The Oxford Handbook of the British Musical (Oxford Handbooks): Paperback - Softcover

Softcover

ISBN 10: 0190943513 ISBN 13: 9780190943516

Verlag: Oxford University Press, 2019

Über diesen Titel

Críticas:

The Oxford Handbook of the British Musical as a whole represents a highly distinguished level of scholarship and acumen. This is a volume that demonstrates the diversity, inherent social awareness, and musical and dramatic distinctiveness of the British musical. (NABMSA Reviews)

The editors provide an extensive introduction to help the reader identify trends and patterns within the development of the art form, including the effect that London's West End has had on Broadway (and vice versa). To its credit, the book also explores the development of black musicals, Asian musicals, and experimental works. Of special note are essays about producer Cameron Macintosh, Noel Coward, and marketing trends targeting multiple generations of theatergoers. Though the level of writing varies greatly from essay to essay, the book as a whole provides an excellent examination of a monumental theatrical form. (E.C. Skiles, Lone Star College-Kingwood, Choice)

Reseña del editor:

The Oxford Handbook of the British Musical provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence.
After a consideration of how John Gay's The Beggar's Opera (1728) created a prototype for eighteenth-century ballad opera, the book focuses on the use of song in early nineteenth century theatre, followed by a sociocultural analysis of the comic operas of Gilbert and Sullivan; it then examines Edwardian and interwar musical comedies and revues as well as the impact of Rodgers and Hammerstein on the West End, before analysing the new forms of the postwar British musical from The Boy Friend (1953) to Oliver! (1960). One section of the book examines the contributions of key twentieth century figures including Noel Coward, Ivor Novello, Tim Rice, Andrew Lloyd Webber, director Joan Littlewood and producer Cameron Macintosh, while a number of essays discuss both mainstream and alternative musicals of the 1960s and 1970s and the influence of the pop industry on the creation of concept recordings such as Jesus Christ Superstar (1970) and Les Misérables (1980). There is a consideration of "jukebox" musicals such as Mamma Mia! (1999), while essays on overtly political shows such as Billy Elliot (2005) are complemented by those on experimental musicals like Jerry Springer: the Opera (2003) and London Road (2011) and on the burgeoning of Black and Asian British musicals in both the West End and subsidized venues.
The Oxford Handbook of the British Musical demonstrates not only the unique qualities of British musical theatre but also the vitality and variety of British musicals today.

Über diese Auflage

• Verlag: Oxford University Press
• Erscheinungsdatum: 2019
• ISBN 10: 0190943513
• ISBN 13: 9780190943516
• Einband: Tapa blanda
• Anzahl der Seiten: 776
• Herausgeber: Gordon Robert, Jubin Olaf