Immerse yourself in Laura Ingalls Wilder’s beloved Little House series, now featuring Garth Williams’ classic art in vibrant full-color! The Long Winter is the sixth book in Laura Ingalls Wilder’s treasured Little House series, and the recipient of a Newbery Honor.
The fledgling town of De Smet in the Dakota Territory is hit hard by the brutal winter of 1880-1881. Laura, Pa, Ma, Mary, Carrie, and little Grace face the winter as best they can, but soon, blizzards have covered the town in snow that piles up to the rooftops, cutting the town off from supplies and trade. Food stores begin to run dangerously low. To save the town from starvation, young Almanzo Wilder and a friend brave the conditions, set off across the prairie in search of wheat, and return victorious. The town is saved, and the townspeople share in an unusual, but joyful, Christmas celebration.
The nine books in the timeless Little House series tell the story of Laura’s real childhood as an American pioneer, and are cherished by readers of all generations. They offer a unique glimpse into life on the American frontier, and tell the heartwarming, unforgettable story of a loving family.
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Laura Ingalls Wilder was born in 1867 in the log cabin described in Little House in the Big Woods, and she and her family traveled by covered wagon across the Midwest. As an adult she wrote down the stories of her pioneer childhood in her classic Little House books, which have been cherished by millions of readers ever since they were first published over ninety years ago.
Garth Williams is the renowned illustrator of almost one hundred books for children, including the beloved Stuart Little by E. B. White, Bedtime for Frances by Russell Hoban, and the Little House series by Laura Ingalls Wilder.
He was born in 1912 in New York City but raised in England. He founded an art school near London and served with the British Red Cross Civilian Defense during World War II. Williams worked as a portrait sculptor, art director, and magazine artist before doing his first book Stuart Little, thus beginning a long and lustrous career illustrating some of the best known children's books.
In addition to illustrating works by White and Wilder, he also illustrated George Selden’s The Cricket in Times Square and its sequels (Farrar Straus Giroux). He created the character and pictures for the first book in the Frances series by Russell Hoban (HarperCollins) and the first books in the Miss Bianca series by Margery Sharp (Little, Brown). He collaborated with Margaret Wise Brown on her Little Golden Books titles Home for a Bunny and Little Fur Family, among others, and with Jack Prelutsky on two poetry collections published by Greenwillow: Ride a Purple Pelican and Beneath a Blue Umbrella. He also wrote and illustrated seven books on his own, including Baby Farm Animals (Little Golden Books) and The Rabbits’ Wedding (HarperCollins).
For the first time in the history of the Little House books, this new edition features Garth Williams’ interior art in vibrant, full color, as well as a beautifully redesigned cover.
The adventures of Laura Ingalls and her family continue as Pa, Ma, Laura, Mary, Carrie, and little Grace bravely face the hard winter of 1880-81 in their little house in the Dakota Territory. Blizzards cover the little town with snow, cutting off all supplies from the outside. Soon there is almost no food left, so young Almanzo Wilder and a friend make a dangerous trip across the prairie to find some wheat. Finally a joyous Christmas is celebrated in a very unusual way in this most exciting of all the Little House books.
Chapter One
Make Hay While The Sun Shines
The mowing machine's whirring sounded cheerfully from the old buffalo wallow south of the claim shanty, where bluestem grass stood thick and tall and Pa was cutting it for hay.
The sky was high and quivering with heat over the shimmering prairie. Half-way down to sunset, the sun blazed as hotly as at noon. The wind was scorching hot. But Pa had hours of mowing yet to do before he could stop for the night.
Laura drew up a pailful of water from the well at the edge of the Big Slough. She rinsed the brown jug till it was cool to her hand. Then she filled it with the fresh, cool water, corked it tightly, and started with it to the hayfield.
Swarms of little white butterflies hovered over the path. A dragon-fly with gauzy wings swiftly chased a gnat. On the stubble of cut grass the striped gophers were scampering. All at once they ran for their lives and dived into their holes. Then Laura saw a swift shadow and looked up at the eyes and the claws of a hawk overhead. But all the little gophers were safe in their holes.
