Since slavery, African and African American humor has baffled, intrigued, angered, and entertained the masses.
Rolling centers Blackness in comedy, especially on television, and observing that it is often relegated to biopics, slave narratives, and the comedic. But like W. E. B. DuBois's ideas about double consciousness and Racquel Gates's extension of his theories, we know that Blackness resonates for Black viewers in ways often entirely different than for white viewers. Contributors to this volume cover a range of cases representing African American humor across film, television, digital media, and stand-up as Black comic personas try to work within, outside, and around culture, tilling for content. Essays engage with the complex industrial interplay of Blackness, white audiences, and comedy; satire and humor on media platforms; and the production of Blackness within comedy through personal stories and interviews of Black production crew and writers for television comedy.
Rolling illuminates the inner workings of Blackness and comedy in media discourse.
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Alfred L. Martin, Jr. is Associate Professor of Cinematic Arts at the University of Miami. He is author of The Generic Closet: Black Gayness and the Black-Cast Sitcom (IUP).
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Soft cover. Zustand: Fine. No Jacket. ROLLING: BLACKNESS AND MEDIATED COMEDY, edited by Alfred L. Martin Jr., softcover, stated first printing, 2024. BOOK CONDITION: fine. The text block is in fine condition, with no tears, marks, or dog-ears. Not a library book nor a remainder. No bookplate or signature of a prior owner. The illustrated wraps are in near fine condition (slight curling of lower righthand corner of front cover, tiny nick at bottom of back cover). 9 x 6, 204 pages, 12 ounces XX [From the back cover] Since slavery, African and African American humor has baffled, intrigued, angered, and entertained the masses. ROLLING centers Blackness in comedy, especially on television, and observes that it is often relegated to biopics, slave narratives, and the comedic. But like W. E. B. DuBois's ideas about double consciousness and Racquel Gates's extension of his theories, we know that Blackness resonates for Black viewers in ways often entirely different than for white viewers. Contributors to this volume cover a range of cases representing African American humor across film, television, digital media, and stand-up as Black comic personas try to work within, outside, and around culture, tilling for content. Essays engage with the complex industrial interplay of Blackness, white audiences, and comedy; satire and humor on media platforms; and the production of Blackness within comedy through personal stories and interviews of Black production crew and writers for television comedy. ROLLING illuminates the inner workings of Blackness and comedy in media discourse. XX Alfred L. Martin, Jr., is Associate Professor of Cinematic Arts at the University of Miami. He is author of The Generic Closet: Black Gayness and the Black-Cast Sitcom. XX ROLLING is more than a study of Black humor and media: it is a celebration of one of the most enduring forms of Black culture [Racquel J. Gates, author of Double Negative: The Black Image and Popular Culture]. XX Alfred L. Martin, Jr., has constructed the most comprehensive collection of Blackness and humor to date. Readers of this text are prompted to ask themselves, What does it mean to laugh Black? [Adrien Sebro, author of Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions]. Bestandsnummer des Verkäufers 003155
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Paperback. Zustand: New. Since slavery, African and African American humor has baffled, intrigued, angered, and entertained the masses. Rolling centers Blackness in comedy, especially on television, and observing that it is often relegated to biopics, slave narratives, and the comedic. But like W. E. B. DuBois's ideas about double consciousness and Racquel Gates's extension of his theories, we know that Blackness resonates for Black viewers in ways often entirely different than for white viewers. Contributors to this volume cover a range of cases representing African American humor across film, television, digital media, and stand-up as Black comic personas try to work within, outside, and around culture, tilling for content. Essays engage with the complex industrial interplay of Blackness, white audiences, and comedy; satire and humor on media platforms; and the production of Blackness within comedy through personal stories and interviews of Black production crew and writers for television comedy. Rolling illuminates the inner workings of Blackness and comedy in media discourse. Bestandsnummer des Verkäufers LU-9780253068880
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