Zen and the Art of Motorcycle Maintenance: An Inquiry into Values (P.S.) - Softcover

Pirsig, Robert M.

Softcover

ISBN 10: 0061673730 ISBN 13: 9780061673733

Verlag: Mariner Books Classics, 2008

Inhaltsangabe

A man and his young son embark on a summer motorcycle road trip across America’s Northwest, seeking to reconnect and explore the open country.

But this is no ordinary vacation. As the miles unspool, the journey transforms into a profound philosophical inquiry, a rolling Chautauqua that seeks to answer one of life’s most essential questions: What is best?

On a vintage motorcycle, the narrator grapples not only with the mechanics of his machine but with the very nature of Quality itself. He confronts the deep split in modern life between a cold, rational view of technology and a romantic, emotional engagement with the world, searching for a way to heal the divide. Yet, the biggest questions lie within.

Dogging his every thought is the ghost of his former self, a brilliant and dangerous man named Phaedrus, whose obsessive pursuit of truth led to his own destruction. This cross-country odyssey is more than a search for answers; it is a confrontation with a haunting past, a flight for sanity, and a powerful meditation on how we ought to live.

This profound and deeply personal story is an exploration of life’s most fundamental questions—a search for how to live, not just how to get by.

• A Father-Son Journey: Across the backroads of America, a man and his eleven-year-old son, Chris, share a motorcycle trip that uncovers the deep, complex, and often fraught bonds between them.
• The Philosophy of Quality: Through a series of philosophical discussions, or “Chautauquas,” the narrator grapples with the essential nature of what makes something good, from a well-maintained engine to a well-lived life.
• Technology and The Human Spirit: The narrative explores the deep divide between those who run from the cold logic of machines and those who engage with it, seeking a way to unite our rational and creative selves.
• A Divided Self: Haunting the entire journey is the ghost of Phaedrus, a former self the narrator must confront, forcing a reckoning with his own past, his sanity, and the very nature of his identity.

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Über die Autorin bzw. den Autor

Robert M. Pirsig (1928–2017) is the author of Zen and the Art of Motorcycle Maintenance, which has sold more than five-million copies since its publication in 1974, and Lila, a finalist for the 1992 Pulitzer Prize for Fiction. He graduated from the University of Minnesota (B.A., 1950; M.A., 1958) and attended Benares Hindu University in India, where he studied Eastern philosophy, and the University of Chicago, where he pursued a PhD in philosophy. Pirsig’s motorcycle resides in the Smithsonian Institution.

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“The real cycle you’re working on is a cycle called ‘yourself.’”

One of the most important and influential books of the past half-century, Robert M. Pirsig’s Zen and the Art of Motorcycle Maintenance is a powerful, moving, and penetrating examination of how we live and a meditation on how to live better. Pirsig’s narrative of a father and son on a summer motorcycle trip across America’s Northwest becomes a profound personal and philosophical odyssey into life’s fundamental questions. A true modern classic, it remains at once touching and transcendent, resonant with the myriad confusions of existence and the small, essential triumphs that propel us forward.

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Zen and the Art of Motorcycle Maintenance

An Inquiry into ValuesBy Robert Pirsig

HarperCollins Publishers, Inc.

Copyright © 2008 Robert Pirsig
All right reserved.
ISBN: 9780061673733

Chapter One

I can see by my watch without taking my hand from the left grip of the cycle, that it is eight-thirty in the morning. The wind, even at sixty miles an hour, is warm and humid. When it's this hot and muggy at eight-thirty, I'm wondering what it's going to be like in the afternoon.

In the wind are pungent odors from the marshes by the road. We are in an area of the Central Plains filled with thousands of duck hunting sloughs, heading northwest from Minneapolis toward the Dakotas. This highway is an old concrete two-laner that hasn't had much traffic since a four-laner went in parallel to it several years ago. When we pass a marsh the air suddenly becomes cooler. Then, when we are past, it suddenly warms up again.

