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9780226372914: Groovy Science: Knowledge, Innovation, and American Counterculture

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In his 1969 book The Making of a Counterculture, Theodore Roszak described the youth of the late 1960s as fleeing science “as if from a place inhabited by plague,” and even seeking “subversion of the scientific worldview” itself. Roszak’s view has come to be our own: when we think of the youth movement of the 1960s and early 1970s, we think of a movement that was explicitly anti-scientific in its embrace of alternative spiritualities and communal living.

Such a view is far too simple, ignoring the diverse ways in which the era’s countercultures expressed enthusiasm for and involved themselves in science—of a certain type. Rejecting hulking, militarized technical projects like Cold War missiles and mainframes, Boomers and hippies sought a science that was both small-scale and big-picture, as exemplified by the annual workshops on quantum physics at the Esalen Institute in Big Sur, or Timothy Leary’s championing of space exploration as the ultimate “high.” Groovy Science explores the experimentation and eclecticism that marked countercultural science and technology during one of the most colorful periods of American history.

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Über die Autorin bzw. den Autor

David Kaiser is the Germeshausen Professor of the History of Science and professor of physics at the Massachusetts Institute of Technology. He is the author of Drawing Theories Apart, also published by the University of Chicago Press, and How the Hippies Saved Physics. He lives near Boston, Massachusetts. W. Patrick McCray is professor in the department of history at the University of California, Santa Barbara. He is the author of The Visioneers and Keep Watching the Skies. He lives in Santa Barbara, California.

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Groovy Science: Knowledge, Innovation, and American Counterculture

By David Kaiser, W. Patrick McCray

The University of Chicago Press

Copyright © 2016 The University of Chicago
All rights reserved.
ISBN: 978-0-226-37291-4

Contents

Introduction David Kaiser and W. Patrick McCray,
Part One: Conversion,
1 Adult Swim: How John C. Lilly Got Groovy (and Took the Dolphin with Him), 1958-1968 D. Graham Burnett,
2 Blowing Foam and Blowing Minds: Better Surfing through Chemistry Peter Neushul and Peter Westwick,
3 Santa Barbara Physicists in the Vietnam Era Cyrus C. M. Mody,
Part Two: Seeking,
4 Between the Counterculture and the Corporation: Abraham Maslow and Humanistic Psychology in the 1960s Nadine Weidman,
5 A Quest for Permanence: The Ecological Visioneering of John Todd and the New Alchemy Institute Henry Trim,
6 The Little Manual That Started a Revolution: How Hippie Midwifery Became Mainstream Wendy Kline,
Part Three: Personae,
7 The Unseasonable Grooviness of Immanuel Velikovsky Michael D. Gordin,
8 Timothy Leary's Transhumanist SMI2LE W. Patrick McCray,
9 Science of the Sexy Beast: Biological Masculinities and the Playboy Lifestyle Erika Lorraine Milam,
Part Four: Legacies,
10 Alloyed: Countercultural Bricoleurs and the Design Science Revival Andrew Kirk,
11 How the Industrial Scientist Got His Groove: Entrepreneurial Journalism and the Fashioning of Technoscientific Innovators Matthew Wisnioski,
12 When Chèvre Was Weird: Hippie Taste, Technoscience, and the Revival of American Artisanal Food Making Heather Paxson,
Afterword: The Counterculture's Looking Glass David Farber and Beth Bailey,
Contributors,
Index,


CHAPTER 1

Adult Swim: How John C. Lilly Got Groovy (and Took the Dolphin with Him), 1958–1968


D. Graham Burnett

What did it mean to be "groovy" circa 1970? It meant knowing how to hang, how to float, how to be at one with others, with animals, with the universe itself. I believe we can treat the following text as paradigmatic of the project as a whole:

I suspect that whales and dolphins quite naturally go in the directions we call spiritual, in that they get into meditative states quite simply and easily. If you go into the sea yourself, with a snorkel and face mask and warm water, you can find that dimension in yourself quite easily. Free floating is entrancing. ... Now if you combine snorkeling and scuba with a spiritual trip with the right people, you could make the transition to understanding the dolphins and whales very rapidly.


Spiritual cetaceans? Trippy, collective, free-floating ethology of the odontocetes? Where are we?

