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Graduate Review of Tonal Theory: A Recasting of Common Practice Harmony, Form, and Counterpoint - Hardcover
Inhaltsangabe
Graduate Review of Tonal Theory is the first book to review music theory at a level that is sophisticated enough for beginning graduate students.
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Über die Autorin bzw. den Autor
Steven G. Laitz is Associate Professor of Music Theory and Affiliate Faculty Member in Chamber Music at the Eastman School of Music, and serves on the piano faculty at the Chautauqua Institution. He has received various teaching awards, has presented and published work on nineteenth-century music and pedagogy, and is the author of The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, Second Edition (OUP, 2007).
Christopher Bartlette is Assistant Professor of Music at Binghamton University. His research in music cognition and performance has led to articles and presentations at national and international conferences in music theory, perception, and cognition.
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Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint
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Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint
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Oxford University Press, 2009
ISBN 10: 0195376986
ISBN 13: 9780195376982
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Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint
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Oxford University Press, 2009
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ISBN 13: 9780195376982
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Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint
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Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint
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Oxford University Press, 2009
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Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint
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Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint
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ISBN 13: 9780195376982
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Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint
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Oxford University Press, 2009
ISBN 10: 0195376986
ISBN 13: 9780195376982
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Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint
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Hardback. Zustand: Very Good. This text is the first graduate music theory review designed specifically to address the one-semester course for beginning graduate students in music. Based on The Complete Musician, the text is more than a shortened version of an undergraduate tonal harmony text; it addresses students as colleagues and explores analytical applications that are appealing and practical, extending beyond the undergraduate level. The text provides a means to discuss the perception and cognition, the analysis and performance, and the composition and reception of common-practice tonal music. The clarity and brevity of this text relies on the presentation of only those crucial concepts and procedures that are manifested in the vast majority of tonal pieces. The only text exercises are at chapter ends: two- to three-page "Analytical extensions," which introduce one new topic through one or two works from the repertoire, and then develop the topic in a model analysis. Appendixes will include keyboard exercises, model composition strategies and assignments, and sample solutions. An accompanying workbook is organized by chapter into discrete assignments, each progressing from short, introductory analytical and writing exercises to more-involved tasks. Included is a DVD of recordings by the Eastman students and faculty of musical examples from the text and analytical exercises from the workbook. Bestandsnummer des Verkäufers CIN0195376986VG
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