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One of the first female artists to achieve recognition in her own time, Artemisia Gentileschi (1593-1653) became instantly popular in the 1970s when feminist art historians "discovered" her and argued vehemently for a place for her in the canon of Italian baroque painters. Featured alongside her father, Orazio Gentileschi, in a recent exhibition at the Metropolitan Museum of Art, Artemisia has continued to stir interest though her position in the canon remains precarious, in part because her sensationalized life history has overshadowed her art.
In The Artemisia Files, Mieke Bal and her coauthors look squarely at this early icon of feminist art history and the question of her status as an artist. Considering the events that shaped her life and reputation—her relationship to her father and her role as the victim in a highly publicized rape case during which she was tortured into giving evidence—the authors make the case that Artemisia's importance is due to more than her role as a poster child in the feminist attack on traditional art history; here, Artemisia emerges more fully as a highly original artist whose work is greater than the sum of the events that have traditionally defined her.
The fresh, engaging discourse in The Artemisia Files will help to both renew the reputation of this artist on the merit of her work and establish her rightful place in the history of art.
“Over the last generation Artemisia has been transformed from a talented curiosity . . . into a standard bearer of early feminist consciousness. This book offers a fascinating glimpse into the critical frame of mind underlying this transformation.”—Keith Christiansen, Jayne Wrightsman Curator of Italian Painting, The MetropolitanMuseum of Art
Mieke Bal is professor at the Royal Netherlands Academy of Arts and Sciences and cofounder of the Amsterdam School for Cultural Analysis at the University of Amsterdam. Her previous books include Quoting Caravaggio Contemporary Art, Preposterous History, and Louise Bourgeois' "Spider: " The Architecture of Art-Writing, both published by the University of Chicago Press.
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Buchbeschreibung Univ Chicago. Zustand: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Veteran Owned Bookshop in business since 1992!. Bestandsnummer des Verkäufers 4332732
Buchbeschreibung UNIVERSITY OF CHICAGO PRESS 2006-12-15, Chicago, 2006. paperback. Zustand: New. Bestandsnummer des Verkäufers 9780226035826
Buchbeschreibung University of Chicago Press, 2006. Paperback. Zustand: BRAND NEW. Bestandsnummer des Verkäufers 0226035824_abe_bn
Buchbeschreibung University of Chicago Press 12/15/2006, 2006. Paperback or Softback. Zustand: New. The Artemisia Files: Artemisia Gentileschi for Feminists and Other Thinking People. Book. Bestandsnummer des Verkäufers BBS-9780226035826
Buchbeschreibung 2006. Zustand: NEW. 9780226035826 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. For all enquiries, please contact Herb Tandree Philosophy Books directly - customer service is our primary goal. Bestandsnummer des Verkäufers HTANDREE0905258
Buchbeschreibung University of Chicago Press, 2006. Paperback. Zustand: New. Brand New!. Bestandsnummer des Verkäufers 0226035824
Buchbeschreibung University of Chicago Press 2005-09-01, 2005. Paperback. Zustand: New. Bestandsnummer des Verkäufers 6666-WLY-9780226035826
Buchbeschreibung University of Chicago Press, 2006. Zustand: New. book. Bestandsnummer des Verkäufers M0226035824
Buchbeschreibung Paperback. Zustand: New. New edition. Paperback. One of the first female artists to achieve recognition in her own time, Artemisia Gentileschi (1593-1653) became instantly popular in the 1970s when feminist art historians "discovere.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 245 pages. 0.290. Bestandsnummer des Verkäufers 9780226035826
Buchbeschreibung University Of Chicago Press, 2006. Paperback. Zustand: New. Bestandsnummer des Verkäufers DADAX0226035824