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A Historical Account of Useful Inventions and Scientific Discoveries; Being a Manual Ofinstructions and Entertainment - Softcover

Grant, George

 
9780217660792: A Historical Account of Useful Inventions and Scientific Discoveries; Being a Manual Ofinstructions and Entertainment

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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated.1852 Excerpt: ... dust shook over them, as far as the extent of the lines covered with glue; the dust will only fasten so far as it meets with what produces adhesion. PAINTING. Its origin is to be traced up to that known source, from whence most of those arts, which humanise society and lend a polish to life, first had being. Diodorus Siculus speaks of bricks burnt in the fire with various colours, representing the natural appearance of men and animals; which is the first fact upon record. As this occurred during the building of Babylon, it is as remote an original as we are, perhaps, authorised to depend upon; although it is extremely probable it might be traced to an anterior date: which conclusion, though made from inference alone, we are allowod to suppose must have been the case; as a knowledge of the nature of pigments must first have been ascertained before the Chaldean artists could have been informed what colours would fade, or what would withstand the operation of the enamelling process in the intense heat necessary to produce the effect. They must at least have understood the difference between vegetable colours, which are the first presented to the senses, and most probably were the first which were used, and those afforded by the mineral kingdom, which alone were proper for the operation they performed. Therefore, the arts of painting and chemistry, we would presume must have made considerable progress prior to the erection of the tower of Babel. The next people, who, in point of time as well as of importance, offer themselves to the notice of modern Europeans, are the Egyptians; and their perfection in the use of the various colours which constitute the compound idea we entertain when we think of painting, is well known and appreciated; when we may any day cons...

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