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Anbieter: Avol's Books LLC, Madison, WI, USA
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Oversize. Book is Fine. Spine head of dust jacket a little crinkled, with a short tear. Bestandsnummer des Verkäufers 223664
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Anbieter: HPB-Ruby, Dallas, TX, USA
hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Bestandsnummer des Verkäufers S_430622438
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Anbieter: Strand Book Store, ABAA, New York, NY, USA
Oversized Hardcover. Zustand: Good. Against the background of Russian progressive cultural and scientific movements, this volume traces the close relationship between Malevich's writings and work and other contemporary nonpolitical revolutions: relativity and quantum theory; Roman Jakobson and the 'Prague School' in linguistics. The authors draw analogies between vanguard structuralist poetry and Malevich's postcubist works. A close reading of Malevich's later figurative paintings solidifies the geniusof his extraordinarily inventive stance. Situating Malevich in terms of an all-pervasive modernist subjectivity, this work transmits the artist's thinking as well as his work. 230p. Bestandsnummer des Verkäufers 830672
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Anbieter: ANARTIST, New York, NY, USA
Hardcover with dustjacket, 230 pages, very good condition; no internal marks, clean and crisp. Foreign shipping may be extra. Bestandsnummer des Verkäufers KaMaUn20
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Anbieter: Vashon Island Books, Vashon, WA, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. Size: 4to - over 9¾" - 12" tall. Book. Bestandsnummer des Verkäufers G27285
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Anbieter: rareviewbooks, Kensington, MD, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. Oversized hardback book (230 pages)illustrated with vintage black and white photographs and color reproductions of the artist work. Dust jacket shows scuffing/rubbing with small nicks at edge. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-E-Top-Flat) rareviewbooks. Bestandsnummer des Verkäufers RVB06282003
Anzahl: 1 verfügbar
Anbieter: Grendel Books, ABAA/ILAB, Springfield, MA, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Color and black and white illustrations throughout. First printing. Near fine in a near fine (one inch scratch on rear panel) dust jacket. Bestandsnummer des Verkäufers 79824
Anzahl: 1 verfügbar
Anbieter: Mercantile Books, Columbus, OH, USA
hardcover. Zustand: Very Good. First Edition. First Printing. Hardcover in Dust Jacket. Pages clean, unmarked. Cover and Jacket have light wear. Small patch of sticker residue inside front cover. Shipped promptly with Tracking. MISC8. Bestandsnummer des Verkäufers MB-5B1P-M6IQ
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Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Hardcover. Zustand: New. Black cloth with white spine lettering, black glossy color illustrated dustjacket. viii, 230 pp., 155 illustrations, including 50 in color. Kasimir Malevich's (1878-1935) sudden and startling realization of a nonrepresentational way of painting, which he called Suprematism, stands as a seminal moment in twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine to his involvement with Futurist circles in Moscow through to the late 1920s and beyond. They convincingly demonstrate that Malevich's late representational painting, still widely misunderstood, solidifies his extraordinarily inventive stance. Against the historical background of distinctly Russian progressive cultural and scientific movements, the authors define affinities between Malevich's work and other nonpolitical revolutions: relativity and quantum theory in physics the work of Roman Jakobson and the "Prague School" in linguistics and the exploration of language in the writings of the poet Velimir Khlebnikov. They situate the artist within the fundamental epistemological shift from nineteenth-century objectivity to an all-pervasive modernist subjectivity, relying upon Malevich's contribution to illustrate the ways cultural production is mediated through various modes of transmission. Rainer Crone holds the Chair for Twentieth Century Art at Ludwig-Maximilians-Universitä ;t, Munich, and is adjunct professor of art history at Columbia University. David Moos is a doctoral candidate in art history at Columbia University. Contents as follows: Introduction: This book . and the end of experience -- 1. The question of information -- 2. Artistic positions: a critical survey -- 3. Origins of a painter -- 4. Cubo-futurism: interchanges -- 5. Passages through poetry -- 6. The edge of innovation -- 7. Subjectivity in temporality -- 8. Late sensations and the new reality -- 9. The free imaginary variation -- Exhibitions. Bestandsnummer des Verkäufers 168109
Anzahl: 2 verfügbar
Anbieter: modern-ISM, Los Angeles, CA, USA
Original Cloth. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. A crisp, clean Fine copy with a trace of foxing to the top edges in a Fine mylar-protected dust jacket (front slightly rubbed and back has some rubbing and light scratches). A crisp, unread copy. 230 pp., profusely illustrated in color and B&W, extensive bibliography and index. The authors define the influences that shaped the dramatic shift in Malevich's oeuvre- from his early examination of Cezanne and his involvement in Futurist circles to his rejection of mimesis and to the final wprks following 1927. Bestandsnummer des Verkäufers 001730
Anzahl: 1 verfügbar