Pa was glad to see Laura with the water-jug. He got down from the mowing machine and drank a mouthful. "Ah! that hits the spot!" he said, and tipped up the jug again. Then he corked it, and setting it on the ground he covered it with cut grass.
"This sun almost makes a fellow want a bunch of sprouts to make a shade," he joked. He was really glad there were no trees; he had grubbed so many sprouts from his clearing in the Big Woods, every summer. Here on the Dakota prairies there was not a single tree, not one sprout, not a bit of shade anywhere.
"A man works better when he's warmed up, anyway!" Pa said cheerfully, and chirruped to the horses. Sam and David plodded on, drawing the machine. The long, steel-toothed blade went steadily whirring against the tall grass and laid it down flat. Pa rode high on the open iron seat, watching it lie down, his hand on the lever.
Laura sat in the grass to watch him go once around. The heat there smelled as good as an oven when bread is baking. The little brown-and-yellow striped gophers were hurrying again, all about her. Tiny birds fluttered and flew to cling to bending grass-stems, balancing lightly. A striped garter snake came flowing and curving through the forest of grass. Sitting hunched with her chin on her knees, Laura felt suddenly as big as a mountain when the snake curved up its head and stared at the high wall of her calico skirt.
Its round eyes were shining like beads, and its tongue was flickering so fast that it looked like a tiny jet of steam. The whole bright-striped snake had a gentle look. Laura knew that garter snakes will not harm anyone, and they are good to have on a farm because they eat the insects that spoil crops.
It stretched its neck low again and, making a perfectly square turn in itself because it could not climb over Laura, it went flowing around her and away in the grass.
Then the mowing machine whirred louder and the horses came nodding their heads slowly in time with their feet. David jumped when Laura spoke almost under his nose.
"Whoa!" Pa said, startled. "Laura! I thought you'd gone. Why are you hiding in the grass like a prairie chicken?"
"Pa," Laura said, "why can't I help you make hay? Please let me, Pa. Please."
Pa lifted his hat and ran his fingers through his sweat-damp hair, standing it all on end and letting the wind blow through it. "You're not very big nor strong, little Half-Pint."
"I'm going on fourteen," Laura said. "I can help, Pa. I know I can."
The mowing machine had cost so much that Pa had no money left to pay for help. He could not trade work, because there were only a few homesteaders in this new country and they were busy on their own claims. But he needed help to stack the hay.
"Well," Pa said, "maybe you can. We'll try it. If you can, by George! we'll get this haying done all by ourselves!"
Laura could see that the thought was a load off Pa's mind and she hurried to the shanty to tell Ma.
"Why, I guess you can," Ma said doubtfully. She did not like to see women working in the fields. Only foreigners did that. Ma and her girls were Americans, above doing men's work. But Laura's helping with the hay would solve the problem. She decided, "Yes, Laura, you may."
Carrie eagerly offered to help. "I'll carry the drinking water out to you. I'm big enough to carry the jug!" Carrie was almost ten, but small for her age.
"And I'll do your share of the housework, besides mine," Mary offered happily. She was proud that she could wash dishes and make beds as well as Laura, though she was blind.
The sun and hot wind cured the cut grass so quickly that Pa raked it up next day. He raked it into long windrows, then he raked the windrows into big haycocks. And early the next morning, while the dawn was still cool and meadow-larks were singing, Laura rode to the field with Pa in the hayrack.
There Pa walked beside the wagon and drove the horses between the rows of haycocks. At every haycock he stopped the horses and pitched the hay up into the hayrack. It came tumbling loosely over the high edge and Laura trampled it down. Up and down and back and forth she trampled the loose hay with all the might of her legs, while the forkfuls kept coming over and falling, and she went on trampling while the wagon jolted on to the next haycock. Then Pa pitched more hay in from the other side.
Excerpted from The Long Winterby Laura Wilder Copyright © 2006 by Laura Wilder. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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