The short answer is that we are located firmly in the head — the very heady head — of one of the most important, and one of the strangest, scientists of the 1960s: John C. Lilly, the man whose work with brains and behaviors of dolphins had lasting implications for cultural understanding of human beings' nearest aquatic kin (fig. 1.1). A pioneering neurophysiologist, a troubled military psychologist, an apostate cetologist and animal fantasist, ultimately a Pied Piper of whale hugging and cosmonaut of heightened consciousness — John C. Lilly traced a fascinating trajectory across the postwar period. Retracing a parabolic portion of his path (he rose and he fell) will allow us, I think, to catch several striking views of what we may indeed want to call "groovy science."


Lilly and the Cetacean Brain

Born in 1915, Lilly, from a well-to-do family in Saint Paul, Minnesota, took a bachelor of science degree from the California Institute of Technology in 1938 and studied at Dartmouth Medical School for two years before moving to the University of Pennsylvania, where he completed his MD in 1942 and remained on the faculty. There, under the influence of Britton Chance and Detlev Bronk, Lilly pursued research in biophysics, including applied investigations into real-time physiological monitoring — work linked to wartime service in military aviation, where techniques for assaying the respiration of airmen were needed. Lilly had contact through his family with the neurosurgeon Wilder Penfield in the later 1940s and developed an interest in neuroanatomy and the electrophysiology of the brain. By 1953 he had been appointed to the neurophysiology laboratory of the National Institute of Mental Health (NIMH), where he worked under Wade Marshall as part of a joint research program with the National Institute of Neurological Diseases and Blindness.

By the mid-1950s Lilly's lab in Bethesda, Maryland, was performing in vivo electrical stimulation of the brains of macaques — work aimed at cortical mapping by means of correlating point applications of currents at varying thresholds with specific behaviors and reactions in subject animals. Reporting on some of these investigations at a conference on the reticular formation of the brain, held in Detroit in 1957, Lilly would explain,

The neurophysiologist has been given a powerful investigative tool: the whole animal can be trained to give behavioral signs of what goes on inside. ... We are in the position of being able to guess with less margin of error what a man might feel and experience if he were stimulated in these regions.


This was, in many ways, unpleasant business, Lilly acknowledged, pointing out that he had "spent a very large fraction of my working time for the last eight years with unanaesthetized monkeys with implanted electrodes." In addressing the nebulous region where neurology, psychology, and animal behavior overlapped, Lilly permitted himself some observations on the affective universe of his scientific subjects:

When an intact monkey grimaces, shrieks, and obviously tries to escape, one knows it is fearful or in pain or both. When one lives day in and day out with one of these monkeys, hurting it and feeding it and caring for it, its experience of pain or fear is so obvious that it is hardly worth mentioning.


It would not be the last time that Lilly would reflect on the inner lives of his experimental animals with considerable confidence. But his experimental animal was about to change. Like a number of American psychology researchers in the mid-1950s — including the echolocation researrcher Winthrop Kellogg — Lilly was in the process of leaving monkeys behind for the bottlenose dolphin, Tursiops truncatus.

His first brush with the study of cetaceans came in 1949 when, during a visit to a neurosurgeon friend on Cape Cod, Lilly learned that a recent storm had beached a whale on the coast of southern Maine. A plan took shape for an impromptu expedition north, with a view toward collecting a novel brain. As it happened, Lilly was acquainted from his days at the University of Pennsylvania with the Swedish-Norwegian physiologist and oceanographer Per F. "Pete" Scholander, who had also worked with Detlev Bronk in aviation physiology during World War II and had then moved to the Woods Hole Oceanographic Institute. Scholander — something of a daredevil, and fascinated by the physiology of extreme environments — had published research on dive physiology and decompression, and while still living in Scandinavia he had conducted a number of pioneering studies on the deep-diving capabilities of marine mammals, particularly whales. Lilly looked up Scholander and recruited him for the trip, and the three men suited up for a drive to Maine. Shortly after reaching the carcass (a large pilot whale), exposing the skull, and beginning to chip away toward the brain, they were joined by two other researchers who had independently made the drive up from Woods Hole: William Schevill and his wife and collaborator, Barbara Lawrence. They were, reportedly, somewhat miffed to discover that they had been beaten to the punch and were particularly concerned that the hacksaw dissection might have damaged the airways of the upper head, which they had come to examine. In the end, however, the cadaver would be theirs, since Lilly and his partners found that the brain had largely been dissolved through autolysis; the smell alone overpowered them.