I'm happy to be riding back into this country. It is a kind of nowhere, famous for nothing at all and has an appeal because of just that. Tensions disappear along old roads like this. We bump along the beat-up concrete between the cattails and stretches of meadow and then more cattails and marsh grass. Here and there is a stretch of open water and if you look closely you can see wild ducks at the edge of the cattails. And turtles. . . . There's a red-winged blackbird.

I whack Chris's knee and point to it, "What!" he hollers.

"Blackbird!"

He says something I don't hear. "What?" I holler back. He grabs the back of my helmet and hollers up, "I've seen lots of those, Dad!"

"Oh!" I holler back. Then I nod. At age eleven you don't get very impressed with red-winged blackbirds.

You have to get older for that. For me this is all mixed with memories that he doesn't have. Cold mornings long ago when the marsh grass had turned brown and cattails were waving in the northwest wind. The pungent smell then was from muck stirred up by hip boots while we were getting in position for the sun to come up and the duck season to open. Or winters when the sloughs were frozen over and dead and I could walk across the ice and snow between the dead cat-tails and see nothing but grey skies and dead things and cold. The blackbirds were gone then. But now in July they're back and everything is at its alivest and every foot of these sloughs is humming and cricking and buzzing and chirping, a whole community of millions of living things living out their lives in a kind of benign continuum.

You see things vacationing on a motorcycle in a way that is completely different from any other. In a car you're always in a compartment, and because you're used to it you don't realize that through that car window everything you see is just more TV. You're a passive observer and it is all moving by you boringly in a frame.

On a cycle the frame is gone. You're completely in contact with it all. You're in the scene, not just watching it anymore, and the sense of presence is overwhelming. That concrete whizzing by five inches below your foot is the real thing, the same stuff you walk on, it's right there, so blurred you can't focus on it, yet you can put your foot down and touch it anytime, and the whole thing, the whole experience, is never removed from immediate consciousness.

Chris and I are traveling to Montana with some friends riding up ahead, and maybe headed farther than that. Plans are deliberately indefinite, more to travel than to arrive anywhere. We are just vacationing. Secondary roads are preferred. Paved county roads are the best, state highways are next. Freeways are the worst. We want to make good time, but for us now this is measured with emphasis on "good" rather than "time" and when you make that shift in emphasis the whole approach changes. Twisting hilly roads are long in terms of seconds but are much more enjoyable on a cycle where you bank into turns and don't get swung from side to side in any compartment. Roads with little traffic are more enjoyable, as well as safer. Roads free of drive-ins and billboards are better, roads where groves and meadows and orchards and lawns come almost to the shoulder, where kids wave to you when you ride by, where people look from their porches to see who it is, where when you stop to ask directions or information the answer tends to be longer than you want rather than short, where people ask where you're from and how long you've been riding.It was some years ago that my wife and I and our friends first began to catch on to these roads. We took them once in a while for variety or for a shortcut to another main highway, and each time the scenery was grand and we left the road with a feeling of relaxation and enjoyment. We did this time after time before realizing what should have been obvious: these roads are truly different from the main ones. The whole pace of life and personality of the people who live along them are different. They're not going anywhere.

Continues...

Excerpted from Zen and the Art of Motorcycle Maintenanceby Robert Pirsig Copyright © 2008 by Robert Pirsig. Excerpted by permission.
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Details zur Ausgabe

• Verlag: Mariner Books Classics
• Erscheinungsdatum: 2008
• Sprache: Englisch
• ISBN 10: 0061673730
• ISBN 13: 9780061673733
• Einband: Taschenbuch
• Anzahl der Seiten: 448
• Kontakt zum Hersteller: HarperCollins Publishers, Product Safety Manager; enquiries@harpercollins.ie; ; HarperCollins, Macken House, 39/40 Mayor Street Upper; Dublin 1; D01 C9W8; Irland