This book charts the influence of Seneca - both as specific text and inherited tradition - through an analysis of Shakespeare's tragedies. Discerning patterns in previously attested borrowings and discovering new indebtedness, it presents an integrated and comprehensive assessment. Familiar methods of source study and a sophisticated understanding of intertextuality are employed to re-evaluate the much maligned Seneca in the light of his Greek antecedents, Renaissance translations and commentaries, and dramatic adaptations, especially those of Chapman, Jonson, Marston, Garnier, Cinthio, and Dolce.
Three broad categories organize the discussion - Senecan revenge, tyranny, and furore - and each is illustrated by an earlier and later Shakespearean tragedy. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and conventions, as well as the rich history of literary criticism and theatrical interpretation. The book concludes by discussing Seneca's presence in Renaissance comedy and, more important, in that new and fascinating hybrid genre, tragicomedy.
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This book charts the influence of Seneca--both as specific text and inherited tradition--through Shakespeare's tragedies. Discerning patterns in previously attested borrowings and discovering new indebtedness, it presents an integrated and comprehensive assessment. Familiar methods of source study and a sophisticated understanding of intertextuality are employed to re-evaluate the much maligned Seneca in the light of his Greek antecedents, Renaissance translations and commentaries, and contemporary dramatic adaptations, especially those of Chapman, Jonson, Marston, Garnier, and Giraldi Cinthio. Three broad categories organize the discussion--Senecan revenge, tyranny, and furor--and each is illustrated by an earlier and later Shakespearean tragedy. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and conventions, as well as the rich history of literary criticism and theatrical interpretation. The book concludes by discussing Seneca's presence in Renaissance comedy and, more important, in that new and fascinating hybrid genre, tragicomedy. Shakespeare and Classical Tragedy makes an important contribution to our understanding of Shakespeare and of his foremost antecedents, as well as throwing light on the complex interactions of the Classical and Renaissance theatres.
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Anbieter: Sequitur Books, Boonsboro, MD, USA
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Hardcover. Zustand: Very Good. 2001 OUP hardcover edition. Light reading wear else very good condition. Bestandsnummer des Verkäufers 64-4VBN-9OE2
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Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: New. Charts the influence of Seneca - both as specific text and inherited tragedies. It re-evaluates the work of Seneca and reassesses his influence on Shakespeare which extends beyond the tragedies to the tragicomedies. Num Pages: 234 pages, bibliography. BIC Classification: 1DBKE; 2ADL; DSBB; DSGS. Category: (P) Professional & Vocational. Dimension: 219 x 164 x 25. Weight in Grams: 454. . 1992. hardcover. . . . . Bestandsnummer des Verkäufers V9780198112648
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Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
Hardback. Zustand: New. This book charts the influence of Seneca - both as specific text and inherited tradition - through an analysis of Shakespeare's tragedies. Discerning patterns in previously attested borrowings and discovering new indebtedness, it presents an integrated and comprehensive assessment. Familiar methods of source study and a sophisticated understanding of intertextuality are employed to re-evaluate the much maligned Seneca in the light of his Greek antecedents, Renaissance translations and commentaries, and dramatic adaptations, especially those of Chapman, Jonson, Marston, Garnier, Cinthio, and Dolce.Three broad categories organize the discussion - Senecan revenge, tyranny, and furore - and each is illustrated by an earlier and later Shakespearean tragedy. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and conventions, as well as the rich history of literary criticism and theatrical interpretation. The book concludes by discussing Seneca's presence in Renaissance comedy and, more important, in that new and fascinating hybrid genre, tragicomedy. Bestandsnummer des Verkäufers LU-9780198112648
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