Críticas:
A"Maziar Bahari, one of the very finest Iranian journalists still shining a light on his homeland, has coedited with Malu Halasa, a truly insightful account of the real Iran - the Iran we never hear above the hubbub of rhetoric and allegation. This is the Iran so many of us who travel there know and both admire and think about. It is the Iran that defies politics and economics and remains somehow simply Persian.A"Jon Snow, Channel Four NewsA"Tehran is a city literally, photographically, musically, and sexually seething with tiny (and sometimes not so tiny) acts of rebellion, in which swarms of mostly anonymous young Iranians experiment with ways to test the limits of freedom. The evidence that they do so with such panache, creativity, and often courage, is to be found in this wonderful book of brilliant essays and evocative photographs. That they do so may be a cause of concern to the government of Iran. It should be the source of great reassurance to all who believe in the power of the human spirit.A"Ted Koppel, Managing Editor, Discovery ChannelA"Transit Tehran is one long, refreshing, sometimes funny and often disturbing surprise. Too many portrayals of Iranian society are as superficial as a chador. This book looks at the body and soul of a people - a young people - who have an ancient culture that is wonderfully cosmopolitan, a recent history that is deeply troubled, and hopes for the future that are inextinguishable.A"Christopher Dickey, author and journalist A"A wonderfully illustrative view of Iran's young, hip and avant garde. Westerners take note: They are here and will be heard.A" Fareed Zakaria, Editor of Newsweek International
Reseña del editor:
Like other international cities, Tehran is filled with the religious, the irreligious and the indifferent. However, for a capital much in the news, its secrets are well-guarded - parties where the kids let rip; falling in love with someone whose face is never seen; random breath-testing of pedestrians for alcohol; religious acceptance of transsexuals; needle exchanges in public parks; and, martyrdom demonstrations. In "Transit Tehran", city-insiders, rappers, artists, writers and photo-journalists provide essays and picture stories to bring the city to life. Contributors include Newsha Tavakolian, named Best Young Photographer of 2006 by National Geographic, Abbas Kowsari, Javad Montazeri and Omid Salehi, who have continued to document the social transformation of their country in the face of mass closures of newspapers and magazines by the government.Things are never what they seem in the art of Sadegh Tirafkan, the new feminist journalism of Asieh Amini, and the romance Shi'a-style by new fiction talent Alireza Mahmoodi-Iranmehr. Above all, "Transit Tehran" celebrates the country's long tradition of artistic and cultural resistance that has influenced young Iranians, noticeably in the work of veteran editor and journalist Masoud Behnoud, photo-journalist Kaveh Golestan, premier satirist and illustrator Ardeshir Mohassess, and photographer Mohsen Rastani.
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