Allusion to the Poets - Hardcover

Ricks, Christopher

Hardcover

ISBN 10: 0199250324 ISBN 13: 9780199250325

Verlag: OUP Oxford, 2002

Inhaltsangabe

Book by Ricks Christopher

Über diesen Titel

Críticas:

'The close reading of poetry' [Rides] concludes, is 'a lonely activity which can yet be shared'; but he himself is unfailingly good company. (English Studies)

Read in sequence, these brilliant essays convey a noble sense of the conversation of the poetic community down the ages. (English Studies)

Ricks's forte is identifying effective poetry, and explaining why it works. (Laura Quinney, London Review of Books)

Brilliant, witty, and illuminating ... No other critic in our age ... has dared to isolate this wonderfully ramifying, richly human subject (which requires great learning, lightly worn) and given it such intensive treatment. With this book about poets and their gratitude, Ricks has earned ours. (Philip Horne, The Guardian)

Christopher Ricks's Allusion to the Poets made it clear again just what is so great about a great literary critic. (Adam Phillips, Books of the Year, Observer Review, December 2002)

Subtly shows the way in which seven great poets have quoted their predecessors in their writings, and the richness of meaning they have gained from that. (Derwent May)

Allusion to the Poets sparkles with an enjoyment that answers repeatedly to the delighted complexity and play of alert poetic imagination: for a long time to come, all good critics will be Christopher Ricks's heirs. (Peter McDonald, Times Literary Supplement)

Reseña del editor:

Allusion to the words and phrases of ancestral voices is one of the hiding-places of poetry's power. Poets appreciate the great debts that they owe to previous poets, and are often duly and newly grateful. Allusion to the Poets consists of twelve essays - four published here for the first time - on allusion and its relations, in particular on the use that poets in English have made of the very words of poets in English.

The first half of the book, on 'The Poet as Heir', consists of six chapters devoted to individual poets, Augustan, Romantic, and Victorian: Dryden and Pope, Burns, Wordsworth, Byron, Keats, and Tennyson. Allusion is always a form of inheritance, not to be hoarded or squandered. The critical and creative question is its imaginative co-operation with other kinds of legacy - with whatever for a particular poet or for a particular time is judged to be an unignorable inheritance: of a throne, perhaps, or of land; of intermixed languages; of the human senses; of money; of literature itself; or of our planet, long-lived but not eternal.

The second half of the book is six essays on allusion's affiliations: to plagiarism (allusion being plagiarism's responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company). And on allusion within poetry to prose (A E. Housman); on translation as exercising allusion (David Ferry); and on the clash between one poet's practice and his critical principles (Yvor Winters).

Über diese Auflage

• Verlag: OUP Oxford
• Erscheinungsdatum: 2002
• ISBN 10: 0199250324
• ISBN 13: 9780199250325
• Einband: Tapa dura
• Anzahl der Seiten: 352