Defining narrativity as the enabling force of narrative, this is the first full-length exploration of the concept in fiction in English.
It develops the notion of a `logic of narrativity', and by this means contributes a new critical strategy to the field of narrative theory. The book also takes issue with a number of critical approaches which have in recent years acquired near-orthodox status in the matter of textual interpretation. Most prominent among these approaches are deconstruction and a particular form of Marxist criticism. The author's own theoretical claims are substantiated by readings of major twentieth-century novels by Conrad, Joyce, Flann O'Brien, and Arthur Koestler, and the book concludes with an analysis of an earlier narrative, Maria Edgeworth's Castle Rackrent, which illustrates the wider premises of the theory and its applications.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
Defining narrativity as the enabling force of narrative, this is the first full-length exploration in English of the concept. It develops the notion of a 'logic of narrativity', and by this means tries to contribute a new critical strategy to the field of narrative theory. The book also takes issue with a number of critical approaches which in recent years have acquired near-orthodox status in the matter of textual interpretation. Most prominent amongst these approaches are deconstruction and a particular form of Marxist criticism. The author's own theoretical claims are substantiated by readings of major twentieth-century novels by Conrad, Joyce, Flann O'Brien and Arthur Koestler and the book concludes with an analysis of an earlier narrative, Maria Edgeworth's Castle Rackrent, which illustrates the wider premisses of the theory and its applications.
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