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Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium - Hardcover

 
9780199259144: Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium
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Críticas:
Hall's 46-page introduction to the volume is one of the best pieces that have been written so far in the area of Reception Studies of classical texts, and ought to be mandatory reading for anyone interested in this area. (Martin Revermann, Journal of Hellenic Studies)

...a major contribution to the year's work (Year's Work in Critical and Cultural Theory)

...reveals a wealth of understanding concerning the ways Greek tragedy has been read, received, interpreted and shared in recent decades, and points the way forward to other studies in this ever-increasing field. (C.W. Marshall, The Classical Review)

The quality of the contributions is uniformly high ... The range of methods is appealingly wide, providing readers with fascinating material ... Collectively, the volume gives an extremely stimulating up-to-date account of Greek tragedy in the last thirty or forty years ... deserves a wide readership ... The writing is accessible; illustrations are well selected ... index and bibliography are very detailed. (The Journal of Classics Teaching)
Reseña del editor:
Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization.

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Verlag: OUP Oxford, 2005
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Buchbeschreibung Hardcover. Zustand: new. Hardcover. Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds ofclassics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currentsof the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization. Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This lavishly illustrated book is the first attempt fully to document and explain its revival. It assembles fourteen essays by specialists from classics, theatre studies, and the professional theatre, who relate the recent production history of Greek tragedy to social and academic trends. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9780199259144

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Buchbeschreibung Hardcover. Zustand: new. Hardcover. Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds ofclassics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currentsof the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization. Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This lavishly illustrated book is the first attempt fully to document and explain its revival. It assembles fourteen essays by specialists from classics, theatre studies, and the professional theatre, who relate the recent production history of Greek tragedy to social and academic trends. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780199259144

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