blank [= iv, 548]. Vol. VIII: binder’s blank, A2(±A1) B-I8 K8(±K7) L8 M8(±M1) N8(±N7) O-P8 Q8(±Q6) R-X8 Y8(±Y5) Z-Ll8, binder’s blank [$4; +K7, N7, Q6, Y5]. 266 leaves, pp. [4], 1-5 6-473, blank, [54] [= iv, 474, liv]. Number of Volumes: Eight volumes Bound by Brian Frost (ex-Bayntun) signed on the upper edge of recto of the first free end paper of each volume) in XXc half green crushed morocco over green buckram boards. Double blind fillets at edges of morocco. On the spine, five raised bands. In the panels, a gilt musical ornament. Title and number gilt in second panel, editor gilt in third panel, date gilt at tail. Marbled end-papers. All edges un-trimmed. No half-title issued for vol. I; Chapman-Hazen queries whether there was ever a half-title issued for vol. II –the present copy does not have one. Mild bumps to some corners. Even fading to spines. Edges of pages browned, as is to be expected given they are un-trimmed. Moderate foxing throughout. Red ink shelf-marks to title-pages. A good solid set. Vol. I: lower fore-corner of title-page missing and restored (not affecting text). Vol. II: lower fore-corner of C1 missing (obliterating one letter of catch-word –"l."). Lacking final blank. Vol. IV: historical introductions written in a fine and early hand on some individual plays’ title-pages. Upper fore-edge of D5 missing (not affecting text). Lacking final blank. Vol. V: historical introductions written in a fine and early hand on some individual plays’ title-pages. Closed tear to center of K5. Lacking final blank. Vol. VI: lacking half-title. Lower fore-corner of I1 missing (not affecting text). With gilt bookplate of Louis Auchincloss on upper fore-corner of front paste-down of vol. I. Johnson’s great variorum edition of Shakespeare, which with his Dictionary won him universal fame and renown throughout Britain, is built primarily on the 1747 edition of Warburton, though it includes references to Pope and to other editors (including the "Oxford editor", Hanmer), along with Milton and Homer and a great variety of authors. It includes Shakespeare’s last will and testament, perhaps its earliest publication. It is the rock upon which countless –nearly all modern –editions are founded. His preface marks the induction of Shakespeare into the canon: "The Poet, of whose works I have undertaken the revision, may now begin to assume the dignity of an ancient, and claim the privilege of established fame and prescriptive veneration. He has long outlived his century, the term commonly fixed as the test of literary merit." (Vol. I, A2r; editor’s preface.) Although contem. Buchnummer des Verkäufers 50431

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The Sonnets of Shakespeare (Signed Limited Edition,: Photography by Flor

Photography by Flor Garduno, Sonnets by William Shakespeare

Verlag: 21st Editions, South Dennis, Massachusetts (2006)

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Buchbeschreibung: 21st Editions, South Dennis, Massachusetts, 2006. Hardcover. Buchzustand: Fine. Limited Edition. In 2006, fine press photography book publisher 21st Editions released The Sonnets of Shakespeare. Limited to 65 copies worldwide, the hand-bound collection contains 11 original platinum prints (ten bound and one free-standing platinum print entitled, El Mundo, Suiza that is suitable for framing). Each print is initialed by Flor Guarduno with the free standing photograph signed in full on the rectro. This copy, 4 of 65, was presented to Lance Speer, 21st Editions Contributing Editor and Director of Marketing, upon completion of the project. Each signed and numbered copy of The Sonnets of Shakespeare is hand-bound and printed in on hand-made paper. Measuring 16 x 16 inches, this gorgeous handmade volume is bound in hand-made paper with a leather spine and along with the free-standing platinum print is housed in a custom clamshell box. The book is signed and numbered by Flor Garduno, John Wood (who wrote the introduction), and the publisher, Steven Albahari on the limitation page. A Letter of Provenance from Lance Speer is included. The book, clamshell case, and prints are in pristine condition. From the introduction by John Wood, "Flor Garduño is most well-known for her intense, deeply moving images from Latin America and her elegant but erotic nudes. The most distinctive quality of her work is its genuine freshness. It is the mark of a great artist to be able to look at what we all know and have seen yet give us something new, something we have never seen before. To be able to do it with the nude and with native peoples, two of the most overworked and, therefore, most dif¿cult subjects in photography, demonstrates not only genius but an inventiveness seldom encountered. Most photographers do not see through their own eyes but create work that looks like the work of other photographers. They may possess considerable technique and craft, but what is missing is a distinct style, a singular voice, an original vision. Seeing with one¿s own eyes is one of the most difficult tasks for any artist but especially the photographic artist because every photographer's head is filled with tens of thousands of photographs she or he has seen. The question is how one can see afresh in the midst of so much visual clutter ¿ wonderful clutter, of course ¿ Le Gray, Le Secq, Watkins, O'Sullivan, Coburn, Kühn, Weston, Sudek, Hosoe, Witkin, and on and on ¿ but clutter none-the-less. There is, of course, no easy way to discover or shape an original Vision. That is the gift no teacher can give.". Signed by Author(s). Buchnummer des Verkäufers 000041

