Excerpt from Monographies Grégoriennes, Vol. 4: La Tradition Rythmique dans les Manuscrits
Comme vous le voyez, en devenant neumes ou notes musicales, les accents aigu et grave ne subirent d'abord dans leur forme que de légères modifications, sauf en certains cas l'accent grave; mais ils reçurent d'autres noms, suggérés par la forme elle-même.
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Paperback. Zustand: New. Print on Demand. This book delves into the existence of a genuine rhythmic tradition that existed in the Middle Ages. Through in-depth examinations of selected ancient chant manuscripts, the author demonstrates that there was a widespread and meticulous effort made to preserve particular melodic phrasing and tempo indications for liturgical music across many centuries. The author supports this position by comparing different versions of the manuscript Alleluia Ostende nobis to demonstrate that there was a cohesive tradition that spanned at least two hundred years. This research has crucial implications for contemporary Gregorian chant performances and will be of significant interest to musicians, scholars, and anyone interested in the history of Western music. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Bestandsnummer des Verkäufers 9780243352593_0
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