The Red and the Black (Penguin Classics) - Softcover

Stendhal

Softcover

ISBN 10: 0140447644 ISBN 13: 9780140447644

Verlag: Penguin Classics, 2002

Inhaltsangabe

Charts the rise and fall of an ambitious young social climber in a cruel, monarchical society

Handsome, ambitious Julien Sorel is determined to rise above his humble provincial origins. Soon realizing that success can only be achieved by adopting the subtle code of hypocrisy by which society operates, he begins to achieve advancement through deceit and self-interest. His triumphant career takes him into the heart of glamorous Parisian society, along the way conquering the gentle, married Madame de Rênal, and the haughty Mathilde. But then Julien commits an unexpected, devastating crime—and brings about his own downfall. The Red and the Black is a lively, satirical portrayal of French society after Waterloo, riddled with corruption, greed and ennui, and Julien—the cold exploiter whose Machiavellian campaign is undercut by his own emotions—is one of the most intriguing characters in European literature.

Roger Gard's fine translation remains faithful to the natural, conversational tone of the original, while his introduction elucidates the complexities of Julien's character. This edition also contains a chronology, further reading and an appendix on Stendhal's use of epigraphs.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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Über die Autorin bzw. den Autor

Henri Marie Beyle, known through his writing as Stendhal, was born in Grenoble in 1783 and educated there at the École Centrale. A cousin offered him a post in the Ministry of War, and from 1800 he followed Napoleon’s campaigns in Italy, Germany, Russia and Austria. In between wars, he spent his time in Paris drawing rooms and theatres.

After the fall of Napoleon, he retired to Italy, adopted his pseudonym and started to write books on Italian painting, Haydn and Mozart, and travels in Italy. In 1821 the Austrian police expelled him from the country, and on returning to Paris he finished his book De l’amour. This was followed by Racine et Shakespeare, a defense of Romantic literature. Le Rouge et le noir was his second novel, and he also produced or began three others, including La Chartreuse de Parme and Lucien Leuwen. None of his published works was received with any great understanding during his lifetime.

Beyle was appointed Consul at Civitavecchia after the 1830 revolution, but his health deteriorated and six years later he was back in Paris and beginning a Life of Napoleon. In 1841 he was once again recalled for reasons of illness, and in the following year suffered a fatal stroke. Various autobiographical works, Journal, Souvenirs de l’egotisme and La Vie de Henri Brulard, were published later, as his fame grew.

Roger Gard was educated at Abbotsholme School, Derbyshire, and at Corpus Christi College, Cambridge. Before his death in 2000 he was Emeritus Reader in English at Queen Mary and Westfield College, University of London. Among his publications are books on Henry James, Jane Austen and the teaching of fiction in schools. He also translated Alfred de Vigny’s The Servitude and Grandeur of Arms, and edited Henry James’s A Landscape Painter and Other Tales, The Jolly Corner and Other Tales and a selection of his literary criticism, The Critical Muse, for Penguin Classics.

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 From his earliest childhood he had experienced moments of rapture. Then, he would dream with delight that he would one day encounter the beautiful women of Paris, and would compel their attention by some famous deed. Why should he not be loved by one of them as Bonaparte, while still poor, had been loved by the brilliant Mme de Beauharnais? For many years, scarcely an hour of Julien's life passed without his telling himself that Bonaparte, an obscure and penniless lieutenant, had made himself the master of the world with his sword. This idea consoled him for his sufferings, which he thought great, and redoubled his happiness when he had any.

The construction of the church and the Justice of the Peace's judgements suddenly enlightened him; and idea came to him which made him distraught for some weeks,  and seized hold of him with the overwhelming force belonging to the first idea with which a passionate nature believe itself to have been inspired.

'When Bonaparte made people talk about him, France was in danger of invasion; military talent was necessary and fashionable. Today one sees 40-year-old priests with stipends of a hundred thousand francs, that is to say, three times more than Napoleon's famous generals. They need people behind them to support them. Look at this Justice of the peace, so sensible, such a fine upstanding man until now, so established, who has dishonoured himself for fear of offending a young clergyman of thirty. It is necessary to be a priest.'

On one occasion, in the midst of this new piety, and after he had already been studying theology for two years, he was betrayed into a sudden eruption of the fire that consumed his soul. At M. Chélan's dwelling, during a dinner for the clergy to whom the good curé was presenting him as a prodigy of tuition, he found himself fervidly praising Napoleon. He bound his right arm across his chest, pretending it had been dislocated in moving a pine trunk, and carried it in this irksome position for two months. After this bodily penance, he absolved himself. This was the young man of nineteen - but so seemingly frail that one would have taken him for no more than seventeen - who, carrying his little parcel under his arm, entered the magnificent church of Verrières.

He found it sombre and solitary. To mark a festival all the church windows had been covered with crimson cloth. The sun's rays shone through to produce a dim light, most pious and imposing. Julien shivered. Alone in the church, he established himself in the pew that had the finest appearance. It bore the arms of M. de Rênal.

 On the payer desk Julien noticed a fragment of printed paper, spread out as though to be read. He directed his eyes towards it and saw:

Details of the execution and the last moments of Louis Jenrel, executed at Besancon, on the...

The paper was torn off. On the other side could be seen the first words of a line, which were: The first step.

- Who could have put this paper here? said Julien. Poor devil, he added with a sigh, his names ends like mine... and he crumpled the paper.

Leaving, Julien thought he saw blood next to the holy water stoup - it was holy water that had been spilled: the reflection from the red blinds covering the windows gave it the appearance of blood.

Eventually Julien was ashamed of his secret terror.

- Am I a coward! he said to himself, To arms!

This phrase, so often repeasted in the Surgeon-major's accounts of battles, represented the heroic for Julien. He raised himself up and walked rapidly towards M. de Rênal's house.

  In spite of these fine resolves, from the moment he saw it twenty paces away, he was seized with an overpowering timidity. The iron grille was open; to him it seemed magnificent; and it was up to him to enter in.

 

Details zur Ausgabe

• Verlag: Penguin Classics
• Erscheinungsdatum: 2002
• ISBN 10: 0140447644
• ISBN 13: 9780140447644
• Einband: Tapa blanda
• Sprache: Englisch
• Anzahl der Seiten: 607
• Herausgeber: Gard Roger