Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States.
Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
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Clement Greenberg (1909-1994), champion of abstract expressionism and modernism--of Pollock, Miró, and Matisse--has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States.
Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for The Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
John O'Brian is professor of art history at the University of British Colombia.
Collected essays and Criticism, we are at last on our way to having a comprehensive edition of the most important body of art criticism produced by an American writer in this century.
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Anbieter: Hourglass Books, Vancouver, BC, Kanada
Soft cover. Zustand: Very Good+. Second Printing. Minimal wear; light crease at bottom left of front cover; otherwise a solid, clean copy with no marking or underlining; a very good reading or study copy; 270 pages. Book. Bestandsnummer des Verkäufers 024776
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Zustand: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. Bestandsnummer des Verkäufers ZBV.0226306216.VG
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Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Paperback. Zustand: Good. Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as The Plight of Our Culture (1953), Modernist Painting (1960), and Post Painterly Abstraction (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting.With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. Bestandsnummer des Verkäufers 00110609269
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Anbieter: World of Books Inc, Montgomery, IL, USA
Paperback. Zustand: Good. Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as The Plight of Our Culture (1953), Modernist Painting (1960), and Post Painterly Abstraction (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting.With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. Bestandsnummer des Verkäufers CIN0226306216G
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Later printing. Softcover. 270 pages. A clean and tight near fine copy in wrappers with some very minor wear. Bestandsnummer des Verkäufers 213778
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Anbieter: Glands of Destiny First Edition Books, Sedro Woolley, WA, USA
paperback. Zustand: As New. Publisher: University of Chicago Press, 1990.FINE softcover in glossy yellow wraps, as issued. First Softcover Edition, THIRD Printing. Bestandsnummer des Verkäufers 2509290008
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Paperback. Zustand: Clean & Unmarked. A very clean and straight copy. Clean text and an uncreased spine. 270 pp. Bestandsnummer des Verkäufers 250916011
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Soft cover. Zustand: New. No Jacket. 1st Paperback Edition. First softcover edition 1988. (First hardcover 1986). Published by University of Chicago Press. Trade softcover without DJ as issued. Condition new, square tight and clean book, spine not creased, no edgewear, corners not bumped, no names, no underlinings, no highlights, no bent page corners, not a reminder. 8vo, 296 pages. Bestandsnummer des Verkäufers 017230
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