Book by Frantzen Allen J
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This study challenges the long-held belief that the early Middle Ages tolerated and even fostered same-sex relations and that intolerance of homosexuality developed only late in the medieval period. Th e text argues that early medieval Christians did not tolerate same-sex acts and, furthermore, that men and women during this time who preferred homosexual relations pursued their desires in spite of official sanctions. This was an age before people recognized the existence - or the possibility - of the "closet". This work focuses on Anglo-Saxon literature but also includes examinations of contemporary opera, dance and theatre. The text employs the figure of the shadow to illustrate the coexistence of homosexual and heterosexual relations in the Middle Ages. The figure is introduced through an analysis of a man's part sung by a woman in operas such as Gounod's "Faust". The reverse figure - men taking women's parts - is traced in two dances by Mark Morris, "The Hard Nut" and "Dido and Aeneas". Also analyzed is the white Anglo-Saxon Protestant in Tony Kushner's play, "Angels in America" and the poems, "Beowulf" and "The Wanderer".
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Zustand: Gut. 369 Seiten / p., 12 figures. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Schnitt leicht befleckt, ansonsten adelloser Zustand / Editing slightly stained, otherwise excellent condition - Allen J. Frantzen challenges the long accepted view that the early Middle Ages tolerated and even fostered same-sex relations and that intolerance of homosexuality developed only late in the medieval period. Frantzen shows that in early medieval Europe the Church did not tolerate same-sex acts; in fact it was an age before people recognized the existenceor the possibilityof the "closet." -- Before the Closet uses sexual themes of contemporary opera, dance, and theatre to contextualize same-sex relations in early English sources. Frantzen offers a comprehensive analysis of texts from the seventh to the twelfth century and traces Anglo-Saxon same-sex behavior through the age of Chaucer and into the Renaissance. ISBN 9780226260921 Sprache: Englisch Gewicht in Gramm: 553 15,2 x 2,0 x 22,9 cm, Broschiert / Paperback. Bestandsnummer des Verkäufers 1175962
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