Handel's frequent and extensive alterations to his scores yield much valuable information on musical and extra-musical matters. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. David Hurley examines six major works composed between 1743 and 1751 (Semele, Hercules, Belshazzar, Solomon, Susanna, and Jephtha), explores changes in the autograph scores, and, where possible, traces the progress of musical ideas from sketches and/or borrowings through drafts to the first performance version. By studying recurring types of revisions, Hurley identifies Handel's regular musical concerns while also addressing changes arising from specific dramatic situations. The later chapters of the book offer fresh insight into the relationship between music and text, evaluating for the first time the role of word painting in Handel's compositional process and furthering our knowledge about Handel's interactions with librettists and singers during the oratorio years.
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David Ross Hurley is Assistant Professor of Music at Pittsburg State University
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1st edn 1st printing. 8vo. Original gilt lettered blue cloth (Fine), dustwrapper (Fine). Pp. xvii + 288, illus with b&w photos, figures, tables and musical examples (no inscriptions). Bestandsnummer des Verkäufers 195951
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Size: 8vo. xvii, 288pp. Publisher's hardback with printed dust-jacket. Music examples. Bestandsnummer des Verkäufers 36653
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Hardcover. Zustand: The edges are stamped. Zustand des Schutzumschlags: Very Good. A former library book from a small College with usual markings and additions; The is binding tight; the pages are clean. Very little wear. Shipping within 24 hours, with a tracking number and delivery confirmation. Bestandsnummer des Verkäufers MSMGBox27-223h
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Hardcover. Zustand: VG+. Zustand des Schutzumschlags: Very Good. 318pp. music examples to text. Jacket has very light shelf wear o/w very good. Light dust soiling and spotting to top edge of textblock o/w a lovely copy in near immaculate condition. Overseas orders may require additional postage. Bestandsnummer des Verkäufers 121252
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Hardcover. Zustand: new. Hardcover. Handel's frequent and extensive alterations to his scores yield much valuable information on musical and extra-musical matters. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. David Hurley examines six major works composed between 1743 and 1751 (Semele, Hercules, Belshazzar, Solomon, Susanna, and Jephtha), explores changes in the autograph scores, and, wherepossible, traces the progress of musical ideas from sketches and/or borrowings through drafts to the first performance version. By studying recurring types of revisions, Hurley identifies Handel's regular musical concernswhile also addressing changes arising from specific dramatic situations. The later chapters of the book offer fresh insight into the relationship between music and text, evaluating for the first time the role of word painting in Handel's compositional process and furthering our knowledge about Handel's interactions with librettists and singers during the oratorio years. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. Exploring the composer's sketches and autograph scores, it offers fresh insights into the creative mind of one of the leading figures in Baroque music. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9780198163961
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Zustand: New. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. Exploring the composer's sketches and autograph scores, it offers fresh insights into the creative mind of one of the leading figures in Baroque music. Series: Oxford Monographs on Music. Num Pages: 310 pages, numerous music examples, 7 illustrations, 2 figures. BIC Classification: 3JH; AVGC4; AVGD; AVH. Category: (P) Professional & Vocational. Dimension: 242 x 163 x 21. Weight in Grams: 666. . 2001. Hardback. . . . . Bestandsnummer des Verkäufers V9780198163961
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Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
Hardback. Zustand: New. Handel's frequent and extensive alterations to his scores yield much valuable information on musical and extra-musical matters. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. David Hurley examines six major works composed between 1743 and 1751 (Semele, Hercules, Belshazzar, Solomon, Susanna, and Jephtha), explores changes in the autograph scores, and, where possible, traces the progress of musical ideas from sketches and/or borrowings through drafts to the first performance version. By studying recurring types of revisions, Hurley identifies Handel's regular musical concerns while also addressing changes arising from specific dramatic situations. The later chapters of the book offer fresh insight into the relationship between music and text, evaluating for the first time the role of word painting in Handel's compositional process and furthering our knowledge about Handel's interactions with librettists and singers during the oratorio years. Bestandsnummer des Verkäufers LU-9780198163961
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