Though he headed home with little to show for the trip, Lilly had brushed the shores of cetology, and his curiosity did not dissipate. At a meeting of the International Physiological Congress four years later, in 1953, Lilly and Scholander again crossed paths, and Scholander suggested that Lilly get in touch with a leading expert on captive dolphins, Forrest G. Wood, who at that time handled the animals at Marine Studios. Lilly did, and as a result, he was one of eight investigators to participate in what came to be known informally as the "Johns Hopkins expedition" in the autumn of 1955. Like prewar projects, the expedition featured a mixed crew of physiologists and medical men gearing up to vivisect some bottlenose dolphins, only this time it would be in the carnival environs of a Florida ocean theme park rather than a remote fishing village on a barrier island.

In preparation for this 1955 trip, Lilly spent the summer in correspondence not only with Wood (securing access to a set of dolphins for experimental work) but also with Schevill at Woods Hole (concerning the anatomy of the airways of the common dolphin) and with Scholander (concerning restraint techniques and the respiratory characteristics of the odontocetes). Using this information, Lilly worked up a dolphin respirator that would, it was hoped, permit the surgeons and neuroscientists of the party to expose the brain of an anesthetized animal in order to begin the work of cortical mapping by neurophysiological techniques. It appears that no one in Europe or the United States up to this point had attempted a "surgical" intervention on a dolphin or porpoise.

The Johns Hopkins expedition of 1955 was at best a qualified success. Lilly and the other investigators were unsuccessful with their anesthetics and their respirator, and in the end they euthanized, without dexterity, five dolphins, apparently alienating a number of the Marine Studios personnel in the process. But if the 1955 investigations were not a triumph, they did deepen Lilly's continuing interest in the cetacean brain. Having heard a set of Wood's recordings of bottlenose dolphins at Marine Studios, Lilly was much struck — as were a considerable number of others at this time — by the range and apparent complexity of dolphin phonation. In October 1957 and again in 1958 — after a visit with Schevill and Lawrence in Massachusetts, where they were conducting work on the auditory range and echolocatory capabilities of a bottlenose dolphin in a facility near Woods Hole — Lilly returned to Marine Studios. This time he was equipped to undertake investigations of the dolphin brain and behavior using techniques like those he had deployed and refined with macaques at NIMH: namely, percutaneous electrodes, driven by stereotaxis, that could probe the brain tissue of an unanesthetized, living animal. Over the two visits, three more animals were sacrificed, and Lilly experienced a kind of scientific epiphany that would shape his scientific life, even as its reverberations eventually unmade his scientific reputation.

Compressing a complicated encounter that took place over several days — and which continued to draw Lilly's reflections and reconstructions for years — is not easy, but we can summarize Lilly's sense of his findings this way: First, Lilly persuaded himself that, in comparison to his experience with monkeys, the dolphins appeared to learn very rapidly how to press a switch to stimulate a "positive" region in their brains (and to turn off stimulation to a region causing pain). Second, he claimed to have been much struck by the sense that an injured experimental subject, when returned to the tank with other dolphins, "called" to them and received their ministrations, suggesting an intraspecies "language." Third, on reviewing the tapes made of these investigations, Lilly grew increasingly certain that his experimental subjects had been parroting his speech and other human sounds in the laboratory. These three elements — intelligence, an intraspecies language, and (perhaps most significantly) what he took to be fleeting glimpses of an attempt at interspecies communication — left Lilly with a feeling that he was on the cusp of something vast. Reflecting on the work of 1955, 1957, and 1958 in his Lasker Lecture in April 1962, Lilly tried to explain:

We began to have feelings which I believe are best described by the word "weirdness." The feeling was that we were up against the edge of a vast uncharted region in which we were about to embark with a good deal of mistrust concerning the appropriateness of our own equipment. The feeling of weirdness came on us as the sounds of this small whale seemed more and more to be forming words in our own language.


After hammering his way into hundreds of mammalian brains, Lilly suddenly heard a voice.

