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The Mozart-Da Ponte Operas: The Cultural and Musical Background to ^ULe Nozze di Figaro^R, ^UDon Giovanni,^R and ^UCosì fan tutte^R (Clarendon Paperbacks) - Softcover
Inhaltsangabe
Mozart's collaborations with the librettist Lorenzo da Ponte led to the composition of three of the greatest masterpieces in all opera, Le Nozze di Figaro, Don Giovanni, and Così fan tutte. The aim of this book is to guide the reader to deeper understanding and enjoyment of these enigmatic works, not so much through detailed musical analysis as through setting the scene for their composition. The author examines the cultural and social context in which they were written, the sort of audience who might have attended, and their tastes and expectations. He considers Mozart's own intentions and aspirations for these works, composed over a period of rapid intellectual and political change, during which his beliefs, ambitions, and position in society changed radically. At a musical level, Mozart's work underwent crucial stylistic developments that are manifest in these three operas. We are also given clues to da Ponte's view of opera and the type of entertainment he set out to create. Finally, the author looks at the practicalities of opera production in Mozart's time, all of which would have influenced the final creation of these works.
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Über die Autorin bzw. den Autor
Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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The Mozart-Da Ponte Operas: Th
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The Mozart-Da Ponte Operas : The Cultural and Musical Background to le Nozze Di Figaro, Don Giovanni, and Così Fan Tutte
Verlag:
Oxford University Press, Incorporated, 1990
ISBN 10: 0198162219
ISBN 13: 9780198162216
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The Mozart-Da Ponte Operas: The Cultural and Musical Background to ^ULe Nozze di Figaro^R, ^UDon Giovanni,^R and ^UCosà fan tutte^R (Clarendon Paperbacks)
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The Mozart-Da Ponte Operas: the Cultural and Musical Background to Le Nozze Di Figaro, Don Giovanni, and Così Fan Tutte
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Clarendon Press, Oxford, 1990
ISBN 10: 0198162219
ISBN 13: 9780198162216
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The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le Nozze Di Figaro, Don Giovanni, and Cosi Fan Tutte (Clarendon Paperbacks)
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The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le Nozze Di Figaro, Don Giovanni, and Cosi Fan Tutte (Clarendon Paperbacks)
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Mozart-Da Ponte Operas The Cultural and Musical Background to Le Nozze Di Figaro, Don Giovanni, and Così Fan Tutte
Verlag:
Clarendon Press, Oxford, 1990
ISBN 10: 0198162219
ISBN 13: 9780198162216
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The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le nozze di Figaro, Don Giovanni, and Cos? fan tutte (Clarendon Paperbacks)
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The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le nozze di Figaro, Don Giovanni, and Così fan tutte (Clarendon Paperbacks)
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The Mozart-Da Ponte Operas : The Cultural and Musical Background to le Nozze di Figaro, Don Giovanni, and Cosi fan Tutte
Verlag:
Clarendon Paperbacks, Oxford, 1990
ISBN 10: 0198162219
ISBN 13: 9780198162216
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Paperback
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Paperback. Zustand: Fine. Reprint. THE MOZART-DA PONTE OPERAS. The Cultural and Musical Background to Le Nozze di Figaro, Don Giovanni and Cosi fan Tutte. Andrew Steptoe. Clarendon Paperbacks, Oxford. 2001 Reprint ISBN 0198162219 274pp Illustrated Paperback. Mozart's collaborations with the librettist Lorenzo da Ponte led to the composition of three of the greatest masterpieces in all opera, Le Nozze di Figaro, Don Giovanni, and Cosi fan tutte. The aim of this book is to guide the reader to deeper understanding and enjoyment of these enigmatic works, not so much through detailed musical analysis as through setting the scene for their composition. The author examines the cultural and social context in which they were written, the sort of audience who might have attended, and their tastes and expectations. He considers Mozart's own intentions and aspirations for these works, composed over a period of rapid intellectual and political change, during which his beliefs, ambitions, and position in society changed radically. At a musical level, Mozart's work underwent crucial stylistic developments that are manifest in these three operas. We are also given clues to da Ponte's view of opera and the type of entertainment he set out to create. Finally, the author looks at the practicalities of opera production in Mozart's time, all of which would have influenced the final creation of these works. This copy is in FINE condition in illustrated card wrappers as issued. Ref Q3. Bestandsnummer des Verkäufers 004885
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