Explores the relationship between moving images and the society and culture in which they were produced and received, and addresses the power these images have in determining perceptions and memories of war. Examining how the public memory of war in the 20th century has often been created more by a manufactured past than a remembered one, nine historians discuss films dating from the early 1930s through the early 1990s including China Nights, Kolberg, The Longest Day, The Life and Times of Rosie the Riverter, Men of Bronze and Liberators . Annotation c. by Book News, Inc., Portland, Or.
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