Odd as this breakthrough may seem, Lilly was not alone in his sense of the magnitude of what had happened in the Marine Studios laboratory in the late 1950s. One of Lilly's medical friends who had been in attendance in October 1957, during work on dolphin number six, later mused to him in a letter, "I keep thinking of that first moment when the first, clearly purposeful switch-pressing response occurred. This is one of the extraordinary moments in science." Loren Eiseley, the anthropologist who had become the provost of the University of Pennsylvania, wrote publicly that "the import of these discoveries is tremendous, and may not be adequately known for a long time." And in 1961 Lilly would write of the discoveries in still-grander world-historical terms, situating his own research at the cusp of the fourth "great displacement" in the history of science: citing Freud, Lilly explained that although man had, over the last five hundred years, been thrust from the center of the universe, from the center of nature, and finally from the center of his own mind, modern man still thought of himself as the center of all intelligence. This (final?) pillar of human exceptionalism now teetered beside the dolphin tanks. It was his predilection for claims like this — sweeping, visionary, laced with self-aggrandizing enthusiasm — that eventually seriously tried the patience of Lilly's colleagues, who placed increasing pressure on him in the early 1960s to deliver some reproducible scientific results.

Those results were slow in coming. Lilly's first published report on his dolphin experiences appeared in December 1958 in the American Journal of Psychiatry, in an article entitled "Some Considerations regarding Basic Mechanisms of Positive and Negative Types of Motivations." It is a deeply strange document, one that opens a window obliquely on to the world of brain research during the Cold War. Because it attracted a spate of articles in newspapers and magazines across the country — and launched the writing project that culminated in Man and Dolphin a little over two years later — it is worth examining this initial presentation in some detail.

In view of the paper's reception and impact, it is striking that the discussion of the dolphin work at Marine Studios represents less than one-third of its total length, and that this section is sandwiched in the middle of a wide-ranging discussion of the positive and negative "motivation" regions of the mammalian brain. Lilly's primary concern in this paper was to reflect on the fact that neurophysiological work over the previous five years had established the existence of brain regions that, under stimulation, trigger "negative-painful-stop" responses, whereas other regions trigger "positive-pleasurable-start" responses. At issue, finally, was the balance between the aggregate sizes (and influences) of these two "parts" of the brain. So one reads, for instance, "Of course we like to think that in the total action of the brain, the positive tends to overbalance the negative, and that the intellectual functions might be neutral ones, neither positive nor negative, found in excess of the positive and the negative."

Lilly then posed a question: Would point stimulation within the neocortex and the cerebellum — the regions of "higher" brain function — generate neutral, or perhaps mildly positive, effects? It appeared, strangely in his view, that in monkeys it did neither: strong negative response zones could be found in these sophisticated regions. So what? Well, this was troubling, according to Lilly's analysis. Were the centers of abstract reasoning laced with "halt" zones? This seemed to raise a striking possibility: the tractability of sophisticated cognitive functioning by means of electrical stimulation. Enter the specter of "mind control."

But perhaps, Lilly went on to reason, these issues — the "positive" versus the "negative" in higher brain function and, crucially, the plasticity of subjects under electrical stimulation — could only really be addressed in a brain larger and more complex than that of the macaque. As Lilly put it, "May not a larger brain be more impervious to such tampering with its innards? May not the trained, sublimating, and sometimes even sublime human mind resist, and even conquer such artificially evoked crassly primitive impulses?" Human experimentation was the only way to get sure answers to these questions. Acknowledging that this remained too risky to contemplate, Lilly then introduced Tursiops truncatus: "So far we have found only one animal that has a brain the size of ours who will cooperate and not frighten me to the point where I can't work with him — this animal is the dolphin." A description of Lilly's work at Marine Studios followed, emphasizing the success he and his collaborators had had in finding both positive and negative regions in this large brain. Two paragraphs at the end of this section became the core of the newspaper articles that followed, so they are quoted here in their entirety:

In this abbreviated account, I cannot convey to you all of the evidence for my feeling that if we are to ever communicate with a non-human species of this planet, the dolphin is probably our best present gamble. In a sense, it is a joke when I fantasy that it may be best to hurry and finish our work on their brains before one of them learns to speak our language — else he will demand equal rights with men for their brains and lives under our ethical and legal codes!


(Continues...)
Excerpted from Groovy Science: Knowledge, Innovation, and American Counterculture by David Kaiser, W. Patrick McCray. Copyright © 2016 The University of Chicago. Excerpted by permission of The University of Chicago Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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