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William Shakespeare interest - Peter Kettle Original Painting

Verlag: Peter Kettle

Neu Hardcover Signiert

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Buchbeschreibung: Peter Kettle. Hardcover. Buchzustand: New. An original painting based on 'The Tempest' by William Shakespeare. This is an original painting in a frame by Peter Kettle who has regularly exhibited in London, and many times at the Royal Academy. This is a unique one off original painting on a gesso panel. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0. Signed by Illustrator(s). Buchnummer des Verkäufers ABE-4369644601

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William Shakespeare

Verlag: William Winter (1878)

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Buchbeschreibung: William Winter, 1878. Hardcover. Buchzustand: Near Fine. 1st Edition. 5.0" x 6.75". EDWIN BOOTH'S PERSONAL COPY WITH HIS SIGNED BOOKPLATE TO THE FRONT PASTE DOWN. The older brother of the infamous John Wilkes Booth. Edwin Booth has been recognized as America's greatest actor of the 19th century. Playing Richard II was the greatest of his performances. Original red three quarter calf. Marbled paper covered boards. Five raised bands with gilt decoration and titles to the compartments. Marbled paper paste downs and end papers. All page edges are gilt. Very light age toning to the pages. Mild edge wear to the corners. Appendices. This is volume three of the Prompt-Book series. The book consists of three plays: Richard II, Richard III and Henry VIII. AN EXTREMELY RARE BOOK IN IT'S OWN RIGHT. However made even more desirable being Booth's own signed copy. Signed by Author(s). Buchnummer des Verkäufers 010212

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SHAKESPEARE,WILLIAM

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Buchbeschreibung: (ROBINSON,W.HEATH)illus. SHAKESPEARE'S COMEDY OF THE TWELFTH NIGHT or What You Will by William Shakespeare. London: Hodder & Stoughton [1908]. Thick 4to (9 1/2 x 11 1/4"), full vellum stamped in gold, new ties, small rub area on edge and a few minor stray marks on vellum, really near Fine. LIMITED TO ONLY 350 NUMBERED COPIES SIGNED BY ROBINSON, THIS COPY HAS A FANTASTIC, DETAILED FULL PAGE DRAWING OF A JESTER SIGNED AND DATED 1909 BY ROBINSON ON THE VERSO OF THE LIMITATION PAGE. Illustrated by Robinson with 40 beautiful tipped-in color plates. This is a beautiful copy of this very scarce limited edition, even more special with the drawing. Buchnummer des Verkäufers 38017

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HAMLET, PRINCE OF DENMARK: Shakespeare, William

Shakespeare, William

Verlag: Selwyn & Blount Ltd, (London (1922)

