What is involved in the composition, performance, and reception of classical music? What are we doing when we listen to this music seriously? Why when playing a Beethoven sonata do performers begin with the first note indicated in the score; why don't they feel free to improvise around the sonata's central theme? Why, finally, does it go against tradition for an audience at a concert of classical music to tap its feet? Bound up in these questions is the overriding question of what it means philosophically, musically and historically for musicians to speak about music in terms of 'works'. Lydia Goehr describes how the concept of a musical work emerged, as late as 1800, and subsequently defined the norms, expectations, and behavioural patterns that have come to characterize classical musical practice. The description is set in the context of a more general philosophical account of the rise and fall of concepts and ideals, and of their normative functions; at the same time, current debates amongst conductors, early-music performers, and avant-guardists are addressed. 'This is a brilliant and fascinating book...a book to be read by anyone interested in music and concerned for the health of our culture. ' - Gabriel Josipovici, "Music and Letters". 'One of the most exciting books on music to appear for a long time...exceptional, clearly the product of a fresh, imaginative, lucid mind...the style is elegant and the argument neatly and persuasively constructed. The book is eminently readable and at the same time exhilarating for the way in which it stimulates the mind...This book cannot fail to be essential reading for a long time to come...with this volume we have a feast par excellence!' - Rosamund McGuinness, "Times Higher Educational Supplement". 'Goehr's position and discussion are sober, carefully reasoned, clearly set out, and remarkably persuasive.' - "Choice". 'Proceeds with exemplary clarity' - Ruth Solie, "Notes".
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
This is a brilliant and fascinating book... a book to be read by anyone interested in music and concerned for the health of our culture. (Gabriel Josipovici, Music and Letters)
one of the most exciting books on music to appear for a long time ... exceptional, clearly the product of a fresh, imaginative, lucid mind...the style is elegant and the argument neatly and persuasively constructed (Times Higher Education Supplement)
What is involved in the composition, performance, and reception of classical music? What are we doing when we listen to this music seriously? Why when playing a Beethoven sonata do performers begin with the first note indicated in the score; why don't they feel free to improvise around the sonata's central theme? Why, finally, does it go against tradition for an audience at a concert of classical music to tap its feet? Bound up in these questions is the overriding question of what it means philosophically, musically and historically for musicians to speak about music in terms of 'works'. Lydia Goehr describes how the concept of a musical work emerged, as late as 1800, and subsequently defined the norms, expectations, and behavioural patterns that have come to characterize classical musical practice. The description is set in the context of a more general philosophical account of the rise and fall of concepts and ideals, and of their normative functions; at the same time, current debates amongst conductors, early-music performers, and avant-guardists are addressed. 'This is a brilliant and fascinating book... a book to be read by anyone interested in music and concerned for the health of our culture.' Gabriel Josipovici, Music and Letters 'one of the most exciting books on music to appear for a long time...exceptional, clearly the product of a fresh, imaginative, lucid mind...the style is elegant and the argument neatly and persuasively constructed. the book is eminently readable and at the same time exhilarating for the way in which it stimulates the mind...this book cannot fail to be essential reading for a long time to come...with this volume we have a feast par excellence!' Rosamund McGuinness, Times Higher Educational Supplement 'Goehr's position and discussion are sober, carefully reasoned, clearly set out, and remarkably persuasive.' Choice 'proceeds with exemplary clarity'Ruth Solie, Notes
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
EUR 7,52 für den Versand von USA nach Deutschland
Versandziele, Kosten & DauerAnbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages. Bestandsnummer des Verkäufers 13663474-6
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.85. Bestandsnummer des Verkäufers G0198235410I3N00
Anzahl: 1 verfügbar
Anbieter: FITZ BOOKS AND WAFFLES, Buffalo, NY, USA
Soft cover. Zustand: Good. No Jacket. Minimal shelf wear and remainder marks within text. Bestandsnummer des Verkäufers ABE-1750178053904
Anzahl: 2 verfügbar
Anbieter: El Club de los Raros, Sevilla, SE, Spanien
Libro de 2ª mano verificado y vendido por el emprendimiento social El Club de los Raros. Con cada compra estás ayudando a plantar árboles, financiar ONGs y proyectos culturales. Libro en buen estado, puede presentar algunas marcas de desgaste por el uso. Bestandsnummer des Verkäufers ECDLR-14-06-2024-.org-258T033-8402
Anzahl: 1 verfügbar
Anbieter: Montclair Book Center, Montclair, NJ, USA
Trade Paperback. Zustand: USED Very Good. Text clean, binding tight. Pages 53-56 unfortunately show wrinkling and small edge-tears where a previous owner has used paperclips as bookmarks. Bestandsnummer des Verkäufers 588405
Anzahl: 1 verfügbar
Anbieter: CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Kanada
Soft cover. Zustand: Near Fine. Softcover. Clean, tight, and unmarked. Bibliography of works cited, index. A sound and handsome copy, very neat. Size: 8vo - over 7¾ - 9¾" tall. Book. Bestandsnummer des Verkäufers 81587n106
Anzahl: 1 verfügbar