Guilty Knowledge, Guilty Pleasure: The Dirty Art of Poetry - Hardcover

Logan, William

Hardcover

ISBN 10: 0231166869 ISBN 13: 9780231166867

Verlag: Columbia University Press, 2014

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Críticas:

Want to know the state of contemporary poetry? Open this wonderful collection of criticism at any point and just start reading... Logan's criticism is filled with both insight and delight, revealing him as our 21st-century Samuel Johnson. Library Journal (starred review) [Logan's] sentences crackle with insight, intelligence, wit, and the despair of a prophet who sees the estate of poetry in ruins. Booklist Rich, allusive, and pleasurable. -- Craig Morgan Teicher Georgia Review Those who aspire to the study or practice of 'our savage art' could do no better than read this and Logan's other collections; they are a masterclass in how to read. -- Duncan Wu Times Higher Education Infuriating and charming in turns, Logan--poet, critic, and reviewer of poetry--is never uninteresting... Recommended. Choice The "guilty pleasure" of reading these reviews is how well they are written, and how funny they often are. -- David Starkey Santa Barbara Independent

Reseña del editor:

William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were-they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Gluck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved.

Über diese Auflage

• Verlag: Columbia University Press
• Erscheinungsdatum: 2014
• ISBN 10: 0231166869
• ISBN 13: 9780231166867
• Einband: Tapa dura
• Anzahl der Seiten: 344