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Buchbeschreibung: Selwyn & Blount Ltd, (London, 1922. Austen, John (illustrator). 4to. cloth-backed cream paper covered boards stamped in gilt, decorative endpapers. 175 pages. With Decorations by John Austen. First edition thus, one of 60 copies signed and numbered by the artist. These deluxe copies have been printed on hand-made paper and contain an extra title page. This book is considered by many to be John Austen's (1886-1948) finest piece of book illustration. Illustrated with the following black & white illustrations: 2 title pages, half-title, 14 full page, 3 half page, 13 quarter page and 137 vignettes. "Austens Hamlet is often rated as his chef doeuvre, and with good reason, he manages to lend some visual splendour to a play whose concerns are a lot more introspective than the usual illustration standards of The Tempest and A Midsummer Nights Dream. Masks, swords and skulls are recurrent symbols." - From Dover's reprint of this book. Toned along edges of covers with wear at spine ends. cloth-backed cream paper covered boards stamped in gilt, decorative endpapers. Buchnummer des Verkäufers 123069

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AS YOU LIKE IT: SHAKESPEARE,WILLIAM

SHAKESPEARE,WILLIAM

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Buchbeschreibung: (THOMSON,HUGH)illus. AS YOU LIKE IT by William Shakespeare. London: Hodder & Stoughton, no date [1909]. Large thick 4to (9 1/2 x 11 /12"), FULL VELLUM BINDING, gilt pictorial cover, original silk ties, a few minor marks on the cover and endpaper foxed as usual else Fine. LIMITED TO 500 NUMBERED COPIES SIGNED BY THOMSON, THIS IS COPY 0000 FOR PRESENTATION AND HAS A PRESENTATION INSCRIPTION FROM THOMSON TO J.E. HODDER WILLIAMS, A DIRECTOR AT HODDER AND STOUGHTON. THIS IS ACCOMPANIED BY A LOVELY WATERCOLOR ON THE HALF-TITLE. The watercolor is 5" wide and 8" high and shows a young man leaning against a tree while playing a lute. A bird sits on top of the tree. Printed on fine paper, this is illustrated with 40 beautiful tipped-in color plates with lettered tissue guards. A fantastic, unique copy. Buchnummer des Verkäufers 2073

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Shakespeare's Comedy of A Midsummer-Night's Dream: Shakespeare, William; Robinson,

Shakespeare, William; Robinson, Heath William;

Verlag: Constable & Co., London (1914)

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Buchbeschreibung: Constable & Co., London, 1914. Hardcover. Buchzustand: Very Good. No Jacket. Limited Edition. Gorgeous collector's copy, suitable as a significant gift. Shakespeare's Comedy of A Midsummer-Night's Dream, this copy of of 250 Limited Signed First Editions of 1914, with superb drawings and watercolours by W.Heath Robinson. A very beautiful rendition of the Midsummer-Night's Dream, on handmade deckled paper, with 12 mesmerizing full colour chromolithograph plates under tissue guards and with 32 beautiful line drawings after W.H.Robinson. Finely bound in recent vellum, with gilt designs to cover and spine, recent new endpapers. A remarkably bright copy (Fine/Nr Fine externally), minimal age yellowing to vellum and contents, a few occasional marginal pale spots within, two tissues with very light folds, deckled page edges browned with age. Free from signatures and gift inscriptions, a clean and unmarked copy, very bright overall with perfect plates. A beautiful copy of a highly recommended title. Please enquire. Signed by Illustrator(s). Buchnummer des Verkäufers ABE-1234771633427544924

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Shakespeare, William (Rackham, Arthur)

Verlag: Heinemann (1908)

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Buchbeschreibung: Heinemann, 1908. Hardcover. Buchzustand: Near Fine. 1st Edition. First Edition. A sharp copy of this limited edition of 1000 copies SIGNED by Arthur Rackham. The book is in nice shape. The binding is tight, and the boards are crisp with light wear to the spine and edges. The pages are clean with no writing, marks or bookplates in the book. Overall, a lovely copy SIGNED by Rackham in collector's condition. We buy First Editions of Children's books. Signed by Author(s). Buchnummer des Verkäufers ABE-5307430628

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A Midsummer-Night's Dream.: Shakespeare, William.

Shakespeare, William.

