The glamorous world of big-city geisha is familiar to many readers, but little has been written of the life of hardship and pain led by the hot-springs-resort geisha. Indentured to geisha houses by families in desperate poverty, deprived of freedom and identity, these young women lived in a world of sex for sale, unadorned by the trappings of wealth and celebrity. Sayo Masuda has written the first full-length autobiography of a former hot-springs-resort geisha. Masuda was sent to work as a nursemaid at the age of six and then was sold to a geisha house at the age of twelve. In keeping with tradition, she first worked as a servant while training in the arts of dance, song, shamisen, and drum. In 1940, aged sixteen, she made her debut as a geisha. Autobiography of a Geisha chronicles the harsh life in the geisha house from which Masuda and her sisters worked. They were routinely expected to engage in sex for payment, and Masuda's memoir contains a grim account of a geisha's slow death from untreated venereal disease. Upon completion of their indenture, geisha could be left with no means of making a living.Marriage sometimes meant rescue, but the best that most geisha could hope for was to become a man's mistress.Masuda also tells of her life after leaving the geisha house, painting a vivid panorama of the grinding poverty of the rural poor in wartime Japan. As she eked out an existence on the margins of Japanese society, earning money in odd jobs and hard labor -- even falling in with Korean gangsters -- Masuda experienced first hand the anguish and the fortitude of prostitutes, gangster mistresses, black-market traders, and abandoned mothers struggling to survive in postwar Japan.Happiness was always short-lived for Masuda, but she remained compassionate and did what she could to help others; indeed, in sharing her story, she hoped that others might not suffer as she had. Although barely able to write, her years of training in the arts of entertaining made her an accomplished storyteller, and Autobiography of a Geisha is as remarkable for its wit and humor as for its unromanticized candor. It is the superbly told tale of a woman whom fortune never favored yet never defeated.
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Lennard J. Davis is an Associate Professor at the University of Pennsylvania and is the author of several books, including Factual Fictions: The Origins of The English Novel (published by Columbia University Press).
M. Bella Mirabella is an Associate Professor at the Gallatin Division of New York University and has written widely on dance and drama.
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Paperback. Zustand: New. By providing a meditative overview of the past twenty years in the political study and teaching of literature, Where We're Bound assesses the concrete contributions of the sixties and the kind of changes that needed to come about to institutionalize the activism of this period. Twenty years ago, Louis Kampf and Paul Lauter published their groundbreaking anthology, Politics of Literature. It was the first book, born out of the sixties, to integrate the political insights of the New Left into the practice of literary criticism. Keenly aware of the politics and criticism since the sixties, Davis and Mirabella have produced a successor to the earlier volume. This work includes essays by both Kampf and Lauter, as well as by such well known scholars as Gerald Graff, Richard Ohmann, Catherine R. Stimpson, and writers, including Tillie Olsen.The authors survey various politicized realms of literary study - leftist, feminist, black, chicano, and others. While contributing to the ongoing debate about literary theory, Where We're Bound comes out of a tradition of political activism and also addresses itself to practical politics.It thus provides an important link between the radical politics of the sixties and the intellectual activities of radicals who study literature now, or will study it in the future. Bestandsnummer des Verkäufers LU-9780231065672
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