The Rhetorical Feminine: Gender and Orient on the German Stage, 1647-1742 (Oxford Modern Languages and Literature Monographs) - Hardcover

Colvin, Sarah

Hardcover

ISBN 10: 0198186363 ISBN 13: 9780198186366

Verlag: Clarendon Press, 1999

Inhaltsangabe

Book by Colvin Sarah

Über diesen Titel

Críticas:

Thorough and persuasive examination of seventeenth- and eighteenth-century theatre ... One of the strengths of this study is its comprehensiveness ... The work offers a panoramic view of the German stage, shedding light on some lesser-known areas. In this respect it makes an important contribution to the early modern syllabus at a time when the choice of texts studied by undergraduates is often limited by the scarcity of appropriate secondary literature. Equally, it offers a lucid and stimulating argument with which specialists can profitably engage. (Modern Language Review)

Colvin's study is an important contribution to the criticism of early German drama and opera since it unveils the rhetorical strategies bolstering the male Christian ideal on stage and in the early modern theatrum mundi. (Colloquia Germanica)

Colvin's book is perhaps the most critically sophisticated monograph to appear in the field of early modern German literature. (Theatre Research International)

Reseña del editor:

The Rhetorical Feminine takes a fresh look at theatre - including the important new genre of opera - in early modern Germany. Central to this study is the relationship of the stage with ideas of order or social control. Early German school drama was designed to teach rhetoric to boys: a detail which has up to now been accepted by scholars without further questioning. This investigation focuses on how that rhetoric was used, with particular reference to ideas of the feminine and of the Islamic world. Both are constructed as the potentially threatening others of early modern patriarchal Christendom. In containing the threat, the stage becomes the controllable version of the early modern theatrum mundi.

In opera, the dynamic of the text is supported by music. The author has found it necessary to cross the boundary of traditional literary scholarship by looking not only at the libretti, but also at the rhetoric of the score.

The suggestion here is not that the construction of alterity is an isolated phenomenon in early modern Germany; men have always used their relative monopoly of the arts for self-definition. While feminist scholarship has tended to concentrate on the relevance of this for women, it has also pertained to non-Christians or `the Orient', which is often portrayed as analogous with the feminine.

Über diese Auflage

• Verlag: Clarendon Press
• Erscheinungsdatum: 1999
• ISBN 10: 0198186363
• ISBN 13: 9780198186366
• Einband: Tapa dura
• Anzahl der Seiten: 342