The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Clive Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music was more radically different from ours than is generally assumed.
This is an essential book for all performers and students of Classical and Romantic music.
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Clive Brown is Professor of Applied Musicology at the University of Leeds; and Consultant, London Classical Players
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Hardcover. Zustand: As New. A comprehensive guide to the performance of the mainstream classical and romantic repertoire, especially for strings. With a Preface by Roger Norrington. Bestandsnummer des Verkäufers 723
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Gebunden. Zustand: New. This is a useful title for all performers and students of Classical and Romantic music. Problems of performing practice did not disappear with the death of Handel. This book examines the changing relationship, during the period 1750-1900, between what compo. Bestandsnummer des Verkäufers 545044779
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