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Buchbeschreibung Zustand: New. Bestandsnummer des Verkäufers 1EYKD500FJ4H_ns
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Buchbeschreibung Soft Cover. Zustand: new. Bestandsnummer des Verkäufers 9780190888411
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Buchbeschreibung Zustand: New. Brand New. Bestandsnummer des Verkäufers 9780190888411
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Buchbeschreibung Zustand: New. Bestandsnummer des Verkäufers 41313378-n
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Buchbeschreibung paperback. Zustand: New. Language: ENG. Bestandsnummer des Verkäufers 9780190888411
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Buchbeschreibung Zustand: New. Book is in NEW condition. 0.96. Bestandsnummer des Verkäufers 0190888415-2-1
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Buchbeschreibung Zustand: New. Bestandsnummer des Verkäufers ABLIING23Feb2215580027402
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Buchbeschreibung Zustand: New. New! This book is in the same immaculate condition as when it was published 0.96. Bestandsnummer des Verkäufers 353-0190888415-new
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Buchbeschreibung Paperback. Zustand: new. Paperback. During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a usefulspace to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries andpractices.From Elvis Presley to Madonna, this book examines the casting rock stars in films. In so doing, Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition toscreen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context forrock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whosepower lies in the fact that they are rarely recognized as such.Combining star studies with media industry studies, this book proposes an integrated methodology for writing media history that combines the actions of individuals and the practices of industries. It demonstrates how stars have operated as both the gravitational center of media production as well associal actors who have taken on a decisive role in the purposes to which their images are used. From Elvis to Madonna, Rock Star/Movie Star explores why rock stars have been useful for movies, and why movies have been useful for rock stars. This in-depth history traverses how rock stars' screen performances have served motion picture and recording industries as well as offered new potentialities for movie stardom. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780190888411
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Buchbeschreibung Zustand: New. Bestandsnummer des Verkäufers 41313378-n
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