The Portable Hawthorne includes writings from each major stage in the career of Nathaniel Hawthorne: a number of his most intriguing early tales, all of The Scarlet Letter, excerpts from his three subsequently published romances-The House of Seven Gables, The Blithedale Romance, and The Marble Faun-as well as passages from his European journals and a sampling of his last, unfinished works. The editor's introduction and head notes trace the evolution of Hawthorne's writing over the course of his long career: from the tales, to their apotheosis in The Scarlet Letter, through his popular romances, to his private journals and frustrated attempts at another romance. Readers looking for a critical vantage point from which to see Hawthorne whole-his artistic rise, triumph, and sad decline-can find it in this collection
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Nathaniel Hawthorne (1804-1864) was born in Salem, Massachusetts, where he wrote the bulk of his masterful tales of American colonial history. His career as a novelist began with The Scarlet Letter (1850) and also includes The house of the Seven Gables, The Blithedale Romance, and The Marble Faun.
Table of Contents
Title Page
Copyright Page
Introduction
I - THE TALES 1830-1852
EDITOR’S NOTE
MY KINSMAN, MAJOR MOLINEUX 1832
ROGER MALVIN’S BURIAL 1832
YOUNG GOODMAN BROWN 1835
THE MINISTER’S BLACK VEIL - A PARABLE 1836
THE MAN OF ADAMANT - AN APOLOGUE 1837
THE BIRTH-MARK 1843
RAPPACCINI’S DAUGHTER - FROM THE WRITINGS OF AUBÉPINE 1844
PREFACES - FROM “THE old MANSE” 1846
TO TWICE-TOLD TALES 1851
TO THE SNOW-IMAGE 1852 - To Horatio Bridge, Esq., U.S.N.
II - THE SCARLET LETTER 1850
EDITOR’S NOTE
I - THE PRISON-DOOR
II - THE MARKET-PLACE
III - THE RECOGNITION
IV - THE INTERVIEW
V - HESTER AT HER NEEDLE
VI - PEARL
VII - THE GOVERNOR’S HALL
VIII - THE ELF-CHILD AND THE MINISTER
IX - THE LEECH
X - THE LEECH AND HIS PATIENT
XI - THE INTERIOR OF A HEART
XII - THE MINISTER’S VIGIL
XIII - ANOTHER VIEW OF HESTER
XIV - HESTER AND THE PHYSICIAN
XV - HESTER AND PEARL
XVI - A FOREST WALK
XVII - THE PASTOR AND HIS PARISHIONER
XVIII - A FLOOD OF SUNSHINE
XIX - THE CHILD AT THE BROOK-SIDE
XX - THE MINISTER IN A MAZE
XXI - THE NEW ENGLAND HOLIDAY
XXII - THE PROCESSION
XXIII - THE REVELATION OF THE SCARLET LETTER
XXIV - CONCLUSION
III - THE PUBLISHED ROMANCES 1851-1860
EDITOR’S NOTE
FROM THE HOUSE OF THE SEVEN GABLES 1851
FROM THE BLITHEDALE ROMANCE 1852
FROM THE MARBLE FAUN 1860
IV - THE EUROPEAN JOURNALS 1853-1860
EDITOR’S NOTE
FROM THE ENGLISH, FRENCH, AND ITALIAN JOURNALS
V - THE LAST YEARS 1860-1864
EDITOR’S NOTE
PASSAGES FROM THE LETTERS AND THE UNFINISHED ROMANCES
Suggestions for Further Reading
THE PORTABLE HAWTHORNE
Best known today for his enigmatic tales and the short novel called The Scarlet Letter, NATHANIEL HAWTHORNE was born in Salem, Massachusetts, at the dawn of the nineteenth century. After graduating from Bowdoin College, in 1825, he published his first romance, Fanshawe, and, when that failed, turned to writing short stories and prose sketches that, over the next two decades, gradually made him known in America and England. The Scarlet Letter appeared in 1850, followed soon after by The House of the Seven Gables and The Blithedale Romance, each of which increased his international renown. The next seven years he spent with his family in Europe, first as U.S. consul in Liverpool, then as a resident tourist on the Continent. Just prior to the publication of The Marble Faun, his last completed romance, he returned to his home in Concord, Massachusetts, where he spent the remaining four years of his life preparing excerpts from his English journals for publication while trying, unsuccessfully, to finish two more romances, based in part on his years in Europe. After a period of declining health, he died before his sixtieth birthday, while traveling in New Hampshire with his old college friend Franklin Pierce.
WILLIAM c. SPENGEMANN is the Hale Professor in Arts and Sciences and Professor of English Emeritus at Dartmouth College. His books include Mark Twain and the Backwoods Angel, The Adventurous Muse, The Forms of Autobiography, A Mirror for Americanists, and A New World of Words. He is also the editor of three Penguin Classics: Henry James’s The American, Herman Melville’s Pierre, and, with Jessica F. Roberts, Nineteenth Century American Poetry.
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This edition first published in Penguin Books 2005
All rights reserved
The text of the selections in this book is that established by The Centenary Edition of the Works of
Nathaniel Hawthorne published by the Ohio State University Center for Textual Studies and Ohio State
University Press. The selections are from the volumes entitled The Scarlet Letter, The House of the
Seven Gables, The Blithedale Romance and Fanshawe, The Marble Faun, The American Notebooks,
Twice-Told Tales, Mosses from an Old Manse, The Snow Image and Uncollected Tales, The American
Claimant Manuscripts, The French and Italian Notebooks, The Letters 1857-1864, The English
Notebooks 1853-1856, and The English Notebooks 1856-1860. Copyright © 1962, 1964, 1965,
1968, 1972, 1974, 1977, 1980, 1987, 1997 by Ohio State University Press. All rights reserved.
Illustrations from Portraits of Nathaniel Hawthorne by Rita K. Gollin,
Northern Illinois University Press, 1983.
LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA
Hawthorne, Nathaniel, 1804-1864.
[Selections. 2005]
The portable Hawthorne / edited with an introduction by William C. Spengemann.
p. cm.
Includes bibliographical references (p. ).
eISBN : 978-1-101-01042-6
I. Spengemann, William C. II. Title.
PS1852.S66 2005
813’.3—dc22 2004065791
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Introduction
Hawthorne’s autobiographical preface to Mosses from an Old Manse, ambiguously subtitled “The Author Makes the Reader Acquainted with His Abode,” opens with the following paragraph:
Between two tall gate-posts of rough-hewn stone, (the gate itself having fallen from its hinges, at some unknown epoch,) we beheld the gray front of the old parsonage, terminating the vista of an avenue of black-ash trees. It was now a twelvemonth since the funeral procession of the venerable clergyman, its last inhabitant, had turned from that gate-way towards the village burying-ground. The wheel-track, leading to the door, as well as the whole breadth of the avenue, was almost overgrown with grass, affording dainty mouthfuls to two or three vagrant cows, and an old white horse, who had his own living to pick up along the roadside. The glimmering shadows, that lay half-asleep between the door of the house and the public highway, were a kind of...
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