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The Cloud Sketcher: A Novel of a Faustian Bargain and Impossible Love in Jazz Age New York - Softcover

Rayner, Richard

 
9780060956134: The Cloud Sketcher: A Novel of a Faustian Bargain and Impossible Love in Jazz Age New York

Inhaltsangabe

In a tiny village in Finland, Esko Vaananen is at the brink of despair -- he loves a woman he can never have. Suddenly, in the magical light of the aurora borealis, he has a vision of an impossibly tall building rising gracefully from the frozen lake and disappearing into the clouds above him. This pilvenpiirtaja -- "cloud sketcher" or skyscraper -- sparks a lifelong quest for beauty in Esko. He will pursue and protect these two passions -- his vision and his love -- no matter how great the cost, for the rest of his life. It is a journey that leads him into the Bolshevik revolution and the Jazz Age nightclubs of New York City and to strike a Faustian bargain with a ruthless gangster -- all in the pursuit of artistic perfection and impossible, unattainable love.

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Über die Autorin bzw. den Autor

Born in England, Richard Rayner now lives in Los Angeles. His previous books include the memoir The Blue Suit and the novels The Cloud Sketcher, L.A. Without a Map, and Murder Book. His work has appeared in the New Yorker, the New York Times, and many other publications.

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In a tiny village in Finland, Esko Vaananen is at the brink of despair -- he loves a woman he can never have. Suddenly, in the magical light of the aurora borealis, he has a vision of an impossibly tall building rising gracefully from the frozen lake and disappearing into the clouds above him. This pilvenpiirtaja -- "cloud sketcher" or skyscraper -- sparks a lifelong quest for beauty in Esko. He will pursue and protect these two passions -- his vision and his love -- no matter how great the cost, for the rest of his life. It is a journey that leads him into the Bolshevik revolution and the Jazz Age nightclubs of New York City and to strike a Faustian bargain with a ruthless gangster -- all in the pursuit of artistic perfection and impossible, unattainable love.

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The Cloud Sketcher

By Rayner, Richard

Perennial

Copyright © 2004 Richard Rayner
All right reserved.

ISBN: 0060956135

Chapter One

It began with news of an elevator, in 1901 an instrument unknown, unheard of, undreamed of in the tiny Finnish village where Esko grew up, as close to the Arctic Circle as to the capital Helsinki. At that time, at the beginning of the fresh century, the village was almost untouched by the modern world, by a future that would, in a few years, sweep aside a way of life unchanged for hundreds. In 1901, when Esko was eleven, the village boasted no railroad and one telephone, which resided, crownlike, atop a narrow throne of solid oak in the study of the vicarage, the only house with electricity for fifty miles. Armies of spruce and pine creaked with snow during the frozen, infinitely long winter, trees that towered above a narrow, deeply rutted track that led into and out of the tiny village of Pyhajarvi. The track ran past a small general store that smelled of leather and mildewed potatoes and burlap. It weaved its way among four graveyards lit at Christmas time with ice lanterns, thousands of ice lanterns, one beacon for each departed soul, flickering bravely in the northern dark. But the track did not run between the sparse scattering of farms set among forests so dense, wild, and uncharted that strangers required a guide to show them the way from one farm to another. There was a lake, twenty miles long, frozen eight months of the year, and you had to be a local to find it among the trees. There were bears, wolves, and mountainous warm smelling ant heaps where a booted foot might sink up to the thigh. It was a world of poverty, famine, frequent suicide, a world where most recalled how it was to have to eat bread made from pine bark. Despite this there was no complaint, indeed little dialogue at all, except when coaxed from gruff throats by vodka. The villagers had wary eyes and faces that aged quickly in this place where the ownership of land and winter were the most pressing realities: land that was miserable to work even if it belonged to you, and it almost certainly didn't. The villagers cared little for history or events in the world beyond. They were foxy, hard, and sly- fatalists who for the most part smiled and shook their heads at displays of hope or statements of ideals, these being considered the province of fools and very dangerous men. Esko's father, Timo Vaananen, was known to be one such dangerous man.

This severe place had its hothead- Timo- as well as a building of true magnificence. Viewed from afar, the old wooden church seemed to have two towers, both painted red ochre, one peeping over the shoulder of the other like a parent. Moving closer, you saw that the two towers belonged to two different buildings: there was the church itself, with a twenty-four-cornered ground plan in the shape of a crucifix and a steeply pitched roof giving rise to a dome like an onion; and there was the bell tower, strangely taller and more slender, elegant, with a steep shingle roof and a needlelike spire shooting out of the bell compartment. In years past Esko had climbed the stairs and the narrow ladder that led to the top of the tower with his friends, so they could play hide and seek among the ropes and bells, and with his mother, so they could stand together and admire the midnight sun as it dipped toward the lake and then, at once, miraculously, began to rise again. By the summer of 1901, however, his life had taken a different turn, and he didn't go to the bell tower anymore. When he did happen to notice it, it seemed ominous to him, a warning, saying don't stray, don't go too far.

When they finished supper on that June night Esko cleared and washed the dishes, anxiously hoping to be done and escape, to flee before his father was ready to begin. No such luck: Timo was brisk and determined, decisive as ever. He put a book with a pebbled brown cover on the table, then a glass, then a bottle of schnapps, which he uncorked with a pop and placed beside the glass. Then Timo nudged the glass. Then he poured the schnapps, knocked it back, slopped in another shot, and one more, and commanded Esko to sit. "Now we learn," he said.

Timo Vaananen's mission was to teach Esko everything. At the village school, where Timo was one of the two teachers, this wasn't so bad. In school, at least, learning did not involve slaps. There was safety in numbers, and surrounded by the other kids, his head always deep in a book, Esko had only to pretend to negotiate the laws of geometry, algebra, trigonometry, the triumphs and sadnesses of Finnish history, the subtleties of Swedish, Finnish, and, because it was now the law, Russian, and the dirgelike chanting rhythms of "Kalevala," the national epic poem. "Kalevala" had Vainamoinen, the poet, the sorcerer who creates the world and defeats his enemies through the power of song; it had Aino, a beautiful maiden who spurns him; it had Lemminkainen, a fellow who lies and kidnaps and plays tricks; it had the doomed and sad Kullervo. Esko looked at "Kalevala" and saw a world that was familiar to the one he knew. In 1901, a time of simmering rebellion and nationalistic fervor, there were those who preached that the poem was also the literally true account of Finland in times gone by, an idea that appealed to little Esko, and one that appalled Timo, who preferred his history tinged a different color.

At night, at home, now that school was out, there was no pretense of scientific or scholarly rigor. Timo came on full and furious. Sometimes he stared silently at Esko for minutes on end, daring him to give a wrong answer.

Continues...
Excerpted from The Cloud Sketcherby Rayner, Richard Copyright © 2004 by Richard Rayner. Excerpted by permission.
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