'An elating read' Sunday Times
A producer. A novelist. An actress.
It is summer in 1968, the year of the assassinations of Martin Luther King and Robert Kennedy. There are riots in Paris and the Vietnam War is out of control. While the world is reeling our three characters are involved in making a Swingin' Sixties movie in sunny Brighton.
All are leading secret lives. Elfrida is drowning her writer's block in vodka; Talbot, coping with the daily dysfunction of making a film, is hiding something in a secret apartment; and the glamorous Anny is wondering why the CIA is suddenly so interested in her.
But the show must go on and, as it does, the trio's private worlds begin to take over their public ones. Pressures build inexorably - someone's going to crack. Or maybe they all will.
From one of Britain's best loved writers comes an exhilarating, tender novel that asks the vital questions: what makes life worth living? And what do you do if you find it isn't?
_______________________________________________
PRAISE FOR WILLIAM BOYD
'The ultimate in immersive fiction . . . magnificent' Sunday Times
'A finely judged performance: a deft and resonant alchemy of fact and fiction, of literary myth and imagination' Guardian on Love is Blind
'William Boyd has probably written more classic books than any of his contemporaries' Daily Telegraph
'Simply the best realistic storyteller of his generation' Sebastian Faulks
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William Boyd was born in 1952 in Accra, Ghana, and grew up there and in Nigeria. He is the author of sixteen highly acclaimed, bestselling novels and five collections of stories. He is married and divides his time between London and south-west France. His most recent novel, Trio, was a Sunday Times bestseller.
It is summer in 1968, the year of the assassinations of Martin Luther King and Robert Kennedy. There are riots in Paris and the Vietnam War is out of control. While the world is reeling our three characters are involved in making a Swingin' Sixties movie in sunny Brighton.
All are leading secret lives. Elfrida is drowning her writer's block in vodka; Talbot, coping with the daily dysfunction of making a film, is hiding something in a secret apartment; and the glamorous Anny is wondering why the CIA is s
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