Verlag: William Heinemann,, London: (1908)

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Buchbeschreibung: William Heinemann,, London:, 1908. Forty full-page color illustrations by Arthur Rackham mounted on brown paper and thirty drawings in black & white. (illustrator). First Rackham edition, limited issue. One of 1000 copies, signed by Arthur Rackham. 11.25 x 9 inches. Full red crushed moroccor by J. May. Spine in six compartments titled in gilt and with remaining compartments stamped with corner and central devices surrounded by a gilt rule, boards with double rectangular panel design and corner devices. One half inch split to upper front joint, faint wear, still a fine copy. Buchnummer des Verkäufers Embry 87027

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PETER JONES, designer bookbinder. OLD STILE PRESS. SHAKESPEARE, William.

Verlag: Old Stile Press, Monmouthshire (2003)

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Buchbeschreibung: Old Stile Press, Monmouthshire, 2003. Woodcuts in one and two colours by Chris Nurse. One of 160 copies numbered and signed by the artist. Printed on Somerset paper in Bulmer type. Oblong 4to., 290 x 162 mms. Bound by Peter Jones in 2014 black, red , cream and grey morocco with an opaque acrylic 'crack' on the front cover and a wooden strip in the lower board. Housed in the original black cloth covered clamshell box. Buchnummer des Verkäufers 7520

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Cheloniidae Press. Shakespeare, William

Verlag: Cheloniidae Press, Easthampton, MA (1990)

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Buchbeschreibung: Cheloniidae Press, Easthampton, MA, 1990. One of 125 copies, all on Cheloniidae Rag paper, the first book of the press with Cheloniidae watermark, each signed by the artist, Alan James Robinson from a total issue of 155 copies. Page size: 10-3/8 x 15- 7/8 x inches - the size of the first folio edition of Shakespeare - Dedication Page, Half-title, engraved frontispiece portrait of Shakespeare in rondel surrounded by the animals, Titlepage, i-iii [iv-v] 1-87 [88-92]pp. Bound: loose sheets boxed. Illustrated with 54 woodengravings depicting the birds and beasts found in Shakespeare's plays and poems, plus two portraits of the Bard: one etching and one woodengraving. The woodengravings were accomplished by Robinson on end-grain English boxwood from T.N. Lawrence & Sons of London. The type was set at M & H Type Foundry of San Francisco and printed by Harold Patrick McGrath in black within a caramel-colored rule on each page with Shakespeare's own words in caramel ink. This book uses Shakespeare's original texts addressing the natural history, folklore, and mythology of the birds and beasts in his plays. The text was written by Arthur F. Kinney, Thomas W. Copeland Professor Literary History at the University of Massachusetts at Amherst. Certainly one of the most ambitious and most beautiful books of the Press, published to mark their tenth anniversary. Buchnummer des Verkäufers 10394

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SHAKESPEARE, William.

Verlag: Kegan Paul, Trench & Co. 1882-83 (1882)

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Buchbeschreibung: Kegan Paul, Trench & Co. 1882-83, 1882. Limitation leaves, half titles, engr. titles in red & black. Contemp. half brown crushed morocco by Monnell, raised bands, gilt compartments. Armorial bookplates of Michael Tomkinson. A fine set. Copy number 23 of only 50 printed; all volumes are signed Charles Whittingham & Co. Buchnummer des Verkäufers 57087

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Shakespeare, William (Rackham, Arthur)

Verlag: Heinemann (1926)

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Buchbeschreibung: Heinemann, 1926. Hardcover. Buchzustand: Near Fine. 1st Edition. First Edition. A sharp copy of this limited edition of 520 copies SIGNED by Arthur Rackham. The book is in nice shape. The binding is tight, and the boards are crisp with light wear to the spine and edges. The pages are clean with no writing, marks or bookplates in the book. Overall, a lovely copy SIGNED by Rackham in collector's condition. We buy First Editions of Children's books. Signed by Author(s). Buchnummer des Verkäufers ABE-5307429057

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Shakespeare, William

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Buchbeschreibung: With illustrations by Arthur Rackham, R.W.S. William Heinemann, London; Doubleday, Page & Co., New York; 1908. Full crushed navy morocco by Bayntun of Bath with single gilt fillet to boards and inner panel comprising decorative floral cornerpieces; the spine is in gilt panels, separated by raised bands augmented with spherical tooling, each with a floral wreath; titles stamped direct in two compartments; inner dentelles wide and profusely gilt; 4to. A Limited Edition of 1000 numbered and signed copies, for sale in Great Britain and Ireland. This is No. 438. Signed by Arthur Rackham on the limitation page.Additional half title-page; woodcut vignette title-page; forty colour plates, of which one is the frontispiece, mounted on brown art paper and protected by captioned tissue guards; and thirty-three line drawings within the text of which five are full page.A stunning copy in excellent condition of the First Rackham Edition. Buchnummer des Verkäufers CB8625

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TEMPEST: Rackham, Arthur, Illus.]

