Reseña del editor:
Poetry. Associated with both the spoken word and avant-garde literary communities of New York City, Edwin Torres has carved out an energetic and suggestive space between those worlds, mapping out a prospective direction for American poetry. "Edwin Torres's poetry--full of complex graphic experiments and daring sonic explorations--opens new creative possibilities, simultaneously challenging and delighting our intelligence" --Lorenzo Thomas. "Torres successfully transmits the oral/aural to the page, attending to vocal immediacies that stretch from Dada excess to spoken-word access" --Jena Osman.
Biografía del autor:
EDWIN TORRES has collaborated with a wide range of artists, creating performances that intermingle poetry with vocal & physical improvisation, sound-elements and visual theater. He has received poetry fellowships from the New York Foundation for the Arts, The Foundation For Contemporary Performance Art, The Poets Fund and The Lower Manhattan Cultural Council. He has taught workshops at Naropa University, St. Marks Poetry Project, Bard College, Mills College and Miami University among others. His work has been published in many anthologies, and his CD, Holy Kid (Kill Rock Stars Records), is in the sound archives of The Whitney Museum for American Art. He is co-editor of the poetry journal/DVD Rattapallax. His books include IN THE FUNCTION OF EXTERNAL CIRCUMSTANCES (Nightboat Books), THE POPEDOLOGY OF AN AMBIENT LANGUAGE (Atelos Books), FRACTURED HUMOROUS (Subpress), and THE ALL-UNION DAY OF THE SHOCK WORKER (Roof Books). His recent project is a collaboration with Spanic Attack (www.spanicattack.com) called NORICUA, a noh-boricua inspired non-movement gaining worldwide momentum, whose non-ideologies have been performed in the Bronx, Berlin, Loisaida and Puerto Rico.
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