A Moving Memoir of Zimbabwe and the End of Colonial Rule
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Doris Lessing was one of the most important writers of the second half of the 20th-century and was awarded the Nobel Prize for Literature 2007. Her novels include The Grass is Singing, The Golden Notebook and The Good Terrorist. In 2001, Lessing was awarded the David Cohen Prize for a lifetime's achievement in British literature. In 2008, The Times ranked her fifth on a list of "The 50 greatest British writers since 1945". She died in 2013.
In the 1980s and early 1990s, Doris Lessing made several visits to her homeland, Zimbabwe, a country from which she had been banned for twenty-five years for her opposition to the government of what was then white Southern Rhodesia. Mingling memory and reportage in vivid detail, Doris Lessing pays passionate and profound testament to an extraordinary country, its landscape, people and unquenchable spirit. 'African Laughter' is both a shrewd and perceptive portrait of a modern African state emerging from its bloody and terrible colonial history, and a candid and moving insight into the mind of one of this century's finest writers.
"An eloquent statement, one of the strengths of this account of a nation's tragedy is that Doris Lessing evokes not sadness but laughter. She describes this as 'the marvellous African laughter born somewhere in the gut, seizing the whole body with good-humoured philosophy. It is the laughter of poor people'."
TLS
"Innumerable conversations – of Africans, among them poets and teachers and cooks; of whites, some of whom have 'taken the gap' to South Africa then returned, disillusioned – contribute to Doris Lessing's picture of the new Zimbabwe. Enthralling, significant and provocative."
INDEPENDENT
"'African Laughter' conveys a country and its people more completely than any other book I have read. It is filled with stories, anecdotes, newspaper cuttings, poems, obituaries, songs, even Doris Lessing's synopsis for a film – the cumulative effect is extraordinary. As well as a remarkable immediacy, the narrative has an irrepressible physical vigour which reflects perfectly the vitality of the Zimbabwean people."
DAILY TELEGRAPH
An Aristophanic counterpoint, between the comic and the serious, zigzags like a golden thread from the start to finish of this marvellous book. Delightful and profoundly moving."
LISTENER
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