Rackham, Arthur, Illus.] Shakespeare William

Verlag: London William Heinemann 1926 (1926)

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Buchbeschreibung: London William Heinemann 1926, 1926. FIRST EDITION, LIMITED EDITION DE LUXE, one of 520 numbered copies SIGNED BY ARTHUR RACKHAM. This limited edition is also printed on significantly larger paper then the trade issue. With 21 tipped-in color plates and several black and white line drawings by Arthur Rackham. Includes the extra plate of Sea-Nymphs playing which was not included in the trade issue 4to, in the original de luxe binding of vellum backed parchment boards, lettered and with Rackham's pictorial vignette in gilt on the upper cover, the spine gilt decorated and lettered, t.e.g. IN THE VERY SCARCE ORIGINAL DUSTJACKET decorated as the binding in red on tan paper. x,185 pp. A beautiful copy, the text and plates pristine and perfect, the binding clean and solid with only a light hint of the effects of age on parchment and vellum, the rare dustjacket solid and complete with a little light rubbing and a few small chips. AN EXCEPTIONAL COPY OF THE DE LUXE LIMITED EDITION SIGNED BY ARTIST ARTHUR RACKHAM, ALL THE MORE SCARCE IN THE ORIGINAL DUST-JACKET. Shakespeare’s romantic drama, expertly illustrated by Arthur Rackham. Entering the artist’s world of fantasy, we experience the story of the exiled magician Prospero and his daughter Miranda cast upon a desolate island. We encounter Shakespeare’s graceful nymphs and a marvelous assortment of goblins and fairies, all imaginatively depicted by Rackham. Though not one of Rackham’s most popular books in its day, The Tempest has wonderfully found its place with the passage of time. The images are full of dynamic movement, good humor, and subtle atmosphere. Together they tell Shakespeare’s tale with the artist’s characteristic imagination and charm. Buchnummer des Verkäufers 27232

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Willoughby, Robert [Bob] (photographer); Joseph L. Mankiewicz (director); William Shakespeare (play); James Mason, Marlon Brando (starring)

Verlag: N.p., N.p. (1952)

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Buchbeschreibung: N.p., N.p., 1952. Vintage oversize double weight photograph of James Mason on location in Bronson Canyon, California, for the shooting of "Julius Caesar" in 1952. Shot, struck, and mounted by the film's still photographer, Bob Willoughby. SIGNED by Willoughby at the bottom right margin in black ink, with his rubber stamp on the verso (noting his address Los Angeles). Full provenance available.After studying with Saul Bass at the Kann Institute of Art in Los Angeles, Willoughby began working as a photographer for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. It was while on assignment covering Judy Garland in a "A Star is Born" that Willoughby's ability to capture his subjects' spontaneity, humor, and vulnerability, resulting in images that were far different from more traditional film stills, came to Hollywood's attention and earned him his first "Life" magazine cover. Willoughby spent the next 20-plus years working as a set photographer for every major studio, documenting some of most important films of the era and creating intimate portraits of some of Hollywood's greatest celebrities. Technically and stylistically innovative, Willoughby built the first remote radio-controlled cameras used on film sets, pioneered the use of the "silent blimp" for 35mm cameras, and created brackets to mount his cameras directly over the movie cameras to capture the same images.Willoughby moved his family to County Cork, Ireland in 1972, working on only a handful of films through the late 1970s and early 1980s, though he would continue to photograph, exhibit, and publish books for the remainder of his life. The stills in this collection were given by Willoughby to friends in Kilbrittain, Ireland just prior to his move to Vence, France in 1989, where he would remain until his death in 2009.Perhaps more than any other photographer, Willoughby is responsible for creating the the look of mid-century celebrity and moviemaking in the popular imagination, with his images printed in magazines literally every week of his career. But beyond being prolific, Willoughby's legacy rests with his ability capture the essence of the actors he photographed, as well as the films with which those photographs were associated. As Sydney Pollack said in his introduction to Willoughby's autobiography, "Sometimes a filmmaker gets a look at a photograph taken on his own set and sees the 'soul' of his film in one still photograph. It's rare, but it happens. It happened to me in 1969, the first time I looked at the work of Bob Willoughby during the filming of "They Shoot Horses, Don't They?"Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern.In a custom museum-quality frame, archivally mounted, with UV glass. 16 x 17.25 inches. Near Fine. Buchnummer des Verkäufers 133148

