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This book examines 3D cinema across the early 1950s, the early 1980s, and from 2009 to 2014, providing for the first time not only a connection between 3D cinema and historical trauma but also a consideration of 3D aesthetics from a cultural perspective. The main argument of the book is that 3D cinema possesses a privileged potential to engage with trauma. Exploring questions of representation, embodiment and temporality in 3-D cinema, the book takes an interdisciplinary approach, offering a compelling analysis to a combination of box office favorites and more obscure films, ranging across genres such as horror, erotica, fantasy, science fiction, and documentaries. Weaving theoretical discussions and film analysis this book renders complex theoretical frameworks such as Deleuze and trauma theory accessible.
Über die Autorin bzw. den Autor: Dor Fadlon is a researcher and filmmaker exploring the intersections of cinema, technology, and culture. He holds a PhD from Victoria University of Wellington and was a Golda Meir Postdoctoral Fellow in the Noah Mozes Department of Communication and Journalism, Hebrew University Of Jerusalem. Currently Dor is a lecturer at Steve Tisch School of Film and Television, Tel Aviv University, where he offers courses on film and visual culture, including violence on screen, film and technology and 3D Cinema.
Titel: 3-D Cinema and Trauma: Poetics of ...
Verlag: Palgrave Macmillan
Erscheinungsdatum: 2023
Einband: Softcover
Zustand: New
Anbieter: Brook Bookstore On Demand, Napoli, NA, Italien
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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Examines 3-D cinema across the early 1950s, the early 1980s, and from 2009 to 2014Considers 3-D cinema from a cultural perspectiveArgues that 3-D cinema possesses a privileged potential to engage with trauma In this erudite book, Do. Bestandsnummer des Verkäufers 1252895690
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Taschenbuch. Zustand: Neu. 3-D Cinema and Trauma | Poetics of Remembrance and Loss | Dor Fadlon | Taschenbuch | xi | Englisch | 2023 | Springer | EAN 9783031128233 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. Bestandsnummer des Verkäufers 128036780
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Taschenbuch. Zustand: Neu. Neuware -This book examines 3D cinema across the early 1950s, the early 1980s, and from 2009 to 2014, providing for the first time not only a connection between 3D cinema and historical trauma but also a consideration of 3D aesthetics from a cultural perspective. The main argument of the book is that 3D cinema possesses a privileged potential to engage with trauma. Exploring questions of representation, embodiment and temporality in 3-D cinema, the book takes an interdisciplinary approach, offering a compelling analysis to a combination of box office favorites and more obscure films, ranging across genres such as horror, erotica, fantasy, science fiction, and documentaries. Weaving theoretical discussions and film analysis this book renders complex theoretical frameworks such as Deleuze and trauma theory accessible.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 296 pp. Englisch. Bestandsnummer des Verkäufers 9783031128233
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book examines 3D cinema across the early 1950s, the early 1980s, and from 2009 to 2014, providing for the first time not only a connection between 3D cinema and historical trauma but also a consideration of 3D aesthetics from a cultural perspective.The main argument of the book is that 3D cinema possesses a privileged potential to engage with trauma. Exploring questions of representation, embodiment and temporality in 3-D cinema, the book takes an interdisciplinary approach, offering a compelling analysis to a combination of box office favorites and more obscure films, ranging across genres such as horror, erotica, fantasy, science fiction, and documentaries. Weaving theoretical discussions and film analysis this book renders complex theoretical frameworks such as Deleuze and trauma theory accessible. 296 pp. Englisch. Bestandsnummer des Verkäufers 9783031128233
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines 3D cinema across the early 1950s, the early 1980s, and from 2009 to 2014, providing for the first time not only a connection between 3D cinema and historical trauma but also a consideration of 3D aesthetics from a cultural perspective.The main argument of the book is that 3D cinema possesses a privileged potential to engage with trauma. Exploring questions of representation, embodiment and temporality in 3-D cinema, the book takes an interdisciplinary approach, offering a compelling analysis to a combination of box office favorites and more obscure films, ranging across genres such as horror, erotica, fantasy, science fiction, and documentaries. Weaving theoretical discussions and film analysis this book renders complex theoretical frameworks such as Deleuze and trauma theory accessible. Bestandsnummer des Verkäufers 9783031128233
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