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- VerlagPrentice Hall
- Erscheinungsdatum1994
- ISBN 10 0137617011
- ISBN 13 9780137617012
- EinbandTapa blanda
- Anzahl der Seiten320
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Writings About Art
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Writings About Art
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Writings about Art
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Writings about Art
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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.05. Bestandsnummer des Verkäufers G0137617011I4N00
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Writings About Art
Verlag:
Prentice Hall, Englewood Cliffs, NJ, 1993
ISBN 10: 0137617011
ISBN 13: 9780137617012
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Paperback. Zustand: Very Good. 1st. ***FALL CLEARANCE SALE*** viii, 367 pages, illustrations; 23 cm. Near fine. Tight, clean copy. Light edgewear to wraps. Another copy available. An interesting anthology. Sections on "Art and Religion," "Art Patronage," "Art and Politics," "Women and Art," "Issues Concerning Race and Ethnicity," "Public Art," and "Controversies Over Government Funding and Censorship." CONTENTS: Images of gods, by Albert Elsen; The sacred mountain in Mesopotamia, Egypt, and the Aegean, by Vincent Scully; The interpretation of the second commandment, by Avram Kampf; Northern romanticism and the resurrection of God and transcendental abstraction, by Robert Rosenblum; The mechanics of seventeenth-century patronage, by Francis Haskell; A matter of taste: the monumental and exotic in the Qianlong reign, by Harold Kahn; Katherine Dreier: art patron with a social vision, by Carole Gold Calo; The structure of the SoHo art market, by Charles H. Simpson; Art and freedom in quattrocento Italy, by Frederick Hartt; The disasters of war, by Fred S. Licht; The birth of socialist realism from the spirit of the avant-garde, by Boris Groys; Can political passion inspire great art?, by Michael Brenson; The mother and child in African sculpture, by Herbert Cole; The end of the century: conflicting fantasies of feminity, by Susan P. Casteras; Why have there been no great women artists?, by Linda Nochlin; How wide is the gender gap?, by Eleanor Heartney; Race and representation, by Guy McElroy; Inventing "the Indian", by Julie Schimmel; And/or : Hispanic art, American culture, by John Beardsley; Naming, by Lucy Lippard; The public realm, by Spiro Kostoff; The malignant object : thoughts on public sculpture, by Douglas Stalker and Clark Glymour; The commissioning of a work of public sculpture, by Judith Balfe and Margaret Wyszomirski; Vietnam Veterans Memorial, by Nicholas Capasso; The senses and censorship, by David Freedberg; The obscenity trial: how they voted to acquit, by Robin Cembalist; Is art above the laws of decency?, by Hilton Kramer; The NEA: a misunderstood patron, by Elaine King. CONTENTS: Images of gods, by Albert Elsen; The sacred mountain in Mesopotamia, Egypt, and the Aegean, by Vincent Scully; The interpretation of the second commandment, by Avram Kampf; Northern romanticism and the resurrection of God and transcendental abstraction, by Robert Rosenblum; The mechanics of seventeenth-century patronage, by Francis Haskell; A matter of taste: the monumental and exotic in the Qianlong reign, by Harold Kahn; Katherine Dreier: art patron with a social vision, by Carole Gold Calo; The structure of the SoHo art market, by Charles H. Simpson; Art and freedom in quattrocento Italy, by Frederick Hartt; The disasters of war, by Fred S. Licht; The birth of socialist realism from the spirit of the avant-garde, by Boris Groys; Can political passion inspire great art?, by Michael Brenson; The mother and child in African sculpture, by Herbert Cole; The end of the century: conflicting fantasies of femininity, by Susan P. Casteras; Why have there been no great women artists?, by Linda Nochlin; How wide is the gender gap?, by Eleanor Heartney; Race and representation, by Guy McElroy; Inventing "the Indian", by Julie Schimmel; And/or: Hispanic art, American culture, by John Beardsley; Naming, by Lucy Lippard; The public realm, by Spiro Kostoff; The malignant object: thoughts on public sculpture, by Douglas Stalker and Clark Glymour; The commissioning of a work of public sculpture, by Judith Balfe and Margaret Wyszomirski; Vietnam Veterans Memorial, by Nicholas Capasso; The senses and censorship, by David Freedberg; The obscenity trial: how they voted to acquit, by Robin Cembalist; Is art above the laws of decency?, by Hilton Kramer; The NEA: a misunderstood patron, by Elaine King. Size: 8vo. Bestandsnummer des Verkäufers 008428
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Writings About Art
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Soft cover. Zustand: Very Good. Minimal shelf and edge wear. Appears unread. Bestandsnummer des Verkäufers 039537
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Writings About Art