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A Midsommer Nights Dreame. Newly Printed From: NASH, Paul) SHAKESPEARE,

NASH, Paul) SHAKESPEARE, William.

Verlag: London, Ernest Benn, 1924 (1924)

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Buchbeschreibung: London, Ernest Benn, 1924, 1924. Quarto. Finely bound by The Chelsea Bindery in full blue morocco, titles to spine gilt, rule to boards gilt, motif to front board, inner dentelles gilt, marbled endpapers, top edge gilt. A fine copy. With 5 colour drawings and 9 black and white drawings. The Players' Shakespeare, limited to 106 copies. Signed by the art editor Albert Rotherston, the illustrator Paul Nash, and the introduction writer Harley Granville-Barker. Buchnummer des Verkäufers 19433

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RACKHAM, Arthur]. SHAKESPEARE, William.

Verlag: London, William Heinemann [1926]. (1926)

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Buchbeschreibung: London, William Heinemann [1926]., 1926. Hardcover. Buchzustand: Very Good. Zustand des Schutzumschlags: Very Good. Limited Edition. Limited edition. 4to. Illustrated with 21 tipped-in colored plated; 25 b/w drawings. Original 1/2 gilt stamped vellum over cream boards, gilt titles and decorations, t.e.g., others uncut. A few tiny spots to front boards. Dust jacket (unclipped; light soiling; spine darkened; chip extending around to front panel for three inches. A very good copy. 185 pages. No signatures or bookplates. Number 458 of 520 numbered copies, signed by Arthur Rackham on the limitation page. Signed by Illustrator(s). Buchnummer des Verkäufers 307264

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TEMPEST: SHAKESPEARE

SHAKESPEARE

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Buchbeschreibung: (RACKHAM,ARTHUR)illus. THE TEMPEST by William Shakespeare. London & NY: Heinemann & Doubleday [1926]. 4to, 1/4 vellum, white gilt pictorial boards, slightest of foxing on cover else Fine IN ORIGINAL DUSTWRAPPER! LIMITED TO ONLY 520 COPIES (260 for U.K.,260 for U.S.) SIGNED BY RACKHAM WITH AN EXTRA COLOR PLATE NOT IN THE TRADE EDITION. Illustrated by Rackham with 21 magnificent tipped-in color plates plus pictorial title page and several black and white devices, printed on had-made paper. This is a magnificent copy. Buchnummer des Verkäufers 28441

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SHAKESPEARE

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Buchbeschreibung: (RACKHAM,ARTHUR)illus. THE TEMPEST by William Shakespeare. London & NY: Heinemann & Doubleday [1926]. 4to (9 1/2 x 11 3/4"), 1/4 vellum, white gilt pictorial boards, top edge gilt. Fine IN ORIGINAL DUST WRAPPER! LIMITED TO ONLY 520 COPIES (260 for U.K.,260 for U.S.) SIGNED BY RACKHAM WITH AN EXTRA COLOR PLATE NOT IN THE TRADE EDITION. Illustrated by Rackham with 21 magnificent tipped-in color plates plus pictorial title page and several black and white devices, printed on hand-made paper. This is a magnificent copy. Buchnummer des Verkäufers 16869

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Shakespeare

Verlag: Delfino Edizioni D'Arte (1985)

