If opera had existed in Elizabethan London, the world's Top Bard, as W.H. Auden called him, might have become the world's Top Librettist. As Gary Schmidgall shows in this illuminating study, Shakespeare's expressive ways and dramaturgical means are like those of composers and librettists in numerous and often astonishing ways. No wonder that well over two hundred operas have been based on Shakespeare's plays.
Ranging widely through the Shakespearean canon and the standard operatic repertory, Schmidgall presents a fascinating comparison, focusing on similarities of expressive style, scenic structure, staging, and performance practice. Shakespeare and Opera offers extended discussions of issues central to both theatrical genres, including their shared demand for virtuoso display, the comparable functions of set speeches and arias, and the similarities of verbal and musical rhetoric, and the charges of unreality and melodrama that have dogged them both. In addition, Schmidgall provides concise essays on the most intriguing Shakespeare-based operas, including works of Verdi, Wagner, Bellini, Rossini, Berlioz, Thomas, Vaughan Williams, Barber, and Britten. He enriches his argument with the insights of the great composers who never set Shakespeare (Mozart, Puccini, and Strauss among them), major observers of the legitimate stage (from Samuel Johnson to Eric Bentley) and the musical stage (from Joseph Addison to Joseph Kerman), as well as the incisive views of influential artists, critics, and performers as diverse as Walt Whitman, H.L. Mencken, and Laurence Olivier.
For all who love the stage, Shakespeare and Opera offers endless insight and fascination. Schmidgall's extended comparison of the two dramaturgies provides a fresh perspective on Shakespeare, musical theater, comparative drama, and theater history.
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About the Author:
Gary Schmidgall is the author of Literature as Opera, Shakespeare and the Courtly Aesthetic and Shakespeare and the Poet's Life.
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Hardcover. Zustand: As New. Zustand des Schutzumschlags: Fine. 1st Edition. NEW YORK: Oxford University Press, 1990. First edition, first printing (with full number line down to the 1). Hardcover. Quarter black cloth over black paper-covered boards, with gilt spine lettering. Fine in a fine dust jacket. Publisher's original price intact on front jacket flap ($35.00). Comes with archival-quality mylar dust jacket protector. Octavo, 394 pages including index. Errata slip laid in. A comprehensive study of how Shakespeare's plays have inspired and been transformed into operas from the seventeenth century onward, exploring works by composers such as Verdi, Britten, and Gounod. Gary Schmidgall (b. 1943) is an American literary scholar and critic, author of several studies on Shakespeare and the intersection of literature and the performing arts. Bestandsnummer des Verkäufers OXFORD-2025-33
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