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Paperback. Zustand: Good. Good, paperback binding, light to moderate wear to corners and edges, light to moderate markings/underlining/highlighting to text, previous owner's signature, remainder mark, sticker/residue, and/or other minor aesthetic flaws. Satisfaction guaranteed. Earthlight Books is a family owned and operated, independent bookstore serving Walla Walla, Washington since 1973. Bestandsnummer des Verkäufers SKU12140212
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Writings About Art
Verlag:
Prentice Hall, Englewood Cliffs, NJ, 1993
ISBN 10: 0137617011
ISBN 13: 9780137617012
Gebraucht
Paperback
Erstausgabe
Anbieter: LEFT COAST BOOKS, Santa Barbara, CA, USA
Verkäuferbewertung 5 von 5 Sternen
Paperback. Zustand: Fine. 1st. viii, 367 pages, illustrations; 23 cm. Tight, clean copy. An interesting anthology. Sections on "Art and Religion," "Art Patronage," "Art and Politics," "Women and Art," "Issues Concerning Race and Ethnicity," "Public Art," and "Controversies Over Government Funding and Censorship." CONTENTS: Images of gods, by Albert Elsen; The sacred mountain in Mesopotamia, Egypt, and the Aegean, by Vincent Scully; The interpretation of the second commandment, by Avram Kampf; Northern romanticism and the resurrection of God and transcendental abstraction, by Robert Rosenblum; The mechanics of seventeenth-century patronage, by Francis Haskell; A matter of taste: the monumental and exotic in the Qianlong reign, by Harold Kahn; Katherine Dreier: art patron with a social vision, by Carole Gold Calo; The structure of the SoHo art market, by Charles H. Simpson; Art and freedom in quattrocento Italy, by Frederick Hartt; The disasters of war, by Fred S. Licht; The birth of socialist realism from the spirit of the avant-garde, by Boris Groys; Can political passion inspire great art?, by Michael Brenson; The mother and child in African sculpture, by Herbert Cole; The end of the century: conflicting fantasies of feminity, by Susan P. Casteras; Why have there been no great women artists?, by Linda Nochlin; How wide is the gender gap?, by Eleanor Heartney; Race and representation, by Guy McElroy; Inventing "the Indian", by Julie Schimmel; And/or : Hispanic art, American culture, by John Beardsley; Naming, by Lucy Lippard; The public realm, by Spiro Kostoff; The malignant object : thoughts on public sculpture, by Douglas Stalker and Clark Glymour; The commissioning of a work of public sculpture, by Judith Balfe and Margaret Wyszomirski; Vietnam Veterans Memorial, by Nicholas Capasso; The senses and censorship, by David Freedberg; The obscenity trial: how they voted to acquit, by Robin Cembalist; Is art above the laws of decency?, by Hilton Kramer; The NEA: a misunderstood patron, by Elaine King. CONTENTS: Images of gods, by Albert Elsen; The sacred mountain in Mesopotamia, Egypt, and the Aegean, by Vincent Scully; The interpretation of the second commandment, by Avram Kampf; Northern romanticism and the resurrection of God and transcendental abstraction, by Robert Rosenblum; The mechanics of seventeenth-century patronage, by Francis Haskell; A matter of taste: the monumental and exotic in the Qianlong reign, by Harold Kahn; Katherine Dreier: art patron with a social vision, by Carole Gold Calo; The structure of the SoHo art market, by Charles H. Simpson; Art and freedom in quattrocento Italy, by Frederick Hartt; The disasters of war, by Fred S. Licht; The birth of socialist realism from the spirit of the avant-garde, by Boris Groys; Can political passion inspire great art?, by Michael Brenson; The mother and child in African sculpture, by Herbert Cole; The end of the century: conflicting fantasies of femininity, by Susan P. Casteras; Why have there been no great women artists?, by Linda Nochlin; How wide is the gender gap?, by Eleanor Heartney; Race and representation, by Guy McElroy; Inventing "the Indian", by Julie Schimmel; And/or: Hispanic art, American culture, by John Beardsley; Naming, by Lucy Lippard; The public realm, by Spiro Kostoff; The malignant object: thoughts on public sculpture, by Douglas Stalker and Clark Glymour; The commissioning of a work of public sculpture, by Judith Balfe and Margaret Wyszomirski; Vietnam Veterans Memorial, by Nicholas Capasso; The senses and censorship, by David Freedberg; The obscenity trial: how they voted to acquit, by Robin Cembalist; Is art above the laws of decency?, by Hilton Kramer; The NEA: a misunderstood patron, by Elaine King. Size: 8vo. Bestandsnummer des Verkäufers 057171
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Writings About Art
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Paperback. Zustand: As New. Bestandsnummer des Verkäufers 210316018
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Writings About Art
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Zustand: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book. Bestandsnummer des Verkäufers 20-0137617011-G
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