Reviews of The Oxford Dictionary of Music 'For anyone interested in music, whether as a student, concert-goer, record collector or radio 3 listener . . . it is a welcoming book - I which the author shares his enthusiasm for the obvious as well as the obscure.' THES '. . . a comprehensive and useful resource for accurate and concise definitions and biographical sketches.' Choice ' . . . a labour of love, . . . lively information about people, particularly the living, . . . up-to-date and, frankly, indispensable.' The Times 'without question the most comprehensive, detailed, reliable one-volume reference work on music available in the English Language.' Music & Musicians The Oxford Dictionary of Music is the indispensable guide for all music lovers and performers, both amateur and professional. It brings together an unrivalled collection of entries - 12,500 in all - which cover musical subjects of all kinds in an authoritative and accessible way. Composers and performers: 5,000 entries on composers - most with up-to-date and comprehensive worklists - conductors, and performers, with particular attention paid to contemporary musicians in all fields: John Mark Ainsley, Daniel Barenboim, Myung-Whun Chung, Plácido Domingo, Evelyn Glennie, Anne-Sophie Mutter, Trevor Pinnock Directors and critics: producers and designers of international repute from across the centuries; writers and scholars; musical journals and other publications Individual works and places: titles and descriptions of individual works, opera, and ballet; specific orchestras and companies from around the world combine with entries on famous opera-houses, concert-halls, and musical festivals such as those in Aldeburgh and Edinburgh Musical terms and styles: terms such as musique concrète, chromaticism, preparation, and tutti; forms ranging from operatic, orchestral, vocal, film scores, to song-cycles, chamber, hymns, barber-shop, and oratorios; invaluable general themes, like musicology, Byzantine music, acoustics, absolute pitch; musical examples are given where helpful Instruments: from the familiar members of the orchestra - strings, wind, and brass instruments - to the less well- known and the more esoteric - aeolian harp, bagpipe, bamboula, sackbut, and saltbox
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From reviews of the first edition: "For anyone interested in music, whether as a student, concert-goer, record collector or Radio 3 listener ... it is a welcoming book--in which the author shares his enthusiasm for the obvious as well as the obscure." Times Higher Education Supplement
not only a valuable work of reference, but also a "guide, philosopher, and friend" for music lovers, opera-goers, concert fans and record collectors (Stage)
this book is marvellous value, the most useful single-volume music dictionary available (Daily Telegraph)
Reviews of The Oxford Dictionary of Music 'For anyone interested in music, whether as a student, concert-goer, record collector or radio 3 listener . . . it is a welcoming book - I which the author shares his enthusiasm for the obvious as well as the obscure.' THES '. . . a comprehensive and useful resource for accurate and concise definitions and biographical sketches.' Choice ' . . . a labour of love, . . . lively information about people, particularly the living, . . . up-to-date and, frankly, indispensable.' The Times 'without question the most comprehensive, detailed, reliable one-volume reference work on music available in the English Language.' Music & Musicians The Oxford Dictionary of Music is the indispensable guide for all music lovers and performers, both amateur and professional. It brings together an unrivalled collection of entries - 12,500 in all - which cover musical subjects of all kinds in an authoritative and accessible way. Composers and performers: 5,000 entries on composers - most with up-to-date and comprehensive worklists - conductors, and performers, with particular attention paid to contemporary musicians in all fields: John Mark Ainsley, Daniel Barenboim, Myung-Whun Chung, Plácido Domingo, Evelyn Glennie, Anne-Sophie Mutter, Trevor Pinnock Directors and critics: producers and designers of international repute from across the centuries; writers and scholars; musical journals and other publications Individual works and places: titles and descriptions of individual works, opera, and ballet; specific orchestras and companies from around the world combine with entries on famous opera-houses, concert-halls, and musical festivals such as those in Aldeburgh and Edinburgh Musical terms and styles: terms such as musique concrète, chromaticism, preparation, and tutti; forms ranging from operatic, orchestral, vocal, film scores, to song-cycles, chamber, hymns, barber-shop, and oratorios; invaluable general themes, like musicology, Byzantine music, acoustics, absolute pitch; musical examples are given where helpful Instruments: from the familiar members of the orchestra - strings, wind, and brass instruments - to the less well- known and the more esoteric - aeolian harp, bagpipe, bamboula, sackbut, and saltbox
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Paperback. Zustand: Very Good. Reviews of The Oxford Dictionary of Music 'For anyone interested in music, whether as a student, concert-goer, record collector or radio 3 listener .it is a welcoming book - I which the author shares his enthusiasm for the obvious as well as the obscure.' THES '.a comprehensive and useful resource for accurate and concise definitions and biographical sketches.' Choice ' .a labour of love, .lively information about people, particularly the living, .up-to-date and, frankly, indispensable.' The Times 'without question the most comprehensive, detailed, reliable one-volume reference work on music available in the English Language.' Music & Musicians The Oxford Dictionary of Music is the indispensable guide for all music lovers and performers, both amateur and professional. It brings together an unrivalled collection of entries - 12,500 in all - which cover musical subjects of all kinds in an authoritative and accessible way. Composers and performers: 5,000 entries on composers - most with up-to-date and comprehensive worklists - conductors, and performers, with particular attention paid to contemporary musicians in all fields: John Mark Ainsley, Daniel Barenboim, Myung-Whun Chung, Placido Domingo, Evelyn Glennie, Anne-Sophie Mutter, Trevor Pinnock Directors and critics: producers and designers of international repute from across the centuries; writers and scholars; musical journals and other publications Individual works and places: titles and descriptions of individual works, opera, and ballet; specific orchestras and companies from around the world combine with entries on famous opera-houses, concert-halls, and musical festivals such as those in Aldeburgh and Edinburgh Musical terms and styles: terms such as musique concrete, chromaticism, preparation, and tutti; forms ranging from operatic, orchestral, vocal, film scores, to song-cycles, chamber, hymns, barber-shop, and oratorios; invaluable general themes, like musicology, Byzantine music, acoustics, absolute pitch; musical examples are given where helpful Instruments: from the familiar members of the orchestra - strings, wind, and brass instruments - to the less well- known and the more esoteric - aeolian harp, bagpipe, bamboula, sackbut, and saltbox. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers GOR001694251
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