Jeanie Deans, a dairymaid, decides she must walk to London to gain an audience with the Queen. Her sister is to be executed for infanticide and, while refusing to lie to help her case, Jeanie is desperate for a reprieve. Set in the 1730s in a Scotland uneasily united with England, The Heart of Mid-Lothian dramatizes different kinds of justice—that meted out by the Edinburgh mob in the lynching of Captain Porteous, and that encountered by a terrified young girl suspected of killing her baby. Based on an anonymous letter Scot received in 1817, this is the seventh and finest of Scott's "Waverley" novels. It was an international bestseller and inspired succeeding novelists from Balzac to George Eliot.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Sir Walter Scott (1771-1832) was born in Edinburgh. Educated for the law, he obtained the office of sheriff-depute of Selkirkshire in 1799 and in 1806 the office of clerk of session, a post whose duties he fulfilled for some twenty-five years. His lifelong interest in Scottish antiquity and the ballads which recorded Scottish history led him to try his hand at narrative poems of adventure and action. The Lay of the Last Minstrel (1805), Marmion (1808), and The Lady of the Lake (1810) made his reputation as one of the leading poets of his time. A novel, Waverley, which he had begun in 1805, was published anonymously in 1814. Subsequent novels appeared with the note “by the author of Waverley”; hence his novels often are called collectively “the Waverley novels.” Some of the most famous of these are Old Mortality (1816), Rob Roy (1817), Ivanhoe (1819), Kenilworth (1821), and Quentin Durward (1823). In recognition of his literary work Scott was made a baronet in 1819. During his last years he held various official positions and published biographies, editions of Swift and Dryden, tales, lyric poetry, and various studies of history and antiquity.
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