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Buchbeschreibung: Delfino Edizioni D'Arte, 1985. Full-Leather. Buchzustand: Good. No Jacket. Moore, Henry (illustrator). Limited Edition. Elephant Folio - over 15 - 23" tall. Limited edition, one of 1200 copies. Full brown leather over thick beveled edged boards. Raised metal plate on front cover. Ten beautiful plates. Decked edges of hand made paper. Signed by moore on half title page. The only detractions are a tiny stain on half title page and front cover has scratches/pulls -- most likely from a cat -- around the edges. Signed by Illustrator(s). Buchnummer des Verkäufers 050721

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SHAKESPEARE, William

Verlag: London Ganymed Original Editions Limited (1963)

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Buchbeschreibung: London Ganymed Original Editions Limited, 1963. "King Lear," Limited to 279 Copies, Signed by Kokoschka KOKOSCHKA, Oskar, [illustrator]. SHAKESPEARE, William. King Lear. With lithographs by Oskar Kokoschka. London: Ganymed Original Editions Limited, 1963. Folio. Limited to 279 copies signed by the artist, of which this is number 87. Beautifully illustrated with sixteen lithographs by Oskar Kokoschka. Original full vellum, gilt-stamped on spine, marbled endpapers. Gray cloth slipcase, slightly frayed. Vellum a little soiled, otherwise fine. HBS 66415. $3,000. Buchnummer des Verkäufers 66415

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SHAKESPEARE, William

Verlag: Heinemann, London (1926)

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Buchbeschreibung: Heinemann, London, 1926. hardcover. Buchzustand: near fine. Zustand des Schutzumschlags: very good(+). Limited. Limited to only 520 hand numbered copies (260 for the U.K. ans 260 for the U.S.). Illustrated by Arthur Rackham with 21 tipped-in color plates plus pictorial title page and several small black and white illustrations, printed on hand-made paper. 4to, 1/4 vellum, white gilt pictorial boards, original dust wrapper (browned and slightly rubbed). Signed by Rackham with an extra color plate not in the trade edition. London & New York: Heinemann & Doubleday. (1926). A beautiful clean crisp copy with 2 small chips on the bottom of the fly leaves & endpapers. Buchnummer des Verkäufers 249553

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Tempest Illustrated by Arthur Rackham.: SHAKESPEARE, William

SHAKESPEARE, William

Verlag: London William Heinemann (1926)

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Buchbeschreibung: London William Heinemann, 1926. A Beautiful Copy, in the Original Dust Jacket [RACKHAM, Arthur, illustrator]. SHAKESPEARE, William. The Tempest. Illustrated by Arthur Rackham. London: William Heinemann, 1926. Edition de Luxe. Limited to 520 copies, numbered and signed by the artist, this is copy number 222. Large quarto. [2, blank] xiii, [1], 185, [3, blank] pp. Twenty-one mounted color plates, with descriptive tissue guards, and twenty-five drawings in black and white. Original quarter vellum over white boards. Front cover and spine pictorially stamped and lettered in gilt. Top edge gilt, others uncut. In the original tan dust jacket printed in red, endpapers a bit foxed, (jacket a little browned), original glassine, very chipped. A fine copy. "There is an extra coloured plate in this edition that is not in the trade edition, this is the frontispiece titled ‘Sea-nymphs hourly ring his knell:‘" (Riall). Latimore and Haskell, pp. 61-62. Riall, p. 161. HBS 67589. $3,000. Buchnummer des Verkäufers 67589

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A Midsummer Night's Dream.: RACKHAM, Arthur.) SHAKESPEARE,

RACKHAM, Arthur.) SHAKESPEARE, William.

Verlag: London: William Heinemann, 1908 (1908)

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Buchbeschreibung: London: William Heinemann, 1908, 1908. Quarto. Original vellum boards, titles to spine and front board gilt, image blocked in gilt to front board, brown endpapers. Small W H Smith bookseller's ticket at rear pastedown. Some marks to boards, which are remarkably unbowed, internally some minor spotting to tissue guards, but withal an excellent copy. With 40 tipped in colour plates and numerous black and white illustrations throughout. Signed limited edition. Number 170 of 1,000 copies signed by the artist. Buchnummer des Verkäufers 110163

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